SOFREHS CREATED AFTER THE PUBLICATION OF THE BOOK

Sofreh & Staircase

In September 2024, once again, the staircase of a late 19th-century building acts as a backdrop to two arrangements, which allude to a Persian marriage sofreh (sofreh-ye aqd). Two impressive, almost identical, bouquets of mainly Pompon ranunculi and foliage, inspired their creation. However, they have very different appearances and spirits, due to their contrasting colour schemes.

This is the overall view of the first sofreh-ye aqd, which has a soft and subtle colour scheme, showcasing ivory and muted-gold tones. The compact sofreh includes several of the symbolic elements of the sofreh-ye aqd, namely a mirror (a symbol of light and reflection), a number of tea lights (presented in a variety of elegant holders), Persian sugared almonds (noql), crystal sugar (nabat), gilded coins (sekkeh), and sculptured pomegranates (a symbol of fertility).

This is the heart of the sofreh, inspired by this splendid bouquet of Pompon Igloo ranunculi, Coco Uno Hypericums, Helleborus argutifolius, Eucalyptus exotica and Myrtus, elegantly wrapped in a length of antique Indian silk with metallic-gold threads. This central section is illuminated with the flames of two pairs of tea lights, placed in elegant holders. A miniature silver-plated tray acts as a mirror, showcasing the reflections of the two central flames.

This is the left side of the sofreh. A delicate, gold-rimmed antique glass vessel contains the Persian sugared almonds (noql), a symbol of sweetness and harmony, and gilded coins, a symbol of wealth and prosperity. To this beautiful white and gold is added a touch of green, thanks to a few ivy leaves. A pair of tea lights, presented in delicate antique Persian silver holders, softly illuminates this section, which includes a segment of the antique Indian silk.

This is the right side of the sofreh-ye aqd. An antique, shapely white and gold porcelain vessel contains segments of crystal sugar (shakheh nabat), which like noql is a symbol of sweetness and harmony. Three examples of sculptured miniature pomegranates, a symbol of fertility, are on display. This section is embellished with delicate leaves of trailing ivy, and softly illuminated with a pair of tea lights, presented in miniature antique silver holders.

This is the overall view of the second sofreh-y aqd, which has a luminous and vibrant colour scheme, showcasing reds and soft gold tones. The compact sofreh includes several of the symbolic elements of the sofreh-ye aqd, namely tea lights (presented in elegant holders), decorated eggs and sculptured pomegranates which are symbols of fertility, and a pair of stylized ceramic birds, representing the married couple.

This is the overall view, taken at night, of the second sofreh, which has a luminous and vibrant colour scheme, showcasing reds and soft gold tones. The compact sofreh includes several of the symbolic elements of the sofreh-ye aqd, namely flames, decorated eggs, sculptured pomegranates and a pair of stylized ceramic birds. In the darkness of the night, the flames and their reflections create a magical ambiance.

This is the heart of the second sofreh, inspired by this splendid bouquet of Pompon Igloo ranunculi, Coco Uno Hypericums, Eucalyptus exotica and Myrtus, arranged in a simple silver-plated vase, which also acts as a mirror. A length of fine ruched gold textile is elegantly woven around this section. The bouquet has a completely different appearance against a backdrop of a length of red antique Persian textile. This central section is softly illuminated with the flames of several tea lights, some of which are gently reflected in the vase.

This is the lower part of the sofreh-ye aqd. An antique silver vessel contains a variety of tastefully decorated eggs in gold and green tones, and dried ornamental and miniature sculptured pomegranates. The beauty of the ensemble is enhanced by the bright red ceramic pomegranate, which is the work of Keyvan Fehri, and two sculptured open pomegranates, revealing the pomegranate seeds. A tea light, presented in an elegant holder, illuminates this colourful and vibrant section. Both eggs and pomegranates are symbols of fertility.

Echoes of Sofreh-ye aqd, August 2024

For August 2024 two contrasting arrangements, echoing the Persian marriage sofreh (sofreh-ye aqd), were designed. The first sofreh, which features fine antique lace, is harmonious and has a subtle and soft colour scheme. The second sofreh, which showcases antique Persian textiles, is intense and vibrant, and features the “lion and sun” (“shir o khorshid”) emblem on several of its components.

This is the overall view of the first sofreh, which was inspired by the juxtaposition of a bouquet of pastel hydrangeas, roses and foliage, and fine antique lace. It includes a few of the symbolic elements of the sofreh-ye aqd, namely a mirror, candelabra, gilded coins, crystal sugar, sculptured pomegranates and a single gold-tinted egg. The sofreh is embellished with sprigs of Eucalyptus populus and illuminated with two pairs of candles.

This central section of the sofreh-ye aqd focuses on an attractive antique plate showcasing crystal sugar in the form of a bowl (kaseh nabat) and decorated with a single gold-tinted egg. Crystal sugar is a symbol of sweetness and harmony, and eggs represent fertility. This miniature composition of kaseh nabat and fine antique lace, embellished with sprigs and leaves of Eucalyptus populus, is exquisite in its simplicity and harmony.

This corner of the sofreh focuses on an antique opaline vessel of gilded coins, a symbol of prosperity. The coins are inscribed with “mobarak bad”, which translates as “congratulations”. The combination of antique lace, the ruffled edge of the opaline container and the shine and glow of the gilded coins is delightful. This section is embellished with sprigs and leaves of Eucalyptus populus.

At the heart of the sofreh-ye aqd sits this spectacular pastel bouquet of White Verena and Verena Classic hydrangeas, delicate Princess Aiko (Beloved), which are Japanese spray roses bred for the Empress, Symphoricarpos (snowberries) and Eucalyptus poulus. The reflection of the bouquet in the mirror, and its placement on lengths of fine antique lace in soft ivory shades, create an exquisite ensemble.

This is the overall view of the second sofreh, which was inspired by a spectacular bouquet of special and interesting foliage and just three gerberas. This sofreh also includes several of the symbolic elements of the sofreh-ye aqd. A mirror, tea lights, sculptured apples, pomegranates and birds, as well as decorated eggs, all presented on antique Persian textiles, are on display. The significant “lion and sun” (“shir o khorshid”) emblem appears on several components of this lavish sofreh.

