SOFREHS CREATED AFTER THE PUBLICATION OF THE BOOK

Echoes of Sofreh-ye aqd, August 2021

During the month of August, more compact compositions, echoing the Persian marriage sofreh (sofreh-ye aqd), together with their details were presented. The emphasis was on soft, subtle and serene designs.

This remarkably peaceful arrangement is created on and around a large antique silver-plated tray. The lovely bouquet of spray roses and foliage takes centre stage. Crystal sugar and bonbonnières are presented in antique silver vessels. The arrangement is draped and embellished with lengths of fine antique lace and subtly illuminated with a pair of flames.

This is a close-up of the delicate bouquet at the heart of the arrangement. The sumptuously soft bouquet comprises Misty Trendsetter spray roses, snowberries (Symphoricarpos) and a variegated foliage, which is a variety of the Leucothoe plant. This particularly pleasant and elegant combination is most appropriate for any marriage ceremony.

This corner of the sofreh is dedicated to crystal sugar (a symbol of sweetness and harmony) in gold tones, embellished with lengths of fine antique lace and leaves of the Leucothoe plant. The gold strips of the leaves subtly complement the crystal sugar. The lids of the urn and the vessel, respectively containing the bouquet and the crystal sugar, are neatly presented separately.

In this corner of the sofreh two handmade bonbonnières in the Persian spirit are on display. Their colour combination and their intricate trims complement the colour scheme and the design of the sofreh. The bonbonnières included in the Persian marriage sofreh usually contain gilded coins, a symbol of wealth and prosperity, and Persian sugared almonds, a symbol of sweetness and harmony.

Unconventionally, this simple and compact arrangement is created on a stainless steel surface. The impressive bouquet is presented in a silver-plated ice bucket flanked by a pair of simple candleholders. The backdrop is a shimmering silver textile embellished with a length of fine antique lace. On the surface, more lengths of draped fine antique lace are on display.

This stunning bouquet of Snow/White Ball hydrangeas, Jelena spray roses, ivy, Viburnum opulus and Chasmantium latifolium (woodoats) is at the heart of this compact arrangement. It stands out against the shimmering silver background textile and lengths of fine antique lace. This soft and elegant bouquet, too, beautifully lends itself to decorating any marriage ceremony.

Clematis & Ranunculi

This enchanting arrangement, which is inspired by a bouquet of clematis and ranunculi, alludes to a Persian marriage sofreh (sofreh-ye aqd). Lengths of exquisite antique Persian textile (termeh) in yellow tones, with intricate embroidery and borders, offer the perfect background and backdrop for this delightful sofreh.

This is the overall view of the sofreh. The soft bouquet of clematis and ranunculi takes centre stage. The composition of crystal sugar is reflected in the contemporary, angular mirror. A lovely antique vessel holds the sugared almonds and gilded coins. The sofreh is illuminated with several flames at different levels.

This is a close-up of the antique opaline vessel holding the Persian sugared almonds (noql) and gilded coins (sekkeh). Sugared almonds are a symbol of sweetness and harmony, while gilded coins represent wealth and prosperity. The dish creates a lovely contrast with the intricate termeh that it is placed on.

The focus of this image is the bouquet of Sevilla clematis, Hanoi ranunculus, wax flower and Lepidium. This light and airy bouquet in pastel tones stands out against the background of yellow termehs. Clematis is not frequently used in flower arrangements and its inclusion here, especially in combination with Hanoi ranunculi, brings an original touch to this pleasant and peaceful composition.

This mini composition of crystal sugar (nabat) in different shapes and shades is presented in refined vessels. The main cluster of translucent crystal sugar is in the shape of an apple, a heavenly fruit and a symbol of fertility. It is embellished with leaves of clematis. The crystal sugar composition, which is partially reflected in the mirror, also boasts a translucent gold shade. Crystal sugar, too, is a symbol of sweetness and harmony.

Kahala Roses

This soft and serene arrangement, which alludes to a Persian marriage sofreh (sofreh-ye aqd), is inspired by an ample and lavish bouquet of magnificent roses, known as Kahala, and fine foliage.

