SOFREHS CREATED AFTER THE PUBLICATION OF THE BOOK

Autumnal Sofreh, November 2023

This year, for the November arrangement echoing a marriage sofreh (sofreh-ye aqd), the autumnal and harvest theme, presented in October, has been continued. The highlight of this sofreh is the exquisite yellow/orange antique Persian textile, known as termeh, with an intricately embroidered border and a “lion and sun” emblem on view in one corner, as well as an original mirror, framed with sheaves of wheat.

This is the overall view of the unconventional autumnal sofreh-ye aqd. The heart of the composition is decorated with a variety of autumnal fruit. Bouquets of flowers (Country Home roses and Lisianthus Terracotta) and foliage in subtle autumnal tones brighten the sofreh. Unusually, as it is a sofreh presented close to Halloween, a touch of the spirit of that tradition is on display. Several pillar candles illuminate this distinctive and creative composition.

This is the lower central part of the sofreh-ye aqd. It is decorated with a variety of seasonal fruit, namely apples, miniature pears and a single pomegranate. Apples and pomegranates, which are among the divine fruits (miveh-ye beheshti), symbolize life and fertility. This miniature composition is embellished with sprigs of fragrant Eucalyptus. Small piles of gilded coins (sekkeh), a symbol of wealth and prosperity, are scattered around the sofreh.

This is the heart of the sofreh-ye aqd. The composition boasts an unusual mirror mosaic framed with sheaves of wheat, a symbol of blessing and abundance (barekat). Sheaves of wheat not only herald the harvest season, but are often part of the sofreh-ye aqd. This central section is decorated with grapes of different colours, which are in season. They are presented in an antique silver compote dish and embellished with sprigs of fragrant Eucalyptus. The flames of the pillar candles, coupled with the reflection of one of them in the mirror, provide a delightful illumination.

This is a close-up of the exquisite early 20th-century Persian textile (termeh), probably from Kerman, the highlight of the sofreh-ye aqd. The focus of the image is the intricately embroidered "lion and sun" ("shir o khorshid") motif with metallic threads. The emblem is enhanced with a crown, flowers and tendrils. In the Persian tradition the "lion and sun" motif has many narrated meanings, which have evolved over the years. Describing and summarizing its significance and evolution in this brief caption would not do justice to its influence, prominence and history.

This is the left side of the sofreh-ye aqd. The harmonious bouquets in subtle autumnal tones of orange and terracotta, softly illuminated with flames, are made up of Country Home roses, Lisianthus Terracotta, Brunia fragarioides, Eucalyptus populus and the fruit of Rosa multiflora (rose hips). The subtle colour scheme nicely echoes the shades of autumn and the harvest season. An antique Russian silver bird statuette augurs good fortune. One of the several small piles of gilded coins (sekkeh), a symbol of wealth and prosperity, is visible in this image.

This is the right side of the sofreh-ye aqd. The corner is embellished with sprigs of Eucalyptus and a softly illuminated pot of delicate trailing ivy. Rice, which is harvested in autumn, is also a symbol of blessing and abundance, and often included in the sofrehs for Nowruz and aqd. Here it is embellished with a single sculpted miniature pomegranate. Inspired by the traditions of Halloween, this unconventional sofreh includes decorative pumpkins, which speak to the harvest season, as well as complementing the colour scheme of this autumnal sofreh.

Aqd & Mehregan, October 2023

This autumn, to pay homage to Jashn-e Mehregan and the harvest season, an autumnal composition, which echoes a Persian marriage sofreh (sofreh-ye aqd), was created.
 
The festival of Mehregan (8-13 October), which is an Iranian pre-Islamic festival, is associated with harvest. To learn more, please scroll down to Jashn-e Mehregan, October 2022.

This is the overall view of the arrangement, which presents fruits, nuts, wheat and herbs. Three bouquets of flowers and foliage in subtle autumnal shades are placed on a length of antique Persian textile, known as termeh, intricately embroidered with metallic threads.

These delightful bonbonnières in the Persian spirit, in autumnal shades, which are delicately enveloped with fine gold open mesh, are displayed in a corner of the sofreh-ye aqd. The softly illuminated miniature pears complement the shades of the bonbonnières.

This is the heart of the autumnal sofreh-ye aqd. It includes miniature pears and grapes of different colours, which are in season. The backdrop is a length of draped fine gold open mesh. The fruit is elegantly arranged in an antique compote dish to highlight the beauty of the bunches of trailing grapes. A miniature bouquet of flowers and foliage in subtle autumnal shades takes centre stage, next to an embroidered pouch of gilded coins. Natural and decorated nuts, a symbol of fertility, are also on display.

This image focuses on the lower central part of the sofreh-ye aqd. The antique Persian textile, known as termeh, is embroidered with metallic threads. The ornamental motifs are floral with leaves and tendrils, together with a stylized Persian inscription, "mobarak bad", meaning congratulations. A pair of antique Persian silver vases hold bunches of fresh and fragrant herbs, and dried miniature roses. The lid of the antique silver box containing the nuts alludes to a mirror, a symbol of light and reflection.

This pleasant bouquet in subtle autumnal tones is displayed on the left side of the sofreh-ye aqd. The harmonious bouquet is made of Moab and Country Home roses, Lisianthus Terracotta, Brunia fragarioides, Eucalyptus populus and the fruit of Rosa multiflora (rose hips). This bouquet nicely highlights the smoked orange Moab roses.

This pleasant bouquet in subtle autumnal tones is displayed on the right side of the sofreh-ye aqd. The harmonious bouquet is made of Moab and Country Home roses, Lisianthus Terracotta, Brunia fragarioides, Eucalyptus populus and rose hips. A length of draped gold open mesh embellishes this corner.

This intricate composition of sheaves of wheat, presented in and around an attractive antique vase and partially enveloped in a length of fine gold open mesh, is displayed in a corner of the sofreh-ye aqd. Sheaves of wheat, which are often included in the sofreh-ye aqd as a symbol of blessing and abundance (barekat), herald the harvest season.