This corner of the sofreh-ye aqd focuses on stylized, gold-finish sculptured apples and sculptured whole and gold-finish open pomegranates—both of which are symbols of fertility. A Venetian mirror and just two tea lights presented in elegant holders are on display. Two layers of antique Persian textiles offer a rich and opulent backdrop. In this section, which is embellished with fine gold tassels, there are stunning reflections of the foliage in the mirror and the tea lights in the silver-plated vase.

This corner of the sofreh-ye aqd showcases a delicate open box, containing gold-tinted eggs, a symbol of fertility. A pair of stylized ceramic birds represents the couple. The section is made very distinctive by the “lion and sun” (“shir o khorshid”) emblem, with its many significations in the Persian history and culture. The emblem is featured in the centre of a hand-painted porcelain container with a gold and turquoise border, on a red ceramic pomegranate, and on an antique Persian textile, known as termeh. Flames of tea lights subtly illuminate this section.

This spectacular bouquet of interesting and distinctive foliage, namely Eucalyptus dominichina and a type of thornless Rubus (blackberry), which is in the rose family, and just three truly striking cream gerberas with black pistils was the inspiration for creating this enchanting sofreh-ye aqd. The alluring colour scheme of the bouquet complements the tones and shades of the layers of fine antique Persian textiles and various symbolic elements presented on the sofreh, which are softly illuminated with the flames of a single pair of tea lights, placed in elegant holders.

Sofreh-ye aqd Highlights, June 2024

For the wedding season of 2024, a selection of elaborate marriage sofrehs (sofreh-ye aqd) either featured in the book SOFREH: The Art of Persian Celebration or on its social media pages and this website is being presented. Eight different designs of sofreh, with varying styles and energies, are shown. They are intended to provide a wide range of ideas and concepts.

This first sofreh, entitled “Sofreh-ye aqd & Shab-e Yalda”, was inspired by the traditions of the winter solstice (Shab-e Yalda)—around 21 December. Pomegranates are important components of the customs of Shab-e Yalda. The striking sofreh was featured on the social media of the book and this website in December 2022. To learn more about this sofreh and see the close-up of its sections and details, please go to the NEWS & EVENTS page, and to order a copy of the book go to THE BOOK page.

This second sofreh, which was featured on the social media of the book and this website in June/July 2022, was inspired by the “Gold and Glass” sofreh, staged for photography in Vancouver, Canada in 2002, and included in the book. Both creations showcase an effective fusion of tradition and modernity. To learn more about this sofreh and see the close-up of its sections and details, please go to the NEWS & EVENTS page, and to order a copy of the book go to THE BOOK page.

This third sofreh, entitled “Ivory Roses, Red Velvet”, was staged for photography in 2001, and is featured in the book. Its overall aspect is soft and harmonious, with a prominent contrasting feature of a length of bright red antique velvet, embroidered with embossed flowers and gold threads. To learn more about this sofreh and see the close-up of its sections and details, please go to THE BOOK page to order a copy of the book, which also includes many other sofrehs.

This fourth sofreh, entitled “Still Life”, was designed for a wedding in October 2011 in Vancouver, Canada, and is featured in the book. The title was given to the sofreh because of the two compositions of textiles, pomegranates, eggs, nuts, wheat, foliage etc. created on either side of the sofreh. To learn more about this sofreh and see the close-up of its sections and details, please go to THE BOOK page to order a copy of the book, which also includes many other sofrehs.

This fifth sofreh, entitled “Antique Lace”, was staged for photography in 2002, and is featured in the book. This is a serene and “fairy-tale like” arrangement, richly embellished with lengths of antique lace and multiple bouquets of white and cream flowers and variegated foliage. The floral displays complement the intricacy of the delicate antique lace. To learn more about this sofreh and see the close-up of its sections and details, please go to THE BOOK page to order a copy of the book, which also includes many other sofrehs.

This sixth sofreh, entitled “Double Reflection, Red and Gold Velvet”, was staged for photography in 2001, and is featured in the book. Unusually, the sofreh includes a pair of mirrors and its distinguishing feature is the 19th-century Qajar cut and voided figural silk velvet runner. The beauty of pomegranates and grapes is fully exploited here. To learn more about this sofreh and see the close-up of its sections and details, please go to THE BOOK page to order a copy of the book, which also includes many other sofrehs.

This seventh sofreh, entitled “Blue White Gold”, was featured on the social media of the book and this website in June 2021. Its distinguishing feature is the exquisite antique Persian brocade in blue and gold, elegantly draped and presented in front of a blue and white mantelpiece. To learn more about this sofreh and see the close-up of its sections and details, please scroll down this page to “Blue White Gold", and to order a copy of the book go to THE BOOK page.

This last sofreh, which was featured on the social media of the book and this website in June/July 2023, includes a variety of original features, namely silver-plated cake stands and boxes to showcase the symbolic elements of the sofreh. The bouquets of unusual roses are incredibly impressive. To learn more about this sofreh and see the close-up of its sections and details, please go to the NEWS & EVENTS page, and to order a copy of the book go to THE BOOK page.

Boteroesque Hydrangeas

This intricate arrangement in shades of blue and gold, which was inspired by a splendid bouquet of Boteroesque hydrangeas and foliage, echoes a Persian marriage sofreh (sofreh-ye aqd). The sofreh is created against a backdrop of an exquisite antique Persian brocade in blue and gold.

This is the overall view of the sofreh which includes some of the symbolic elements of the sofreh-ye aqd, namely a mirror, candelabra, pomegranates, decorated eggs, flasks of rosewater and handmade bonbonnières in the Persian spirit. The sofreh showcases bouquets of Eucalyptus populus and snowberries, is illuminated with several flames and is embellished with fine gold trims and tassels and sprigs of Eucalyptus populus.

This sublime length of blue and gold antique Persian silk brocade appears in the book, in the "Blue and Gold” haft sinn, as well as in a few of the sofrehs designed after the book’s publication that have been posted on the book’s social media pages and this page and the News & Events page of the website. This opulent textile with metallic floral motifs makes for an elegant backdrop for this elaborate blue-and gold-themed sofreh.

This is a corner of the sofreh-ye aqd. The focus of the image is on ceramic pomegranates (a symbol of fertility) in gold, blue and white tones, and a miniature flask of Persian rosewater (golab) to perfume the air. All the vessels included are blue opaline. This section, decorated with elegant bouquets of Eucalyptus populus and snowberries (Symphoricarpos), is embellished with fine gold tassels and illuminated with the flames of a pair of tea lights.