The arrangement comprises lengths of draped antique lace and three ceramic pomegranates, with a shiny gold or silver metallic finish. The impressive bouquet takes centre stage, and the simple, yet elegant composition is subtly illuminated with a pair of flames.

This is a close-up of the bouquet of white Kahala roses, a type of Ligustrum and Eucalyptus populus, which is placed at the heart of the sofreh. The dark berries beautifully complement the Kahala roses with blushed edges, and the seeded Eucalyptus softly hangs over the draped antique lace.

Blue White Gold

This striking, yet serene and soft Persian marriage sofreh (sofreh-ye aqd), arranged in front of a fireplace with blue and white ceramic tiles, complements that colour scheme. The predominant element is a length of exquisite antique Persian brocade in blue, with antique-gold accents.

This is the overall view of the sofreh, with various containers and elements which reveal a touch of blue, often complemented with gold. The composition comprises the important symbolic elements of the sofreh-ye aqd—a mirror, candles, flowers, rosewater, Persian sugared almonds, crystal sugar, decorated eggs, wheat, gilded/gold coins, sculptured pomegranates, bonbonnières and elegantly draped textiles.

This is a close-up of an important section of this sofreh, comprising an antique French mirror (ayeneh) and a pair of empire-style candleholders (sham’dan). The mirror incorporates a lovely Sèvres porcelain panel with a blue and gold surround. An antique miniature Qur’an is displayed on top of its case and silk pouch, in front of the mirror. This image is a compelling example of ayeneh sham'dan and ayeneh Qura’n—revered symbols in the Persian culture.

This is an impressive display of ceramic pomegranates in blue and white tones, created by the Iranian artist, Keyvan Fehri. The collection, together with the accents of antique-gilded leaves, is presented on an antique silver-plated tray and beautifully complements the antique Persian blue brocade with an antique-gold floral pattern. Pomegranates, which are symbols of fertility, are frequently included in the sofreh-ye aqd.

The focus of this image is the bright blue and gold antique opaline flasks of rosewater (golab) to perfume the air. They elegantly complement the antique Persian blue brocade, draped under and upon the two-tiered silver-plated and crystal container of various tones of crystal sugar. An antique silver vessel of sugared almonds (noql) is displayed below the crystal sugar (nabat). In the Persian culture "nogl o nabat" are synonymous with joy and celebrations.

This is a close-up of the antique bronze and crystal container of decorated eggs. The turquoise- and blue-coloured eggs stand out and complement the predominantly blue and gold colour scheme of the sofreh. Eggs, like pomegranates, are a symbol of fertility and are regularly included in both sofreh-ye aqd and sofreh-ye Nowruz (haft sinn).

These two lovely porcelain pieces from an art deco tea set, with blue and gold embellishments, respectively contain sheaves of wheat (a symbol of blessing and abundance), and gilded and gold coins (a symbol of wealth and prosperity). The beautifully gilded, angular lids of the pieces, which are neatly displayed separately, add interest and brightness to this serene sofreh.

This image, taken from above, presents the ensemble of the draped antique Persian blue brocade and shimmering-silver textured textile. They are displayed next to the tray of blue and white pomegranates and an antique silver-plated and crystal container of a selection of bonbonnières made of silk, satin and velvet, with antique-gold metallic trims. This is an interesting and unusual view of the front of the “Blue White Gold” sofreh.

This images focuses on the pair of natural and graceful flower displays, which are unconventionally placed in the opposite corner to the traditional ensemble of the mirror and candleholders, known as ayeneh sham’dan in Persian. These two simple yet elegant bouquets, comprise white/cream roses, Pompon Mignon ranunculi, wax flowers, ivies and Viburnum tinus in bloom and with berries.

Echoes of Sofreh-ye aqd

Once again the wedding season is upon us. Throughout the month of May 2021 a variety of compact compositions were designed, echoing the Persian marriage sofreh (sofreh-ye aqd). In each case the sublime flowers, which take centre stage, have been the inspiration for creating the arrangements.