This is the close-up of the delicate miniature bouquet placed at the heart of the sofreh-ye aqd. A single Country Home rose, Lisianthus Terracotta, Brunia fragarioides, Eucalyptus populus and rose hips make up this dainty arrangement. The colour of the grapes hanging above the bouquet complements its soft and subtle autumnal tones.

Traditional Versus Contemporary

This enchanting set-up arranged on a modern, tiered Perspex console table echoes a Persian marriage sofreh (sofreh-ye aqd). The composition nicely incorporates the contrasting traditional and contemporary spirits.

This is the overall view of the arrangement. An impressive bouquet of Country Secret roses and elegant foliage, flanked by a pair of candelabra, takes centre stage. Many of the symbolic elements of the sofreh-ye aqd, namely decorated eggs, gold-tinted nuts, Persian sugared almonds, crystal sugar, gilded coins and rosewater, are on display in attractive containers.

This elegant, two-tiered antique silver-plated and crystal vessel contains decorated eggs and nuts and is placed on the lower level of the console table. Both eggs and nuts, which are embellished with sprigs of trailing ivy, are symbols of fertility. The two-tiered container, placed against the backdrop of a fine gold textile, complements the two-tiered Perspex console table.

This charming, antique miniature tray contains the golden, jewel-like crystal sugar (nabat), which is embellished with three delicate leaves of trailing ivy. Crystal sugar is a symbol of sweetness and harmony and an important part of the traditional Persian marriage sofreh (sofreh-ye aqd).

This delightful, identical vessel contains sugared almonds (noql), which is embellished with a single gold coin and ivy leaves. Noql is also a symbol of sweetness and harmony. In the Persian tradition, "noql o nabat” ("sugared almonds and crystal sugar") are synonymous with joy and celebrations.

This charming mini composition of gilded coins is embellished with ivy leaves and a miniature, mirrored jug of Persian rosewater. The mirror represents light and reflection. The shiny gilded coins (sekkeh), with the Persian inscription mobarak bad, meaning congratulations, symbolize wealth and prosperity, and the rosewater (golab) perfumes the air.

This impressive bouquet of Country Secret roses, Viburnum opulus (Guelder rose), Hypericum and ivy takes centre stage. The colour scheme is pastel and soft tones, which complements the lengths of fine lace and textile included in the sofreh. A dazzling reflection of the gilded coins can be seen in the vase. This section is softly illuminated with flames.

Apple (Sib)

In the Persian tradition, apples (sib) are among the divine fruits (miveh-ye beheshti) and are a symbol of life and fertility. This original composition, arranged on the staircase of a late 19th-century property, which alludes to a Persian sofreh, is inspired by an assortment of apples, which are always included in the Nowruz sofreh (sofreh-ye haft sinn) and are often part of the Persian marriage sofreh (sofreh-ye aqd).

This is the overall view of the sofreh. The arrangement is realized on three levels, with three bouquets of exquisite, open roses and fine, hanging foliage. An antique Venetian mirror and a pair of elegant tea lights take centre stage. This unconventional sofreh is softly illuminated with the flames of pillar candles and tea lights, and adorned with a length of antique Indian textile in muted gold.

This is the heart of the sofreh. The flame of one of the pillar candles and the lovely sprigs of fine foliage are reflected in the antique Venetian mirror. The central bouquet of open roses and foliage hangs over the backdrop of the antique Indian textile. This section is softly illuminated with the flames of a pair of tea lights, placed in elegant gold-rimmed holders, and the central pillar candle.

These dazzling apples inspired the creation of this sofreh. The assortment includes a variety of shiny apples, namely Red Delicious, Pink Lady, Jazz, Gala, Golden Delicious and Delblush, elegantly arranged in an antique crystal and silver-plated container, embellished with fine, hanging foliage. This corner is softly illuminated with flames and the reflection of the pillar candle in the mirror is charming.

This is the right corner of the sofreh. This section showcases a selection of different colours of ceramic and fresh Gala and Delblush apples. Apples signify growth and rebirth, and are a symbol of fertility. The juxtaposition of the fine antique Indian textile and the rough surface of the stone staircase creates an appealing contrast. This section is softly illuminated with the flames of a pillar candle and a tea light.

This delightful, harmonious bouquet sits on the left side of the sofreh. The elegant bouquet is made of open Country Secret and Veggie roses, Hypericum, Alchamilla mollis, Eucalyptus nicholii and Pittosporum nigra. Two pillar candles illuminate this corner, which is draped with a length of antique Indian textile in muted gold.

This delightful, harmonious bouquet sits on the right side of the sofreh. The elegant bouquet is made of open Country Secret and Veggie roses, Hypericum, Alchamilla mollis, Eucalyptus nicholii and Pittosporum nigra. Two pillar candles illuminate this corner, which is draped with a length of antique Indian textile in muted gold.

Ivory & Gold

This soft composition in ivory and gold includes many of the symbolic elements of the Persian marriage sofreh (sofreh-ye aqd).

This is the overall view of the soft sofreh in ivory and gold. A mirror and candelabra (ayeneh sham'dan), symbols of reflection and light, together with a pair of bouquets of ranunculi in pastel shades, take centre stage. Two pairs of bird statuettes represent the bride and the groom, and the other bird statuettes herald good fortune. Crystal sugar, Persian sugared almonds, gilded coins, sculptured apples and pomegranates are all on display. Lengths of antique lace and Indian silk enhance the beauty of this sofreh.

This delicate miniature ensemble sits in the centre of this soft marriage sofreh in ivory and gold. The crystal sugar (nabat), which is sculpted in the form of an apple, is presented in a fine glass vessel and is surrounded by miniature gold-finish sculptured apples. The arrangement is partially enveloped with fine antique lace and embellished with leaves of ivy. A pair of fine stylized gold- and silver-finish ceramic birds represents the couple. This central section is softly illuminated with the flames of tea lights.