This is the front section of the sofreh. It showcases an elegant blue opaline vessel of blue-painted eggs (a symbol of fertility), and handmade bonbonnières with intricate trims, in the Persian spirit. This section, which is arranged against a backdrop of a length of draped antique Indian ivory and gold textile, is embellished with sprigs of Eucalyptus populus, fine gold tassels and a length of antique Persian embroidered trim with metallic threads, showcasing floral motifs.

This lovely antique French mirror (ayeneh), a symbol of light and reflection, sits in the opposite corner to the bouquet of Boteroesque hydrangeas and foliage. A flame and miniature bouquets of Eucalyptus populus and snowberries are placed in front of the mirror. Their reflections, and the feeling emanating from them, are enchanting. A blue and gold antique opaline flask of rosewater, embellished with a fine gold tassel, perfumes the air. The exquisite antique Persian brocade is visible in the background.

This impressive bouquet of Boteroesque hydrangeas in pastel tones of green and pink (known as Royal Love Classic), Eucalyptus populus and snowberries (Symphoricarpos) inspired the creation of this blue and gold sofreh-ye aqd. The spectacular bouquet is placed in a corner of the sofreh against the backdrop of the length of antique Persian brocade and is illuminated by the flames of a pair of candles. The large vase is elegantly draped with a length of antique Indian textile in ivory and gold.

Secret Garden Roses, April 2024

The incredible, open and ample Secret Garden roses were the inspiration for creating this soft arrangement, which alludes to a Persian marriage sofreh (sofreh-ye aqd), on and around an antique marble mantelpiece.

The compact sofreh includes some of the symbolic elements of the sofreh-ye aqd, namely a mirror (representing light and reflection), decorated sugarloaves (symbolizing sweetness and harmony), gilded coins (representing wealth and prosperity), sheaves of wheat (a symbol of blessing and abundance), rosebuds (to add colour and beauty), statuettes of birds (representing the couple) and pomegranates (a symbol of fertility). The sofreh is embellished with lengths of fine antique lace and branches of berried and trailing ivy and is illuminated with several flames.

At the heart of the sofreh sits a Venetian mirror, flanked by a pair of sugarloaves, covered with green silk and fine gold ribbons. This central section is embellished with lengths of fine antique ivory lace and trailing ivy and is illuminated with the flames of several tea lights, the reflection of which in the mirror is remarkable. Decorated sugarloaves (kalleh qand) are an important part of the Persian marriage ceremony (aqd), and to this day grinding them over the heads of the newlyweds, to shower them with sweetness, is an enduring and popular practice and tradition.

This is the left corner of the sofreh. The image focuses on attractive vessels of gilded coins (a symbol of wealth and prosperity), dried rosebuds, which add beauty and colour to the sofreh, a bouquet of berried and trailing ivies, and a miniature gold-finish ceramic pomegranate, a symbol of fertility. Lengths of fine antique lace and flames of tea lights embellish and illuminate this corner.

This is the right corner of the sofreh. A pair of stylized ceramic birds represents the married couple and augur good fortune. Gold-finish sculptured open pomegranates represent fertility. This section, too, is embellished with lengths of fine antique lace and branches of ivy, and interest is added by a pair of attractive tea light holders, with floral motifs, containing flames that provide illumination.

This is one of the sheaves of wheat presented on either side of the sofreh. Wheat is an important part of the ofreh-ye aqd, and this subtly gold-tinted bouquet is hand-tied with a fine gold ribbon. Like bread, which is of great importance in the Persian culture, sheaves of wheat represent blessing and abundance (barekat).

This is the impressive bouquet of Secret Garden roses and wax flower that inspired the creation of the sofreh. The fine, papery petals of the roses complement the lengths of fine antique ivory lace. The bouquet sits on a contemporary armchair designed by Ron Arad. The flame of a single candle radiates a warm golden glow.

Echoes of Sofreh-ye aqd, February 2024

For February 2024, two compact arrangements, which allude to a Persian marriage sofreh (sofreh-ye aqd), were designed. The first sofreh has a muted-gold colour scheme and the second one has a green theme.

This is the overall view of the first sofreh with a muted-gold colour scheme. An impressive bouquet of hydrangeas, spray roses and foliage takes up a corner of the arrangement. A few of the symbolic elements of the sofreh-ye aqd, namely a mirror, sheaves of wheat, gold-tinted walnuts and eggs, sculptured pomegranates and birds are on display. The compact sofreh is embellished with sprigs of fragrant Eucalyptus and delicate gold tassels, and softly illuminated with flames of tea lights and candles.

This is the heart of the first sofreh. An attractive, antique crystal and silver-plated vessel holds the gold-tinted eggs, embellished with gold tassels and sprigs of Eucalyptus. This section is illuminated with the flame of a single tea light. The reflection of these elements in the antique Venetian mirror, which itself is adorned with gold tassels, is dazzling. Eggs represent life and fertility and the mirror is a symbol of light and reflection. The embossed gold textile on the surface elevates this elegant sofreh.

This is the left corner of the sofreh-ye aqd with a muted-gold colour scheme. Sheaves of wheat, a symbol of blessing and abundance (barekat), are presented in an attractive, antique silver-plated teapot. Two ceramic pomegranates in metallic silver and gold, as well as three impressively large gold-tinted walnuts, both symbols of fertility and embellished with sprigs of fragrant Eucalyptus and delicate gold tassels, are on display. This corner is softly illuminated with a glowing tea light.

This elaborate floral display sits on the right corner of the first sofreh. The spectacular white and green hydrangeas are known as White Verena and Verena Classic, respectively. The spray roses are called Princess Aiko, the berries are known as snowberries (Symphoricarpos), and the foliage is Eucalyptus populus. The bouquet is softly illuminated with the flames of two candles, and a pair of stylized, gold- and silver-finish ceramic birds represents the couple and augurs good fortune.

This is the overall view of the second sofreh, which has a green colour scheme. A single green hydrangea, flanked by two vases of foliage, take centre stage. A few of the symbolic elements of the sofreh-ye aqd, namely an antique silver-plated mirror, crystal sugar, sculptured pomegranates and coloured eggs, are on display. The compact sofreh, which is softly illuminated with flames of tea lights and candles, showcases a length of antique Persian embroidered textile, known as termeh, and is embellished with graceful sprigs of trailing ivy.