This soft composition is the first one of the “Echoes of Sofreh-ye aqd” group. It is inspired by a bouquet of Chiffon roses and foliage. The set-up is embellished with lengths of antique-gold silk textile and ivory antique lace. A few satin bonbonnières, in soft shades and in the Persian spirit, are on display. The arrangement is illuminated with a pair of flames and adorned with sprigs of foliage.

This is a close-up of the bouquet that inspired the creation of the first set-up in the “Echoes of Sofreh-ye aqd” series. The soft and subtle bouquet is composed of Chiffon roses in a pastel shade, variegated Pittosporum and a fine foliage, known as Briza media. The exquisite bouquet beautifully complements the fine textile and the delicate antique lace.

This original and minimal miniature arrangement is designed around a single spectacular white peony and sprigs of Viburnum tinus. The distinctive ivory candle complements the delicate petals of the peony. The set-up is created on an ivory silk background which is elegantly draped with a soft-gold open mesh. All elements are presented in an elegant silver-plated tray with a glass base.

This is a close-up of the spectacular white peony that inspired the creation of the second arrangement in the “Echoes of Sofreh-ye aqd" group. The wine-coloured berries of Viburnum tinus create an interesting contrast with the white feathery flower. A pair of flames illuminate the petals of the peony, and the draped gold mesh shimmers in the background.

This neat and uncomplicated arrangement, created on an antique silver-plated tray, presents an impressive bouquet of a variety of roses and foliage. The flowers are arranged in an antique urn, with its lid displayed separately. The set-up is illuminated with a pair of flames and elegantly embellished with tiny pieces of fine antique lace.

This is a close-up of the bouquet which takes centre stage in the third arrangement in this series. It is made of Miss Bombastic spray roses, and green Dynamic and cream Candlelight roses. The dominant foliage is Viburnum opulus with lovely blushed cream and green berries. The spiky, vibrant green foliage is known as Myrthus tarantina.

This pleasing ensemble, illuminated with flames at various levels, is the last set-up in this group. Its creation was inspired by an exquisite bouquet of Lorena Summerhouse roses. A single sculptured pomegranate, a symbol of fertility, is presented in an antique silver-plated container. A length of a subtle green textured textile with antique-gold accents is elegantly draped through the composition.

This is a close-up of the view from above the heart of the last arrangement in the “Echoes of Sofreh-ye aqd" series. The Lorena Summerhouse roses, which have an abundance of shapely buds and soft yet opulent flower heads, inspired the design. The delightful bouquet, which includes variegated Pittosporum and Lepidium, subtly shimmers in the candlelight.

Glorious Garlics

The humble garlic (sir, in Persian) is one of the symbolic elements included in the sofreh-ye Nowruz (haft sinn), which starts with the letter “s”. It is prized for its medicinal qualities, and is believed to have evil-averting powers. In the following compact arrangements, alluding to the sofreh-ye haft sinn, its aesthetic qualities have been wonderfully exploited.

These glorious and ample bulbs of garlic were the inspiration for creating this compact arrangement. The simple and pure set-up includes a flask of vinegar (symbolizing patience), flames (representing light), and only three bulbs of garlic with streaks in shades of mauve, which complement the lovely tones of the deep-purple tulips (a symbol of beauty, signalling the arrival of spring). All these elements are presented in antique, mainly silver containers.

Another compact arrangement was also inspired by these glorious and ample bulbs of garlic. It is a simple composition incorporating an airy, light and natural bouquet of deep-purple tulips, which complements the mauve streaks of the three plump bulbs of garlic. Tulips represent beauty and the rebirth of nature at the beginning of spring. This petite composition is presented in an attractive, antique, silver-plated and crystal container.

Once again these glorious and ample bulbs of garlic take centre stage in another compact arrangement. The lovely mauve streaks of the plump bulbs of garlic complement the deep-purple bouquet of tulips, representing beauty and signalling the beginning of spring. This simple composition is displayed on a glass-top table, and includes a platter with an antique lace base, as well as elegantly draped lengths of antique lace.