This is one of a pair of the bouquets with two different types of silky pastel ranunculi, known as Hanoi and Pompon (Pom Pom), alongside Viburnum tinus and varieties of ivy, which is placed on the left side of the sofreh. It is nicely presented against a backdrop partially composed of elegantly draped Indian silk with gold paisley motifs. The bouquet is softly illuminated with a single flame.

This is the other one of a pair of the bouquets with two types of silky pastel ranunculi, known as Hanoi and Pompon (Pom Pom), alongside Viburnum tinus and varieties of ivy, which is placed on the right side of the sofreh. To create a balance and repeat the design of the paisley motif, a nicely shaped sample of Indian silk is displayed in this corner, which is softly illuminated with a single flame.

This is the left corner of the sofreh. A selection of sculptured apples, a symbol of life and fertility, adorn this corner. Persian sugared almonds (noql), a symbol of sweetness and harmony, are presented in an attractive vessel and embellished with fine gold tassels and a single gold coin. An antique bronze miniature bird statuette heralds good fortune. A few bonbonnières in soft tones are displayed on a platter lined with a piece of antique lace. This corner, which is softly illuminated with flames, is adorned with elegantly draped lengths of fine Indian silk with paisley motifs, and delicate antique lace.

This is the right corner of the sofreh. A length of fine antique lace, woven around a selection of ceramic pomegranates, a symbol of life and fertility, adorns this corner. Gilded coins (sekkeh), a symbol of wealth and prosperity, are presented in an attractive vessel and embellished with a single leaf of ivy. An antique Russian silver bird statuette augurs good fortune. A few bonbonnières in soft tones are displayed on a platter lined with a piece of antique lace. A sample of nicely shaped Indian silk with paisley motifs embellishes this corner, which is softly illuminated with a single flame.

Echoes of Sofreh-ye aqd, May 2023

This soft and serene arrangement, which echoes a Persian marriage sofreh (sofreh-ye aqd), is created on and around lengths of fine antique ivory lace, complemented by light and feathery off-white peonies and embellished with sprigs of soft foliage. The emphasis is on a shiny, silky and subtle appearance.

This is the overall view of the Persian marriage sofreh (sofreh-ye aqd), which includes some of its symbolic elements, namely a mirror and candelabra (symbols of reflection and light), decorated eggs, gilded coins, sugared almonds, sculptured pomegranates and two bird statuettes which personify the couple.

This delightful bouquet is placed at the heart of the soft and serene arrangement. It includes smoked red/pink/green hydrangeas, ivory peonies, wax flower and fine, graceful foliage. The bouquet is softly illuminated with flames and its reflection in the antique silver-plated mirror is simply stunning.

This is the central section of the sofreh. An antique vessel contains silver- and gold-finish sugared almonds. The ceramic pomegranates in a similar finish complement the arrangement. Gold-painted eggs are placed next to a pair of sculptured birds. Gilded coins pour out of an antique silver-plated purse. The arrangement is enhanced by the draped lengths of antique ivory lace and embellished with sprigs of foliage.

This image focuses on the gold-finish eggs, which are a symbol of life and fertility, presented in a crystal and silver-plated antique vessel. Two sculptured antique-gold-finish birds personify the couple. Gilded coins, which pour out of an antique silver-plated purse, are a symbol of wealth and prosperity. All the elements are softly draped in fine antique lace and embellished with sprigs of delicate foliage.

The focus of this image is an antique opaline vessel containing shiny silver- and gold-finish sugared almonds, which signify the wish for a sweet and harmonious married life. The vessel is embellished with sprigs of foliage and elegantly draped in lengths of fine antique lace.

The focus of this image is the shiny ceramic gold- and silver-finish pomegranates, a symbol of fertility, which are embellished with sprigs of foliage. The effect of the soft antique lace, which partially envelops the pomegranates and softly drapes around this corner, is truly alluring.

Echoes of Sofreh-ye aqd, April 2023

This harmonious, compact yet dazzling arrangement, which was inspired by the bouquets of ranunculi, anemones and Viburnum opulus, alludes to a Persian marriage sofreh (sofreh-ye aqd).

This is the overall view of the Persian marriage sofreh (sofreh-ye aqd) which includes a simple rectangular mirror, an impressive container of elegantly decorated eggs, a few vividly finished sculptured apples and pomegranates, as well as dried miniature pomegranates in a deep-burgundy tone. The sofreh is softly illuminated with the flames of a pair of tea lights. A length of antique ivory and metallic-gold Indian textile enriches the arrangement.

This is the heart of the sofreh. The focus of the image is on a selection of softly decorated eggs in subtle, neutral and gold tones. Eggs, which are a symbol of life and fertility, are often included in sofrehs for both marriage and for Nowruz. A pair of tea lights is presented in delicate gold-rimmed tea light holders. Their flames softly illuminate this section and their reflection in the mirror against the background of the decorated eggs is delightful.

This is one of a pair of bouquets that inspired the creation of this Persian marriage sofreh. The bouquet is made of Hanoi ranunculi, anemones in pastel tones and Viburnum opulus. The black centres of the soft anemones are complemented by the miniature bouquet of Cantor black calla lilies, displayed below the larger bouquet.

This is the other of a pair of bouquets that inspired the creation of this Persian marriage sofreh. This bouquet, too, is made of Hanoi ranunculi, anemones in pastel tones and Viburnum opulus. The black centres of the soft anemones are complemented by the miniature bouquet of Cantor black calla lilies, displayed below the larger bouquet.

This is one corner of the sofreh. The focus of this image is the highly glazed ceramic pomegranates in metallic gold and silver, displayed on a length of antique Indian textile and next to a miniature dried pomegranate and a tiny bouquet of Cantor black calla lilies. Pomegranates, which are a symbol of fertility, are often included in sofrehs for both marriage and for Nowruz.