This is the view from above of the second sofreh-ye aqd with a green theme. The single Verena Classic hydrangea complements the green and gold-rimmed plate of crystal sugar, in the form of a bowl (kaseh nabat). Crystal sugar, a symbol of sweetness and harmony, presented in this form, is an important symbolic element of the sofreh-ye aqd. Kaseh nabat is illuminated with flames of tea lights and is embellished with a single miniature sculptured pomegranate and ivy leaves. Bouquets of trailing ivy and snowberries adorn this section.

This is the left corner of the second sofreh-ye aqd. Sculptured whole and opened pomegranates, symbols of life and fertility, embellished with sprigs of trailing ivy, are on display. This corner is softly illuminated with a glowing tea light.

This is the right corner of the second sofreh-ye aqd. Colourful, decorated eggs, symbols of life and fertility, embellished with sprigs of graceful trailing ivy, are on display. This corner is subtly illuminated with another glowing tea light.

Echoes of Sofreh-ye aqd, January 2024

This delightful arrangement, which echoes a Persian marriage sofreh (sofreh-ye aqd), was inspired by these elegant, handmade bonbonnières in the Persian spirit, designed for a recent real-life marriage ceremony.

This is the overall view of the sofreh. An impressive bouquet of roses (Veggie and Andrea) and foliage (Hypericum and mainly ivy), as well as an antique silver-plated container of Persian sugared almonds (noql), crystal sugar (nabat) and gilded coins (sekkeh), take centre stage. Several other symbolic elements of the sofreh-ye aqd, namely flasks of Persian rosewater (golab), a pair of ceramic birds, and sculptured apples and pomegranates, are on display. This heavenly arrangement is embellished with a length of fine gold textile and subtly illuminated with a pair of tea lights, presented in attractive holders.

To offer variety and to better showcase the details of the sofreh, the smaller symbolic elements have been rearranged here. The lovely antique miniature mirrored jug of rosewater takes centre stage, flanked by a pair of attractive tea light holders, which subtly illuminates the arrangement. Two more antique glass flasks in blue and gold contain rosewater to perfume the air. Sculptured apples and pomegranates, symbols of life and fertility, as well as gilded coins, a symbol of wealth and prosperity, are on display. A pair of stylized ceramic birds represents the married couple. The elegant bonbonnières are clearly displayed.

This elegant, antique silver-plated container of Persian sugared almonds (noql), crystal sugar (nabat), speckled with gilded coins and embellished with a single gold coin (sekkeh), is placed at the heart of the sofreh. Sugared almonds and crystal sugar are symbols of sweetness and harmony, while coins represent wealth and prosperity. The elegant handmade bonbonnièrs are placed neatly at the foot of the container.

This lovely, soft bouquet of roses, known as Veggie and Andrea, mixed with Coco Uno Hypericums and foliage, mainly ivies, takes centre stage in the sofreh. The pale green Veggie and the dusty purple Andrea roses, together with the off-white Hypericums, make for an elegant and soft colour scheme. The bouquet is subtly illuminated by the glow of the flames of the tea lights, creating a serene ambience.

This is the left corner of the sofreh. The graceful ceramic birds represent the couple, as well as heralding good fortune. Three antique miniature flasks contain rosewater to perfume the air. The mirrored jug mimics the notion of a life-size mirror, which is a vital part of any sofreh-ye aqd. A gold-finished sculptured apple symbolizes life and fertility. Two of the bonbonnières, which are made of gold silk and boast a paisley pattern, are neatly displayed. The flame of one of the tea lights emanates a warm golden glow.

This is the right corner of the recently posted sofreh. A pair of ceramic pomegranates by Keyvan Fehri, a gold-finished sculptured apple and a blue and white sculptured apple symbolize life and fertility. A pair of antique, miniature silver vessels contain gilded coins (sekkeh). Two bonbonnières, which are made of gold silk and boast a paisley pattern (boteh) in blue, complementing the blue colour scheme of the sofreh, are neatly displayed. The flame of one of the tea lights radiates a warm golden glow.

Shab-e Yalda, Winter Solstice 2023

The posts of December 2023 present miniature sofrehs, which include various symbols of the traditions of Shab‑e Yalda, the winter solstice, which is the longest night of the year. It is the eve of 1 Dey in the Persian calendar, corresponding to 21 December. The feast of Yalda originates in the pre-Islamic period and is associated with agriculture. Red fruits, especially watermelons and pomegranates, are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead. It is the celebration of the passing of darkness and the rebirth of the sun. In the Persian tradition, people get together, tea, sweets, nuts and fruits are served, stories and poetry are recited, and fortunes are told, to get through the darkest and longest night of the year, when it is believed that demons are most active.

The focus of this image is a miniature sofreh presenting cut and whole watermelons, embellished with fragrant leaves of mint. The arrangement, which is softly illuminated with a pair of flames, is put together on a length of ruched green Indian textile with gold accents. A lovely antique piece of bright red velvet, embroidered with metallic threads, seed-pearls and sequins, brightens this radiant sofreh.

The focus of this image is a miniature sofreh presenting open and whole pomegranates, embellished with pomegranate sprigs. The exposed deep-red seeds of the opened fruits are truly dazzling. The arrangement, which is softly illuminated with a pair of flames, is put together on a length of green ruched Indian textile with gold accents. A corner of the textile has been shaped into an elegant rosette.

This delightful antique embroidered red velvet, which also appears in the book, SOFREH: The Art of Persian Celebration, makes for a striking and ornamental backdrop for two miniature sofrehs for the nightlong celebrations of Shab-e Yalda. In both cases the arrangement includes traditional glasses of tea and a pair of miniature samovars, echoing the ritual of serving tea. The sofrehs are softly illuminated with flames of a pair of tea lights and embellished with a pair of miniature bouquets of deep-red roses and foliage. Here, a beautiful container of sumptuous dried fruits and nuts (ajil-e moshkel gosha), which is believed to resolve difficulties and is an important part of the traditions of Shab-e Yalda, takes centre stage.