This is a variation on the last arrangement, which incorporates the same platter with an antique lace base. This set-up is embellished with several lengths and types of antique lace, and the pattern on the lace is repeated on the blue papier mâché box of gilded coins—a symbol of prosperity. A single flame depicts light. The delightful bouquet of purple hyacinths, Skimmia and ivy signals the arrival of spring. Bulbs of a different variety of garlic are on display.

Nowruz 1400 AS, 2021

In the Persian calendar, 20-21 March 2021 marks the beginning of a new century and a New Year, 1400 AS (anno shamsi) or SH (shamsi hejri). In the pursuit of variety, an informal and original sofreh, created by an Iranian artist in her home for Nowruz 1400, is being featured.

This overall view clearly reveals the emphasis on layering antique textiles and embroideries, which creates volume, depth and movement. A selection of original decorative objects and vessels enhance the beauty of the symbolic elements of the sofreh-ye Nowruz (haft sinn), including hyacinths, vegetation, apples, pomegranates, bulbs of garlic, decorated eggs, fish, vinegar, rosewater, sumac, mirrors, flames and a hand-written Qur’an.

Hyacinths, which herald the beginning of spring, are usually included in the sofreh-ye haft sinn for their beauty and sweet fragrance. Their presentation in this section of the sofreh is reminiscent of a wild garden. In the background, the antique watercolour of another spring flower, tulips, is an appropriate addition to the sofreh. A delicate antique mirror, a symbol of light and reflection, is placed next to the apples, a symbol of heaven and fertility.

Vegetation and sprouts also herald the beginning of spring. In her casual sofreh, the Iranian artist has opted for the vivid green Soleirolia solierolii (mind-your-own-business) as an interesting alternative for the germinated grains (sabzeh). A pair of sculptured pomegranates, an antique Persian silver dish containing sumac and a delicate antique silver flask of water, all displayed over antique textiles and embroideries, are part of this original sofreh.

This artistic image, taken from an unusual angle, reveals a detail from this creative sofreh-ye haft sinn. It presents an exquisite antique flask in silver and crystal, which contains rosewater (golab) to perfume the air. It is elegantly placed inside an antique Persian silver saucer with a rippled edge. The rich, shimmering vintage damask textile enhances the beauty of this section.

The focus of this image is the exquisite hand-written Qur’an, opened on an illuminated page and subtly lit with a single flame. A pair of Persian hand-crafted metal birds is included, as a symbol of good fortune, juxtaposed with a gold-finish bell. All the elements are displayed on a length of deep-red Ottoman velvet, embroidered with gold threads, which together with the sublime patina of the bell, complement the gilding of the illuminated Qur'an.

This is the heart of the sofreh, comprising vegetation, jujube fruit (senjed), sumac, vinegar, decorated eggs, bulbs of garlic, gilded coins, rosewater, a sculptured goldfish, pastries and an elegant antique Chinese bowl with matching plate, containing a sweet paste called samanu made of germinated wheat. Samanu, which is associated with fertility, is a traditional dish prepared exclusively by women on the eve of Nowruz. A few tea lights subtly illuminate this central section.

This image focuses on the exquisite plaque with the outline of a fossilized fish, which is softly gilded by the artist herself. It is another representation for goldfish, which are one of the symbolic elements of the sofreh-ye haft sinn. The plaque is displayed over a draped length of antique Persian embroidery, known as naqdeh duzi. The pair of gold and silver metallic-finish sculptured pomegranates beautifully complement the other gold- and silver-finish objects on the sofreh.

In the past, it was customary to include photos of deceased family members on the sofreh-ye haft sinn. This antique family photo album speaks to that tradition. Its refined papier-mâché cover features a festive royal occasion with music, dancing, wining and dining, which is related to the Nowruz celebrations. A decorative, antique silver snuffer and wick trimmer adds to the appeal of this corner of this original sofreh, created by an Iranian artist.