This is the other corner of the sofreh. The focus of this image is the stylized sculpted gold-finish apples and miniature dried pomegranates. The beauty of this corner is enhanced by the Cantor black calla lilies and open pastel anemone with a black centre. Apples, like pomegranates, are one the divine fruits (miveh-ye beheshti) and are a symbol of life and fertility.

Bejewelled Sofreh

Many Persian emblems and symbolic elements of the Persian sofreh appear in items of jewellery. This most original “bejewelled sofreh” is dedicated to showcasing this kind of jewellery.

This is the overall view of the "bejewelled sofreh". Apart from the distinct jewellery, some intricate embroidery and jewel-like symbolic elements of the Persian sofreh (e.g. gilded coins and crystal sugar) are on display. A daintily embroidered antique pouch, placed on an antique Venetian mirror, takes centre stage. This delicate sofreh is embellished with miniature bouquets of flowers and foliage, and colourful pouches, which could hold the bride’s make-up, or gilded coins and Persian sugared almonds. The sofreh is softly illuminated with multiple flames.

The focus of this image is the section that showcases an elegant necklace made of antique beads and statuettes of fish. To magnify the symbolic significance of the fish, which is included in the sofreh for Nowruz (sofreh-ye haft sinn), a sculptured fish is on display too. This corner also includes a silver pendant with Persian coins. The miniature composition is embellished with berries of Hypericum and delicate foliage. In the Persian tradition, fish is a symbol of plenitude and blessing, among other virtues, and coins signify wealth and prosperity.

This is the heart of the "bejewelled sofreh". It showcases an intricately embroidered antique Persian textile, known as termeh, and a pair of small trays containing gilded coins (sekkeh, a symbol of wealth and prosperity) and crystal sugar (nabat, a symbol of sweetness and harmony). Both the gilded coins and crystal sugar possess a jewel-like quality. A miniature tray of ornamental pomegranates and foliage is placed between a pair of bouquets made of foliage, sprigs of berried plants (Hypericum and snowberries), dainty flowers and buds (Lisianthus and wax flower), which complement the beads and stones of the creative jewellery. A pair of flames softly illuminates the heart of the sofreh.

This corner of the sofreh focuses on a lovely antique piece of bright red velvet embroidered with metallic threads, seed-pearls and sequins. A pair of mirrored balls, embellished with ornamental pomegranates and foliage, symbolize light and reflection—mirrors are always part of the Persian sofrehs for marriage and Nowruz. Sculptured birds are often included in the Persian marriage sofreh (sofreh-ye aqd). Here a charming necklace featuring birds, designed by Samira Vaziri (@samiravaziri_collections) and an antique Russian silver bird are on display. This corner, too, is embellished with delicate bouquets of flowers and foliage, and softly illuminated with a single flame.

This section of the "bejewelled sofreh" is dedicated to two original and artistic Persian necklaces, designed by Lida Rafii, which are displayed on a pair of small plates. One necklace features a pendant of an ancient Luristan bronze animal figurine, hung on a string of new gold beads and ancient Achaemenid beads in turquoise shades. This colour is very much part of the Persian tradition—in design and especially in architecture. The other necklace showcases an ancient Luristan bronze pendant in the form of a pomegranate (a symbol of fertility and often part of the Persian sofreh), dangling from a string of sea pearls and gold beads. A delicate sculptured pomegranate in various shades of blue, by Raaz Pottery, London (@raazpottery), is on display, and this miniature arrangement is embellished with ornamental pomegranates.

The focus of this image is a section of the "bejewelled sofreh", which showcases two very different pairs of hand-made earrings, displayed on ceramic pomegranates designed by Keyvan Fehri (www.keyvanfehri.com). The first earrings, by Samira Vaziri, feature a crown and a "lion and sun" emblem, which carry important significance in the Persian culture. The second earrings, designed by Lida Rafii, feature ancient gold sculptured fish and silver coins of Elymais. The gold depictions on the pomegranates ("lion and sun", and fish) complement the design of the earrings. This section is embellished with a delicate bouquet of flowers and foliage, embroidered ribbons and a bright red velvet pouch, which may contain the bride’s make-up, or coins and Persian sugared almonds (noql), a symbol of sweetness and harmony.

Yalda and Christmas, January 2023

In 2022, around the winter solstice (Shab-e Yalda) on 21 December and Christmas, an original compact sofreh, inspired by the traditions of both celebrations, was created and presented on the social media pages of SOFREH. The arrangement showcases some customary elements from the sofrehs for Shab-e Yalda (e.g. samovar, red fruits) and Christmas decorations (e.g. Christmas foliage and lights). To read more about Shab-e Yalda please scroll down to Shab-e Yalda, Winter Solstice, December 2021.

This is the overall view of the innovative sofreh, which includes an impressive bouquet of Christmas foliage and white roses embellished with Christmas lights and presented in a samovar. A gold-finish statuette of an angel, gold-painted walnuts, pine cones, sprigs of fir and leaves and sprigs of holly all echo the traditions of Christmas. Red fruits, especially pomegranates, are an important component of the sofrehs for Shab-e Yalda, which often include antique Persian textiles too. Lengths of metallic-gold textile and open mesh enliven this sofreh. Red apples and numerous flames, which are part of the decorations of both traditions, are also featured.

Persian textiles, especially fine antique ones that have been handed down by previous generations, are often included in sofrehs for any occasion. The focus of this image is the finely embroidered length of an antique Persian textile, known as termeh. Metallic threads and seed-pearls are employed to create lovely tendrils, as well as a crown and a "lion and sun" emblem, which have important significance in the Persian culture. The juxtaposition of the gold-finish angel, which is often included in Christmas decorations, and the embroidered termeh, which is usually part of the sofrehs for Shab-e Yalda, creates an unusual combination.