This delightful antique embroidered red velvet, which also appears in the book, SOFREH: The Art of Persian Celebration, makes for a striking backdrop for two miniature sofrehs for the nightlong celebrations of Shab-e Yalda. In both cases the arrangement includes traditional glasses of tea and a pair of miniature samovars, echoing the ritual of serving tea from a life-size samovar. The sofrehs are softly illuminated with flames of a pair of tea lights and embellished with a pair of miniature bouquets of deep-red roses and foliage. Here, shiny, bright deep-red apples, embellished with sprigs of fragrant Eucalyptus, replace the container of dried fruits and nuts, further emphasizing the red colour scheme.

Fruit is very much part of the Persian eating traditions, and like on many other occasions it is served during the nightlong celebrations of Shab-e Yalda. This delightful miniature sofreh focuses on an antique silver-plated tray of a mixture of fruit, including pomegranates, red apples and grapes, which are softly illuminated with a pair of flames. Lengths of fine antique embroidered Persian textiles (termeh), branches of trailing ivy and deep-red roses and foliage, presented in an original vase, embellish this pleasant arrangement.

This miniature sofreh is arranged on a delightful length of suzani with a stunning, colourful fringe. It focuses on the custom of serving tea with sweets during the celebrations of Shab-e Yalda, throughout the longest and darkest night of the year. Dried figs, traditional Persian candies known as abnabat qeichi (scissor candies) and sweets decorated with rose petals are on display. Bright deep-red apples shine in this sofreh, which is softly illuminated with flames and embellished with a pair of bouquets of deep-red roses and foliage.

Autumnal Sofreh, November 2023

This year, for the November arrangement echoing a marriage sofreh (sofreh-ye aqd), the autumnal and harvest theme, presented in October, has been continued. The highlight of this sofreh is the exquisite yellow/orange antique Persian textile, known as termeh, with an intricately embroidered border and a “lion and sun” emblem on view in one corner, as well as an original mirror, framed with sheaves of wheat.

This is the overall view of the unconventional autumnal sofreh-ye aqd. The heart of the composition is decorated with a variety of autumnal fruit. Bouquets of flowers (Country Home roses and Lisianthus Terracotta) and foliage in subtle autumnal tones brighten the sofreh. Unusually, as it is a sofreh presented close to Halloween, a touch of the spirit of that tradition is on display. Several pillar candles illuminate this distinctive and creative composition.

This is the lower central part of the sofreh-ye aqd. It is decorated with a variety of seasonal fruit, namely apples, miniature pears and a single pomegranate. Apples and pomegranates, which are among the divine fruits (miveh-ye beheshti), symbolize life and fertility. This miniature composition is embellished with sprigs of fragrant Eucalyptus. Small piles of gilded coins (sekkeh), a symbol of wealth and prosperity, are scattered around the sofreh.

This is the heart of the sofreh-ye aqd. The composition boasts an unusual mirror mosaic framed with sheaves of wheat, a symbol of blessing and abundance (barekat). Sheaves of wheat not only herald the harvest season, but are often part of the sofreh-ye aqd. This central section is decorated with grapes of different colours, which are in season. They are presented in an antique silver compote dish and embellished with sprigs of fragrant Eucalyptus. The flames of the pillar candles, coupled with the reflection of one of them in the mirror, provide a delightful illumination.

This is a close-up of the exquisite early 20th-century Persian textile (termeh), probably from Kerman, the highlight of the sofreh-ye aqd. The focus of the image is the intricately embroidered "lion and sun" ("shir o khorshid") motif with metallic threads. The emblem is enhanced with a crown, flowers and tendrils. In the Persian tradition the "lion and sun" motif has many narrated meanings, which have evolved over the years. Describing and summarizing its significance and evolution in this brief caption would not do justice to its influence, prominence and history.

This is the left side of the sofreh-ye aqd. The harmonious bouquets in subtle autumnal tones of orange and terracotta, softly illuminated with flames, are made up of Country Home roses, Lisianthus Terracotta, Brunia fragarioides, Eucalyptus populus and the fruit of Rosa multiflora (rose hips). The subtle colour scheme nicely echoes the shades of autumn and the harvest season. An antique Russian silver bird statuette augurs good fortune. One of the several small piles of gilded coins (sekkeh), a symbol of wealth and prosperity, is visible in this image.

This is the right side of the sofreh-ye aqd. The corner is embellished with sprigs of Eucalyptus and a softly illuminated pot of delicate trailing ivy. Rice, which is harvested in autumn, is also a symbol of blessing and abundance, and often included in the sofrehs for Nowruz and aqd. Here it is embellished with a single sculpted miniature pomegranate. Inspired by the traditions of Halloween, this unconventional sofreh includes decorative pumpkins, which speak to the harvest season, as well as complementing the colour scheme of this autumnal sofreh.

Aqd & Mehregan, October 2023

This autumn, to pay homage to Jashn-e Mehregan and the harvest season, an autumnal composition, which echoes a Persian marriage sofreh (sofreh-ye aqd), was created.
 
The festival of Mehregan (8-13 October), which is an Iranian pre-Islamic festival, is associated with harvest. To learn more, please scroll down to Jashn-e Mehregan, October 2022.

This is the overall view of the arrangement, which presents fruits, nuts, wheat and herbs. Three bouquets of flowers and foliage in subtle autumnal shades are placed on a length of antique Persian textile, known as termeh, intricately embroidered with metallic threads.

These delightful bonbonnières in the Persian spirit, in autumnal shades, which are delicately enveloped with fine gold open mesh, are displayed in a corner of the sofreh-ye aqd. The softly illuminated miniature pears complement the shades of the bonbonnières.

This is the heart of the autumnal sofreh-ye aqd. It includes miniature pears and grapes of different colours, which are in season. The backdrop is a length of draped fine gold open mesh. The fruit is elegantly arranged in an antique compote dish to highlight the beauty of the bunches of trailing grapes. A miniature bouquet of flowers and foliage in subtle autumnal shades takes centre stage, next to an embroidered pouch of gilded coins. Natural and decorated nuts, a symbol of fertility, are also on display.

This image focuses on the lower central part of the sofreh-ye aqd. The antique Persian textile, known as termeh, is embroidered with metallic threads. The ornamental motifs are floral with leaves and tendrils, together with a stylized Persian inscription, "mobarak bad", meaning congratulations. A pair of antique Persian silver vases hold bunches of fresh and fragrant herbs, and dried miniature roses. The lid of the antique silver box containing the nuts alludes to a mirror, a symbol of light and reflection.