Simple Ideas for Sofreh, 2021

The following two compact compositions, with two very different colour schemes, spirits and appearances, allude to a Persian marriage sofreh (sofreh-ye aqd) or Nowruz sofreh (sofreh-ye haft sinn).

Silver Wattle (Mimosa)

This first compact arrangement, with an unusual colour scheme, is inspired by a bouquet in silver, dusty pink and wine tones, which takes centre stage.

This is the overall view of the arrangement. The shiny silver-finish ceramic pomegranates (a symbol of fertility) complement the subtle silver tones of the foliage. The arrangement is draped with a length of shimmering-silver, textured textile, and a piece of intricate, antique silver-thread trim. A pair of flames illuminate and enhance the beauty of the ensemble.

This is a close-up of the bouquet, placed at the heart of this compact arrangement. The fine silvery foliage with wine-coloured blush is known as Silver wattle (Mimosa) which compellingly complements the Viburnum tinus' wine-coloured berries. Various shades of the smoky pink Furusato spray roses soften and lighten up the bouquet and the sofreh.

Hydrangea & Termeh

This second compact arrangement is inspired by an outstanding, ample bouquet of hydrangeas in subtle tones, which is displayed in one corner.

This is the overall view of the arrangement, exploiting the beauty of a piece of draped antique Persian textile (termeh), with an intricate silver-thread border and fringe. An impressive bouquet of hydrangeas is on display, and the arrangement is illuminated by a single decorated candle. A tilted antique crystal cone-shaped vessel, containing sugared almonds, is on view. A length of intricate, antique silver-thread trim embellishes the sofreh.

This is a close-up of the focal point of the arrangement. The spectacular bouquet of hydrangeas in tones of mauve and green clearly stands out. Not only are the flower heads monumental, but the florets are also very distinctive, well-formed and opulent. The smoky shades of mauve and green create a pleasing contrast with the muted yellow and orange tones of the background antique Persian textile, known as termeh.

Bridal Flow Rose

This luminous yet serene arrangement, which was inspired by Bridal Flow spray roses and presented in art deco containers, alludes to a Persian marriage sofreh, sofreh-ye aqd.

This is the overall view of the arrangement. It is unusually staged on a sizeable chair and a low stand, which are draped voluminously in ivory silk, and embellished with lengths of antique lace. A few of the symbolic elements of the marriage sofreh are displayed and subtly illuminated with flames.

This silky bouquet of Bridal Flow spray roses, Pittosporum variegata, Lepidium, asparagus fern and ivy is presented in a silver-plated art deco vase and is placed at the heart of the marriage sofreh. The over-sized rosette made of off-white silk complements the shape and shade of the Bridal Flow roses.

The focus of this image is the delightful silver-plated and crystal art deco container which holds shiny silver-finish sugared almonds, a symbol of sweetness and harmony. This radiant central section is illuminated with a pair of flames, presented in attractive gold-rimmed tea light holders. In this original marriage sofreh a length of antique lace is elegantly draped around the distinctive, shapely container.

The focus of this image is an open art deco box of decorated eggs, a symbol of fertility. A delicate pouch, made of antique Persian textile (termeh) and embroidered with silver threads and seed pearls with a floral design, is on display. This exquisite bag either holds gilded coins, a symbol of prosperity, or it encases the bride’s cosmetics. This section is subtly illuminated with flames and draped with lengths of antique lace.

Snowball Hydrangea

These two compact compositions, with two different colour schemes, which echo the Persian marriage sofreh (sofreh-ye aqd) were inspired by a single stunning, splendid and superabundant hydrangea, known as Snowball.

This is the first and simpler compact composition, inspired by the Snowball hydrangea. It is a subtle and soft "white-on-white" arrangement created on a generous length of ivory silk and illuminated by a pair of flames. A length of intricate, antique lace emerges from a delicate silver-plated box, which could contain appropriate symbolic elements of the marriage sofreh, such as sugared almonds (noql), a symbol of sweetness and harmony.