The focus of this image is a selection of shiny red apples in various sizes, embellished with sprigs and leaves of variegated holly and softly illuminated with flames of tea lights, placed inside charming holders shaped like Christmas trees. Red fruits are an important part of the sofrehs for Shab-e Yalda, and red apples and, of course, holly are often included in Christmas decorations.

The focus of this image is a selection of oversized pine cones, embellished with sprigs and leaves of berried and variegated holly. This corner is softly illuminated with miniature Christmas lights and flames of tea lights, placed inside elegant holders. Pine cones and holly are often included in Christmas decorations, while flames are part of the decorations of both traditions.

The focus of this image is the bouquet of Christmas foliage embellished with miniature Christmas lights. The arrangement mainly includes sprigs of fir (Abies) and varieties of berried holly (Ilex), including the variegated type. The full white roses are known as Playa Bianca. The arrangement is placed inside a European copper samovar. Samovars are often included in the sofrehs for Shab-e Yalda to serve tea during the long night of getting together, reciting poetry and celebrating. Flames below the bouquet provide a soft illumination.

The focus of this image is a group of oversized shiny pomegranates and gold-finish walnuts, embellished with sprigs and leaves of variegated holly and Christmas lights, and softly illuminated with the flame of a single tea light, placed in an elegant, Christmas tree-shaped holder. Red fruits, especially pomegranates, are an important part of the sofrehs for Shab-e Yalda and decorated walnuts are often included in Christmas decorations. The muted-gold, open mesh, woven around the elements, enhances the beauty of this section.

Echoes of Sofreh-ye aqd, November 2022

This delightful serene arrangement, which was inspired by the impressive bouquet of hydrangeas, snowberries and foliage placed at the heart of the display, alludes to a Persian marriage sofreh (sofreh-ye aqd). It includes some of the symbolic elements of the marriage sofreh.

This is the overall view of the serene marriage sofreh which includes a mirror, gilded coins, pomegranates, crystal sugar and a selection of bonbonnières. The compact sofreh is embellished with lengths of antique textile and trim, as well as fine gold tassels, and is softly illuminated with flames.

The focus of this image is the delicate, antique opaline container of jewel-like pieces of crystal sugar (nabat), which is a symbol of sweetness and harmony. Here it is embellished with the delicate and fragrant leaves of Eucalyptus. The fine antique textile and trim enhance the beauty of this corner.

This distinctive antique mirror stand with a pink opaline vase contains a delicate bouquet made of the foliage that is included in the principal bouquet of flowers of the sofreh. Snowberries brighten up this November marriage sofreh (sofreh-ye aqd). The delicate vessel on the bottom of the stand showcases gilded coins (sekkeh), a symbol of wealth and prosperity.

This small selection of bonbonnières in pastel shades, tastefully created in the Persian spirit, are displayed at the front of the sofreh. They are beautifully presented against the background of a length of metallic gold and ivory antique Indian textile, in and around an antique crystal and silver-plated container, and are embellished with fine gold tassels and foliage.

Pomegranates are a symbol of fertility in the Persian culture, as in many other traditions. These delightful ceramic pomegranates, one of which is inscribed with the word “love” (eshq) in Persian, are a fitting addition to this marriage sofreh. Lengths of decorative trim are elegantly woven around the highly glazed sculptured pomegranates.

The inspiration for creating this marriage sofreh was this spectacular bouquet of My Vienna Classic and Verena Classic hydrangeas in pastel shades of pink and green, together with snowberries (Symphoricarpos), Eucalyptus populus and Ligustrum vulgare. The vase is elegantly draped in a length of fine antique Indian textile in ivory and metallic gold.

Jashn-e Mehregan

October, 2022. Jashn-e Mehregan is an Iranian festival which is apparently dedicated to the god of Mithra (Mehr). See more on http://www.iranicaonline.org/articles/mehragan. Very briefly, in the Persian culture, Mehregan is believed to have the same significance as Nowruz, with Nowruz signalling the beginning of spring and Mehregan marking the arrival of autumn. The celebrations, which have their origins in the pre-Islamic period and are associated with agriculture and harvest, are usually held between 16 and 21 Mehr in the Persian calendar, which correspond to 8 and 13 October. Although in the past sofreh was part of the Mehregan customs, in modern times, it is not.
 
This year, to pay homage to Jashn-e Mehregan, two sofreh arrangements, which include a variety of apples, were created in autumnal shades. Both bring out the best of the beauty, tone and form of the apples which herald the harvest season. The details of each sofreh appear below the relevant overall image.

This first sofreh, created for Jashn-e Mehregan, which is softly illuminated with flames, features an oversized apple, as well as small ones. The unusually large apple is deliberately presented by itself in the centre in order to better emphasize its size. Bouquets of flowers and foliage are placed on lengths of draped yellow/orange antique Persian textile, known as termeh.

This second sofreh, created for Jashn-e Mehregan, showcases a variety of apples in a two-tiered, antique silver-plated vessel, which is placed against a bouquet of pale green hydrangeas and is illuminated with flames. More flowers and foliage, as well as fresh ornamental and ceramic pomegranates and a length of draped antique Persian silk, are part of this arrangement.

The focus of this image is the heart of the first sofreh. The sizeable apple is placed on the top tier of the sectional silver-plated receptacle. Apples, numbered among the divine fruits (miveh-ye beheshti), herald the harvest season. This central section is embellished with foliage and the reflection of the copious apple and the cuttings is particularly appealing.

The focus of this image is the central section of the second sofreh. Unlike the heart of the first sofreh, which is fairly simple, the heart of the second sofreh is very elaborate. The two-tiered, antique silver-plated container showcases a variety of apples in different sizes, embellished with foliage. The folds of the draped antique Persian textile add an extra dimension.

This is the right side of the first sofreh. A dainty bouquet of deep-orange roses, known as Samoa, Skimmia and Hypericum, embellish this section. Several mini apples herald the harvest season.