This pleasant bouquet in subtle autumnal tones is displayed on the left side of the sofreh-ye aqd. The harmonious bouquet is made of Moab and Country Home roses, Lisianthus Terracotta, Brunia fragarioides, Eucalyptus populus and the fruit of Rosa multiflora (rose hips). This bouquet nicely highlights the smoked orange Moab roses.

This pleasant bouquet in subtle autumnal tones is displayed on the right side of the sofreh-ye aqd. The harmonious bouquet is made of Moab and Country Home roses, Lisianthus Terracotta, Brunia fragarioides, Eucalyptus populus and rose hips. A length of draped gold open mesh embellishes this corner.

This intricate composition of sheaves of wheat, presented in and around an attractive antique vase and partially enveloped in a length of fine gold open mesh, is displayed in a corner of the sofreh-ye aqd. Sheaves of wheat, which are often included in the sofreh-ye aqd as a symbol of blessing and abundance (barekat), herald the harvest season.

This is the close-up of the delicate miniature bouquet placed at the heart of the sofreh-ye aqd. A single Country Home rose, Lisianthus Terracotta, Brunia fragarioides, Eucalyptus populus and rose hips make up this dainty arrangement. The colour of the grapes hanging above the bouquet complements its soft and subtle autumnal tones.

Traditional Versus Contemporary

This enchanting set-up arranged on a modern, tiered Perspex console table echoes a Persian marriage sofreh (sofreh-ye aqd). The composition nicely incorporates the contrasting traditional and contemporary spirits.

This is the overall view of the arrangement. An impressive bouquet of Country Secret roses and elegant foliage, flanked by a pair of candelabra, takes centre stage. Many of the symbolic elements of the sofreh-ye aqd, namely decorated eggs, gold-tinted nuts, Persian sugared almonds, crystal sugar, gilded coins and rosewater, are on display in attractive containers.

This elegant, two-tiered antique silver-plated and crystal vessel contains decorated eggs and nuts and is placed on the lower level of the console table. Both eggs and nuts, which are embellished with sprigs of trailing ivy, are symbols of fertility. The two-tiered container, placed against the backdrop of a fine gold textile, complements the two-tiered Perspex console table.

This charming, antique miniature tray contains the golden, jewel-like crystal sugar (nabat), which is embellished with three delicate leaves of trailing ivy. Crystal sugar is a symbol of sweetness and harmony and an important part of the traditional Persian marriage sofreh (sofreh-ye aqd).

This delightful, identical vessel contains sugared almonds (noql), which is embellished with a single gold coin and ivy leaves. Noql is also a symbol of sweetness and harmony. In the Persian tradition, "noql o nabat” ("sugared almonds and crystal sugar") are synonymous with joy and celebrations.

This charming mini composition of gilded coins is embellished with ivy leaves and a miniature, mirrored jug of Persian rosewater. The mirror represents light and reflection. The shiny gilded coins (sekkeh), with the Persian inscription mobarak bad, meaning congratulations, symbolize wealth and prosperity, and the rosewater (golab) perfumes the air.

This impressive bouquet of Country Secret roses, Viburnum opulus (Guelder rose), Hypericum and ivy takes centre stage. The colour scheme is pastel and soft tones, which complements the lengths of fine lace and textile included in the sofreh. A dazzling reflection of the gilded coins can be seen in the vase. This section is softly illuminated with flames.

Apple (Sib)

In the Persian tradition, apples (sib) are among the divine fruits (miveh-ye beheshti) and are a symbol of life and fertility. This original composition, arranged on the staircase of a late 19th-century property, which alludes to a Persian sofreh, is inspired by an assortment of apples, which are always included in the Nowruz sofreh (sofreh-ye haft sinn) and are often part of the Persian marriage sofreh (sofreh-ye aqd).

This is the overall view of the sofreh. The arrangement is realized on three levels, with three bouquets of exquisite, open roses and fine, hanging foliage. An antique Venetian mirror and a pair of elegant tea lights take centre stage. This unconventional sofreh is softly illuminated with the flames of pillar candles and tea lights, and adorned with a length of antique Indian textile in muted gold.

This is the heart of the sofreh. The flame of one of the pillar candles and the lovely sprigs of fine foliage are reflected in the antique Venetian mirror. The central bouquet of open roses and foliage hangs over the backdrop of the antique Indian textile. This section is softly illuminated with the flames of a pair of tea lights, placed in elegant gold-rimmed holders, and the central pillar candle.

These dazzling apples inspired the creation of this sofreh. The assortment includes a variety of shiny apples, namely Red Delicious, Pink Lady, Jazz, Gala, Golden Delicious and Delblush, elegantly arranged in an antique crystal and silver-plated container, embellished with fine, hanging foliage. This corner is softly illuminated with flames and the reflection of the pillar candle in the mirror is charming.

This is the right corner of the sofreh. This section showcases a selection of different colours of ceramic and fresh Gala and Delblush apples. Apples signify growth and rebirth, and are a symbol of fertility. The juxtaposition of the fine antique Indian textile and the rough surface of the stone staircase creates an appealing contrast. This section is softly illuminated with the flames of a pillar candle and a tea light.

This delightful, harmonious bouquet sits on the left side of the sofreh. The elegant bouquet is made of open Country Secret and Veggie roses, Hypericum, Alchamilla mollis, Eucalyptus nicholii and Pittosporum nigra. Two pillar candles illuminate this corner, which is draped with a length of antique Indian textile in muted gold.

This delightful, harmonious bouquet sits on the right side of the sofreh. The elegant bouquet is made of open Country Secret and Veggie roses, Hypericum, Alchamilla mollis, Eucalyptus nicholii and Pittosporum nigra. Two pillar candles illuminate this corner, which is draped with a length of antique Indian textile in muted gold.

Ivory & Gold

This soft composition in ivory and gold includes many of the symbolic elements of the Persian marriage sofreh (sofreh-ye aqd).