This is the right side of the second sofreh. Branches of crab apples are part of the bouquet created around a spectacular single rose, known as Princess Crown, and foliage, namely berried ivy and Ligustrum.

This is the left side of the first sofreh. Once again a dainty bouquet of deep-orange roses, known as Samoa, Skimmia and Hypericum, embellish this section. A pair of petite apples heralds the harvest season. This section nicely reveals the folds and movement of the draped lengths of termeh, together with a length of the trim.

This is the left side of the second sofreh. A bouquet of Hypericum, Skimmia and Ligustrum, and a bouquet of ornamental pomegranates and foliage, as well as a bright red ceramic pomegranate embellish this corner. Pomegranates, also numbered among the divine fruits (miveh-ye beheshti), herald the harvest season.

Echoes of Sofreh-ye aqd, September 2022

Anthuriums are not part of Persian traditions. However, this impressive, oversized single flower, known as Amigo, was the inspiration for creating this compact composition, which alludes to a Persian marriage sofreh (sofreh-ye aqd).

This is the overall view of the compact sofreh. The variegated, imposing flower is beautifully presented alongside layers of antique, embroidered Persian textile, known as termeh. Ceramic pomegranates, an antique miniature mirrored jug of rosewater and flames are part of this pleasant composition.

These shiny red ceramic pomegranates are primarily presented on top of Persian ribbed glass vessels. A length of antique Persian metallic trim is elegantly woven around the containers which showcase the pomegranates. The intricate gold embroideries on the lengths of termeh are clearly visible in this corner.

This exquisite antique miniature mirrored flask contains rosewater to perfume the air and has been elegantly placed on an antique miniature silver vessel. Rosewater (golab) is an important part of Persian culture and culinary tradition. Mirrors are a symbol of light and reflection and this delicate miniature jug has the hint of a mirror, which reflects the weaves of the termeh.

It is appropriate to end the presentation of the details of this compact marriage sofreh (sofreh-ye aqd) with the close-up of the impressive flower that inspired the design. This truly spectacular and unusually large anthurium in bright green and red, known as Amigo, perfectly complements the shiny red ceramic pomegranates presented on top of Persian green glass vessels.

Echoes of Sofreh-ye aqd, August 2022

This pleasant arrangement with a predominantly silver colour scheme alludes to a Persian marriage sofreh (sofreh-ye aqd). It includes a few of the symbolic elements of the sofreh.

This is the overall view of the sofreh, which beautifully reveals the reflection of some of the symbolic elements in the antique silver-plated ornate mirror. A tray of brightly glazed ceramic pomegranates takes centre stage. This delightful sofreh showcases a pair of bouquets of hydrangeas, carnations and foliage, and is softly illuminated with flames.

This section focuses on the box on the base of the mirror, which contains gilded coins (sekkeh) and Persian sugared almonds (noql), respectively symbols of wealth and prosperity, and sweetness and harmony. The gilded coins gently flow out of the box whose attractive lid with ornate knob is displayed at a slant. This section is embellished with buds of Eucalyptus robusta.

At the heart of the sofreh, delightful ceramic pomegranates, which are the work of the Iranian artist, Keyvan Fehri www.keyvanfehri.com, can be seen in white and silver tones, some embellished with Persian calligraphy. Lengths of silver- and gold-textured textiles, as well as antique Persian metallic-silver trims are elegantly draped around the pomegranates. An antique Russian silver box, with its attractive lid displayed at a slant next to it, contains silver-finish sugared almonds embellished with buds of Eucalyptus robusta.

In order to better showcase the pair of soft bouquets of this marriage sofreh, the arrangement is altered here, and the bouquets are placed closer together. These two lovely bouquets of pastel green hydrangeas, Caramel carnations and Eucalyptus robusta, which are softly illuminated with flames, adorn and brighten the composition. Antique, shapely coloured-glass flasks contain rosewater (golab) to perfume the air. The movement of the gracefully draped textured textile and its reflection in the mirror are truly elegant.

Echoes of Sofreh-ye aqd, May 2022

During May 2022 three vivid arrangements were presented, which allude to a Persian marriage sofreh (sofreh-ye aqd). They were inspired by the striking bouquets of flowers, illuminated with flames.

This first sofreh in cream, pink, green, red and deep-burgundy tones includes antique and modern textiles. It showcases an impressive bouquet of ranunculi, a single hand-decorated egg, sculptured miniature pomegranates and an antique mirrored miniature jug of rosewater to perfume the air.

The focus of this image is the spectacular bouquet of a variety of ranunculi—in an almost-black deep burgundy and in smoked pink and green—known as Pon Pon Mignon. The radiant bouquet, with its distinctive colour scheme, takes centre stage in this first sofreh, as well as the second one below.

This second sofreh in antique gold and deep-red tones showcases lengths of Ottoman velvet, embroidered with antique gold metallic threads, and the striking bouquet of ranunculi above. Two pairs of decorated sugarloaves are on display. This composition is remarkable for its simplicity, yet opulence.

The focus of this image is the two pairs of sugarloaves (kalleh qand), embellished with Indian and Persian metallic trims. Two pairs are presented to highlight the important role of sugarloaves during the aqd ceremony. These are ground over the heads of the newlyweds to shower them with sweetness.

This third sofreh is arranged on a Victorian papier mâché tray table. It comprises a bouquet of unusual roses and foliage, fresh apples and pomegranates, sheaves of wheat (symbolizing blessing and abundance), sugared almonds, crystal sugar and a length of elegantly draped antique Persian textile.

This image focuses on the bouquet of lovely smoked peach/pink roses, known as Café au lait, and a variety of Eucalyptus (Eucalyptus nicholii). The fabulous bouquet and the mute-coloured antique Persian textile, elegantly draped in this corner of the sofreh, create a pleasant and original fusion.

Echoes of Sofreh-ye aqd, April 2022

During April 2022 two soft arrangements were presented, which allude to a Persian marriage sofreh (sofreh-ye aqd). The inspiration for both was the splendid bouquets of flowers and foliage, illuminated with flames.

This first sofreh in cream, gold and green tones includes a pair of sugarloaves (kalleh qand), decorated with fine lace and gold tassels. Sugarloaves are ground during the aqd ceremony to shower the couple with sweetness. Crystal sugar (nabat), too, is a symbol of sweetness and harmony.

The focus of this image is the bouquet of unusual Pastini Arona gerberas, Pompon (Pom Pom) ranunculi, Summer Rose spray roses, Viburnum opulus and Pittosporum nigra. The juxtaposition of the bouquet in cream, yellow and green tones with a muted-gold textile is particularly appealing.

This second sofreh in cream, gold, pink and green tones showcases a container of crystal sugar (nabat), a symbol of sweetness and harmony. Ceramic pomegranates in gold and silver metallic finish are on display. The sofreh is draped with lengths of textured Indian textile and muted-gold mesh.

The focus of this image is the bouquet of pale pink Unforgettable roses, cream Summer Rose spray roses, Viburnum opulus, Cool Romance Hypericum and White Diamond Limonium. The soft bouquet, the textured Indian ivory and gold textile and the muted-gold mesh create an original fusion.

Ornamental Pomegranates

This dainty arrangement was inspired by sprigs of fresh ornamental pomegranate, which are displayed on a Venetian-style mirror and in a miniature cup and saucer. It alludes to a Persian marriage sofreh (sofreh-ye aqd) and comprises pomegranate-shaped candles, mirrors, miniature vessels of rosewater (golab) to perfume the air, gilded coins (sekkeh, a symbol of wealth and prosperity), sugared almonds and crystal sugar (noql o nabat, which are symbols of sweetness and harmony).

This image is a birds-eye view of the original miniature arrangement.

This conventional view of the sofreh emphasizes the elegant forms of the elements.

This is the heart of the sofreh. Sprigs of ornamental pomegranate are not easily available and are an invaluable addition to any sofreh. With their abundance of seeds, pomegranates are a symbol of fertility and a significant part of the Persian culture—in celebrations and cuisine. Mirrors are a symbol of reflection and light, and here the sprigs of pomegranate are displayed on a Venetian-style cut glass mirror.

This is a birds-eye view of a section of the sofreh. The mirrored miniature urn and the white and gold teapot contain rosewater. The miniature cup and saucer showcase a few sprigs of the ornamental pomegranate. Three identical white and gold miniature vessels, which are adorned with ornamental pomegranate sprigs, contain gilded coins, crystal sugar and sugared almonds embellished with a gilded coin.

Shab-e Yalda, Winter Solstice

December, 2021. Shab-e Yalda, the winter solstice, is the longest night of the year. It is the eve of 1 Dey in the Persian calendar, corresponding to 21 December. The feast of Yalda originates in the pre-Islamic period and is associated with agriculture. The divan-e Hafez (works of 14th-century Persian poet, Hafez) to recite poetry, and red fruits—watermelons and pomegranates—are important parts of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead. It is the celebration of the passing of darkness and the rebirth of the sun. Interestingly, Shab-e Yalda is only about one minute longer than the preceding night. In the Persian tradition people get together, tea, sweets, nuts and fruits are served, and stories and poetry are recited, to get through the darkest and longest night of the year, when it is believed that demons are most active.

This is the overall view of the contemporary sofreh designed for Shab-e Yalda, with an array of elegantly draped, fine textiles as a backdrop. It includes an antique silver-plated European samovar and an antique ceramic teapot, dried fruit & nuts, sweets, fresh red fruits, flowers, flames and a tastefully bound and presented book of verse (divan-e Hafez).

This is the heart of the sofreh for Shab-e Yalda. To serve tea for the occasion, the antique samovar and the green glazed ceramic teapot take centre stage. Nogl o nabat (Persian sugared almonds and crystal sugar), which are synonymous with festivities, are on display in exquisite antique vessels. The backdrop of draped silks enhances the beauty of the sofreh.

This stunning bouquet of deep-red hydrangeas (Alps Classic and Mon Amour), Red Lace spray roses and foliage (Ligustrum vulgare and Pistacia lentiscus) is placed on the left side of the sofreh. The deep-red bouquet complements the red fruits, which are important components of this celebration.

This stunning bouquet of deep-red hydrangeas (Alps Classic and Mon Amour), Red Lace spray roses and foliage (Ligustrum vulgare and Pistacia lentiscus) is placed on the right side of the sofreh. The deep-red bouquet complements the red fruits, which are important components of this celebration.

This section of the sofreh is dedicated to whole and opened pomegranates, embellished with pomegranate sprigs. The exposed deep-red seeds of the opened fruits are utterly dazzling. Red fruits are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead.

This section of the sofreh is dedicated to whole and cut watermelons embellished with foliage. The contrast of the bright red flesh and the variegated, shiny green skin of this fruit is truly striking. Red fruits are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead.

This is a delightful container of Persian nougat (gaz), which is decorated with vibrant green pistachios. Traditional sweets and pastries are usually served with tea during the celebrations of Shab-e Yalda, while verses from the divan-e Hafez are recited to get through the longest and darkest night of the year.

This is a close-up of the mixture of dried fruit and nuts (ajil-e moshkel gosha), which is believed to resolve difficulties, and is traditionally included in the sofreh for the celebrations of Shab-e Yalda. This miniature arrangement is embellished with a delicately sculptured pomegranate.

Sofreh & Hydrangeas

Hydrangeas are not part of Persian traditions, but have lent beauty to many of our contemporary sofrehs. They come in an unlimited variety of sensational shades. To break from tradition and pay tribute to this spectacular flower, images of a variety of hydrangeas, classified by colour schemes, were presented across November 2021. They were intended to bring light and life into the dark days of the month.