This is the overall view of the soft sofreh in ivory and gold. A mirror and candelabra (ayeneh sham'dan), symbols of reflection and light, together with a pair of bouquets of ranunculi in pastel shades, take centre stage. Two pairs of bird statuettes represent the bride and the groom, and the other bird statuettes herald good fortune. Crystal sugar, Persian sugared almonds, gilded coins, sculptured apples and pomegranates are all on display. Lengths of antique lace and Indian silk enhance the beauty of this sofreh.

This delicate miniature ensemble sits in the centre of this soft marriage sofreh in ivory and gold. The crystal sugar (nabat), which is sculpted in the form of an apple, is presented in a fine glass vessel and is surrounded by miniature gold-finish sculptured apples. The arrangement is partially enveloped with fine antique lace and embellished with leaves of ivy. A pair of fine stylized gold- and silver-finish ceramic birds represents the couple. This central section is softly illuminated with the flames of tea lights.

This is one of a pair of the bouquets with two different types of silky pastel ranunculi, known as Hanoi and Pompon (Pom Pom), alongside Viburnum tinus and varieties of ivy, which is placed on the left side of the sofreh. It is nicely presented against a backdrop partially composed of elegantly draped Indian silk with gold paisley motifs. The bouquet is softly illuminated with a single flame.

This is the other one of a pair of the bouquets with two types of silky pastel ranunculi, known as Hanoi and Pompon (Pom Pom), alongside Viburnum tinus and varieties of ivy, which is placed on the right side of the sofreh. To create a balance and repeat the design of the paisley motif, a nicely shaped sample of Indian silk is displayed in this corner, which is softly illuminated with a single flame.

This is the left corner of the sofreh. A selection of sculptured apples, a symbol of life and fertility, adorn this corner. Persian sugared almonds (noql), a symbol of sweetness and harmony, are presented in an attractive vessel and embellished with fine gold tassels and a single gold coin. An antique bronze miniature bird statuette heralds good fortune. A few bonbonnières in soft tones are displayed on a platter lined with a piece of antique lace. This corner, which is softly illuminated with flames, is adorned with elegantly draped lengths of fine Indian silk with paisley motifs, and delicate antique lace.

This is the right corner of the sofreh. A length of fine antique lace, woven around a selection of ceramic pomegranates, a symbol of life and fertility, adorns this corner. Gilded coins (sekkeh), a symbol of wealth and prosperity, are presented in an attractive vessel and embellished with a single leaf of ivy. An antique Russian silver bird statuette augurs good fortune. A few bonbonnières in soft tones are displayed on a platter lined with a piece of antique lace. A sample of nicely shaped Indian silk with paisley motifs embellishes this corner, which is softly illuminated with a single flame.

Echoes of Sofreh-ye aqd, May 2023

This soft and serene arrangement, which echoes a Persian marriage sofreh (sofreh-ye aqd), is created on and around lengths of fine antique ivory lace, complemented by light and feathery off-white peonies and embellished with sprigs of soft foliage. The emphasis is on a shiny, silky and subtle appearance.

This is the overall view of the Persian marriage sofreh (sofreh-ye aqd), which includes some of its symbolic elements, namely a mirror and candelabra (symbols of reflection and light), decorated eggs, gilded coins, sugared almonds, sculptured pomegranates and two bird statuettes which personify the couple.

This delightful bouquet is placed at the heart of the soft and serene arrangement. It includes smoked red/pink/green hydrangeas, ivory peonies, wax flower and fine, graceful foliage. The bouquet is softly illuminated with flames and its reflection in the antique silver-plated mirror is simply stunning.

This is the central section of the sofreh. An antique vessel contains silver- and gold-finish sugared almonds. The ceramic pomegranates in a similar finish complement the arrangement. Gold-painted eggs are placed next to a pair of sculptured birds. Gilded coins pour out of an antique silver-plated purse. The arrangement is enhanced by the draped lengths of antique ivory lace and embellished with sprigs of foliage.

This image focuses on the gold-finish eggs, which are a symbol of life and fertility, presented in a crystal and silver-plated antique vessel. Two sculptured antique-gold-finish birds personify the couple. Gilded coins, which pour out of an antique silver-plated purse, are a symbol of wealth and prosperity. All the elements are softly draped in fine antique lace and embellished with sprigs of delicate foliage.

The focus of this image is an antique opaline vessel containing shiny silver- and gold-finish sugared almonds, which signify the wish for a sweet and harmonious married life. The vessel is embellished with sprigs of foliage and elegantly draped in lengths of fine antique lace.

The focus of this image is the shiny ceramic gold- and silver-finish pomegranates, a symbol of fertility, which are embellished with sprigs of foliage. The effect of the soft antique lace, which partially envelops the pomegranates and softly drapes around this corner, is truly alluring.

Echoes of Sofreh-ye aqd, April 2023

This harmonious, compact yet dazzling arrangement, which was inspired by the bouquets of ranunculi, anemones and Viburnum opulus, alludes to a Persian marriage sofreh (sofreh-ye aqd).

This is the overall view of the Persian marriage sofreh (sofreh-ye aqd) which includes a simple rectangular mirror, an impressive container of elegantly decorated eggs, a few vividly finished sculptured apples and pomegranates, as well as dried miniature pomegranates in a deep-burgundy tone. The sofreh is softly illuminated with the flames of a pair of tea lights. A length of antique ivory and metallic-gold Indian textile enriches the arrangement.

This is the heart of the sofreh. The focus of the image is on a selection of softly decorated eggs in subtle, neutral and gold tones. Eggs, which are a symbol of life and fertility, are often included in sofrehs for both marriage and for Nowruz. A pair of tea lights is presented in delicate gold-rimmed tea light holders. Their flames softly illuminate this section and their reflection in the mirror against the background of the decorated eggs is delightful.

This is one of a pair of bouquets that inspired the creation of this Persian marriage sofreh. The bouquet is made of Hanoi ranunculi, anemones in pastel tones and Viburnum opulus. The black centres of the soft anemones are complemented by the miniature bouquet of Cantor black calla lilies, displayed below the larger bouquet.

This is the other of a pair of bouquets that inspired the creation of this Persian marriage sofreh. This bouquet, too, is made of Hanoi ranunculi, anemones in pastel tones and Viburnum opulus. The black centres of the soft anemones are complemented by the miniature bouquet of Cantor black calla lilies, displayed below the larger bouquet.

This is one corner of the sofreh. The focus of this image is the highly glazed ceramic pomegranates in metallic gold and silver, displayed on a length of antique Indian textile and next to a miniature dried pomegranate and a tiny bouquet of Cantor black calla lilies. Pomegranates, which are a symbol of fertility, are often included in sofrehs for both marriage and for Nowruz.

This is the other corner of the sofreh. The focus of this image is the stylized sculpted gold-finish apples and miniature dried pomegranates. The beauty of this corner is enhanced by the Cantor black calla lilies and open pastel anemone with a black centre. Apples, like pomegranates, are one the divine fruits (miveh-ye beheshti) and are a symbol of life and fertility.

Bejewelled Sofreh

Many Persian emblems and symbolic elements of the Persian sofreh appear in items of jewellery. This most original “bejewelled sofreh” is dedicated to showcasing this kind of jewellery.

This is the overall view of the "bejewelled sofreh". Apart from the distinct jewellery, some intricate embroidery and jewel-like symbolic elements of the Persian sofreh (e.g. gilded coins and crystal sugar) are on display. A daintily embroidered antique pouch, placed on an antique Venetian mirror, takes centre stage. This delicate sofreh is embellished with miniature bouquets of flowers and foliage, and colourful pouches, which could hold the bride’s make-up, or gilded coins and Persian sugared almonds. The sofreh is softly illuminated with multiple flames.

The focus of this image is the section that showcases an elegant necklace made of antique beads and statuettes of fish. To magnify the symbolic significance of the fish, which is included in the sofreh for Nowruz (sofreh-ye haft sinn), a sculptured fish is on display too. This corner also includes a silver pendant with Persian coins. The miniature composition is embellished with berries of Hypericum and delicate foliage. In the Persian tradition, fish is a symbol of plenitude and blessing, among other virtues, and coins signify wealth and prosperity.

This is the heart of the "bejewelled sofreh". It showcases an intricately embroidered antique Persian textile, known as termeh, and a pair of small trays containing gilded coins (sekkeh, a symbol of wealth and prosperity) and crystal sugar (nabat, a symbol of sweetness and harmony). Both the gilded coins and crystal sugar possess a jewel-like quality. A miniature tray of ornamental pomegranates and foliage is placed between a pair of bouquets made of foliage, sprigs of berried plants (Hypericum and snowberries), dainty flowers and buds (Lisianthus and wax flower), which complement the beads and stones of the creative jewellery. A pair of flames softly illuminates the heart of the sofreh.

This corner of the sofreh focuses on a lovely antique piece of bright red velvet embroidered with metallic threads, seed-pearls and sequins. A pair of mirrored balls, embellished with ornamental pomegranates and foliage, symbolize light and reflection—mirrors are always part of the Persian sofrehs for marriage and Nowruz. Sculptured birds are often included in the Persian marriage sofreh (sofreh-ye aqd). Here a charming necklace featuring birds, designed by Samira Vaziri (@samiravaziri_collections) and an antique Russian silver bird are on display. This corner, too, is embellished with delicate bouquets of flowers and foliage, and softly illuminated with a single flame.

This section of the "bejewelled sofreh" is dedicated to two original and artistic Persian necklaces, designed by Lida Rafii, which are displayed on a pair of small plates. One necklace features a pendant of an ancient Luristan bronze animal figurine, hung on a string of new gold beads and ancient Achaemenid beads in turquoise shades. This colour is very much part of the Persian tradition—in design and especially in architecture. The other necklace showcases an ancient Luristan bronze pendant in the form of a pomegranate (a symbol of fertility and often part of the Persian sofreh), dangling from a string of sea pearls and gold beads. A delicate sculptured pomegranate in various shades of blue, by Raaz Pottery, London (@raazpottery), is on display, and this miniature arrangement is embellished with ornamental pomegranates.

The focus of this image is a section of the "bejewelled sofreh", which showcases two very different pairs of handmade earrings, displayed on ceramic pomegranates designed by Keyvan Fehri (www.keyvanfehri.com). The first earrings, by Samira Vaziri, feature a crown and a "lion and sun" emblem, which carry important significance in the Persian culture. The second earrings, designed by Lida Rafii, feature ancient gold sculptured fish and silver coins of Elymais. The gold depictions on the pomegranates ("lion and sun", and fish) complement the design of the earrings. This section is embellished with a delicate bouquet of flowers and foliage, embroidered ribbons and a bright red velvet pouch, which may contain the bride’s make-up, or coins and Persian sugared almonds (noql), a symbol of sweetness and harmony.

Yalda and Christmas, January 2023

In 2022, around the winter solstice (Shab-e Yalda) on 21 December and Christmas, an original compact sofreh, inspired by the traditions of both celebrations, was created and presented on the social media pages of SOFREH. The arrangement showcases some customary elements from the sofrehs for Shab-e Yalda (e.g. samovar, red fruits) and Christmas decorations (e.g. Christmas foliage and lights). To read more about Shab-e Yalda please scroll down to Shab-e Yalda, Winter Solstice, December 2021.

This is the overall view of the innovative sofreh, which includes an impressive bouquet of Christmas foliage and white roses embellished with Christmas lights and presented in a samovar. A gold-finish statuette of an angel, gold-painted walnuts, pine cones, sprigs of fir and leaves and sprigs of holly all echo the traditions of Christmas. Red fruits, especially pomegranates, are an important component of the sofrehs for Shab-e Yalda, which often include antique Persian textiles too. Lengths of metallic-gold textile and open mesh enliven this sofreh. Red apples and numerous flames, which are part of the decorations of both traditions, are also featured.

Persian textiles, especially fine antique ones that have been handed down by previous generations, are often included in sofrehs for any occasion. The focus of this image is the finely embroidered length of an antique Persian textile, known as termeh. Metallic threads and seed-pearls are employed to create lovely tendrils, as well as a crown and a "lion and sun" emblem, which have important significance in the Persian culture. The juxtaposition of the gold-finish angel, which is often included in Christmas decorations, and the embroidered termeh, which is usually part of the sofrehs for Shab-e Yalda, creates an unusual combination.

The focus of this image is a selection of shiny red apples in various sizes, embellished with sprigs and leaves of variegated holly and softly illuminated with flames of tea lights, placed inside charming holders shaped like Christmas trees. Red fruits are an important part of the sofrehs for Shab-e Yalda, and red apples and, of course, holly are often included in Christmas decorations.