Here is a splendid blend of pale green, smoked blue and pink with foliage.

This is a simple bouquet of subtle, pastel pinks and greens at sunrise.

Here is a blend of shades of vibrant green and mauve, with sprigs of berries.

This is a bouquet of weathered red tones with a variety of complementary foliage.

This is the view from above of bouquets in tones of green and smoked pink.

Here is a serene bouquet of pastel pinks and greens with snowberries.

This is a blend of bright green with dusty pink and green in the dark.

Here is a majestic row of tones of green, pink and blue with foliage, at sunset.

Jashn-e Mehregan

October, 2021. Jashn-e Mehregan is an Iranian festival which is apparently dedicated to the god of Mithra (Mehr). See more on iranicaonline.org/articles/mehragan. Very briefly, in the Persian culture, Mehregan is believed to have the same significance as Nowruz, with Nowruz signalling the beginning of spring and Mehregan marking the arrival of autumn. The celebrations, which have their origins in the pre-Islamic period and are associated with agriculture and harvest, are usually held between 16 and 21 Mehr in the Persian calendar, which correspond to 8 and 13 October. Although in the past sofreh was part of the Mehregan customs, in modern times, it is not. This year, to mark the occasion and in pursuit of novelty, echoes of the customs of Mehregan are presented with an original and minimalist approach.

This is the overall view of the arrangement, which is created on a pair of chairs designed by the architectural designer, Ron Arad. Some of the traditional elements that in the past were part of the sofreh for celebrating Jashn-e Mehregan—fruits, flowers and flames—are on display.

A close-up of this specific view of the arrangement, alluding to a sofreh for Mehregan, is presented as it is particularly alluring and resembles a length of colourful, decorative textile. The red and green grapes hanging on the chair back complement the Rina calla lilies next to them.

This is a close-up of the left chair designed by Ron Arad. An impressive bunch of calla lilies and foliage, as well as a variety of dainty apples and pears, are presented in glass vessels. The ensemble is illuminated from below by numerous tea lights.

This is a close-up of the right chair designed by Ron Arad. A mixture of colourful seasonal fruit (grapes, lemons, apples, pears and a pomegranate), flowers and foliage are on display. This chair is also illuminated from below by numerous tea lights.

This is a close-up of the bunches of Black Diamond and Ivory Art calla lilies and T-Grass presented in an oblong glass vase. The mixture, which has a bold appearance, is part of this original and minimalist arrangement alluding to a sofreh for Jashn-e Mehregan.

This is a close-up of the mid-section of the right chair. The arrangement comprises lemons on their branches, shiny deep-red apples, two varieties of pears and a single over-sized pomegranate. Rina calla lilies and T-Grass are presented in miniature glass vessels.

Sofa & Sofreh

The pandemic has put restrictions on marriage ceremonies, and has even condensed the Persian marriage sofreh! Many people have opted for celebrating at home, where space may be limited. Hence, this original composition was created on a small firm sofa, which is voluminously draped in ivory silk.

This is the overall view of this compact and innovative sofreh. It comprises most of the essential elements of the Persian marriage sofreh (sofreh-ye aqd)—a mirror, a pair of candelabra, the Qur’an, bouquets of flowers, crystal sugar, decorated eggs, Persian sugared almonds, gilded coins, pomegranates, bonbonnières—all embellished with lengths of fine paisley-design Indian silk and trim.

At the heart of the sofreh sits a bowl made of crystal sugar, placed on a plate with a lace-like border, which in turn sits on a tray of softly decorated eggs, a symbol of fertility. Kaseh nabat (crystal sugar, in the form of a bowl), is traditionally part of the Persian marriage sofreh, and is a symbol of sweetness and harmony. The composition of eggs and crystal sugar is embellished with fine gold tassels.

This is a close-up of the bouquet on the left side of the mirror. The delightful soft ranunculus, which boasts lovely buds, is known as Hanoi. This pleasant and pastel bouquet includes wax flower and a fine foliage, and is embellished with a length of intricate paisley-design Indian trim.

This is a close-up of the soft and subtle bouquet on the right side of the mirror. It comprises the same delightful, understated Hanoi ranunculus, with lovely buds, as well as wax flower and a fine foliage. On this side, it is embellished with a length of paisley-design Indian silk fabric.

This delightful mini composition is arranged on a small antique silver-plated tray, presenting a pair of brightly glazed gold ceramic pomegranates (a symbol of fertility), and an antique crystal cone-shaped vessel, containing Persian sugared almonds and gilded coins. The tray is embellished with a length of draped Indian silk and fine gold tassels, as well as more sugared almonds and gilded coins, symbols of harmony and prosperity.

This is another mini composition, which is on the opposite side to the sugared almond and gilded coin mini composition. Colourful bonbonnières with intricate borders, in the Persian spirit, cascade out of an antique silver-plated box, embellished with lengths of draped Indian silk fabric and trim. Unusually, the lid, which boasts a muted-orange decorative knob, is displayed separately, and vertically.

These soft and fragrant open Candlelight roses, wax flower and fine foliage are on display at a lower level in the forefront of the marriage sofreh (sofreh-ye aqd). With their soft cream/ivory shade, they perfectly complement the colour scheme of this original compact sofreh, with voluminously draped ivory silk as a backdrop, and embellished with lengths of paisley-design Indian silk fabric.

Persian sofrehs are customarily detailed and intricate. Hence, on this page their images are accompanied by descriptive captions. However, it is important not to lose sight of the aesthetic merits of individual natural elements. This delicate, fragrant and fully opened Candlelight rose, which is only a small part of the sofreh, perfumes the air, and, by itself, adds a sense of opulence to the sofreh.

Echoes of Sofreh-ye aqd, August 2021

During the month of August, more compact compositions, echoing the Persian marriage sofreh (sofreh-ye aqd), together with their details were presented. The emphasis was on soft, subtle and serene designs.