This is an alternative to the previous arrangement which includes the same Snowball hydrangea. In this version the colour scheme is silver, and the composition is illuminated, at different levels, with three pairs of flames. Again, a length of subtle, antique lace protrudes from a delicate silver-plated box, which could contain appropriate symbolic elements of the marriage sofreh, such as gilded coins (sekkeh), a symbol of wealth and prosperity.

This is a close-up of the spectacular, ample and amazing single hydrangea, known as Snowball, which was the inspiration for creating the compact compositions above, which echo the Persian marriage sofreh (sofreh-ye aqd). The opulent textured sphere speaks to the draping and movement of the textiles which form the background spread in the simple arrangements above, with two different colour schemes.

The focus of this image is the length of intricate, antique lace which flows from the delicate silver-plated box and is partially covered by its fine and elegant lid. This charming miniature composition features in both the compact arrangements above. A pair of flames illuminate this appealing ensemble. The silver-plated box could contain appropriate symbolic elements of the Persian marriage sofreh, such as noql or sekkeh.

Art Deco Box

This theatrical miniature sofreh is inspired by a silver art deco box which acts as a candleholder and supports the mirror mosaic. The bouquet of delicate roses, known as Chiffon, and fine asparagus ferns takes centre stage. A length of ivory and gold silk with a paisley (boteh) design is elegantly draped over the surface. Fragments of lace and antique-gold trim, tassels, leaves of ivy and sprigs of asparagus fern enhance the beauty of the composition. A few of the symbolic elements of the Persian marriage sofreh (sofreh-ye aqd), including sheaves of wheat, decorated eggs, sugared almonds, crystal sugar, gilded coins, rosewater and flames are imaginatively presented.

This is the overall view of the theatrical miniature sofreh-ye aqd. While it has a traditional and symmetrical appearance, the juxtaposition of elements in a variety of styles, and the details of the draping and the movement of the textiles and trims reflect a theatrical and more original style.

These delightful champagne-coloured roses, known as Chiffon, and the delicate lace-like sprigs of asparagus fern echo the delicacy of the bride’s sheer veil in a Persian marriage ceremony. The Chiffon roses, which are subtly fragrant, perfume the air. This delicate bouquet takes centre stage.

This is the heart of the theatrical miniature sofreh. The silver art deco box holds a single distinctive, candle with art deco-style relief. A mirror mosaic is propped up inside the box’s open lid. The box is embellished with fine gold tassels. This central section is illuminated with a pair of flames, and its beauty is enhanced by fragments of lace and antique-gold trim.

This enchanting and shapely silver-plated miniature tray of crystal sugar (nabat) in gold tones is placed at the front of the sofreh. It is subtly embellished with a few leaves of ivy and sprigs of asparagus fern. The gold paisley (boteh) design of the silk textile elegantly complements the shades of the crystal sugar, which is a symbol of sweetness and harmony.

The focus of this image is the sheaves of wheat (a symbol of blessing and abundance), coloured eggs (a symbol of fertility), gilded coins (a symbol of prosperity) and a mirrored antique flask of rosewater (golab) to perfume the air. The beauty of this section is enhanced by sprigs of asparagus fern, fragments of lace and antique-gold trim, as well as delicate metallic gold tassels. A single flame subtly illuminates this corner.

The focus of this image is also the sheaves of wheat, hand-decorated eggs and sugared almonds (noql, a symbol of sweetness and harmony), presented in a reclining glass cup, placed inside an antique silver vessel. The beauty of this section is also enhanced by sprigs of asparagus fern, delicate metallic gold tassels, as well as the elegantly ruched ivory and gold silk that covers the surface. Another single flame illuminates this corner.

Furusato Rose

This is another simple and compact set-up which alludes to a marriage sofreh (sofreh-ye aqd). It is inspired by a soft bouquet of Furusato roses and foliage, and is again created on a mantelpiece in front of a mirror, both of which are antique and in the European style.

This is the overall view of the composition. The flowers take centre stage. Ceramic pomegranates, sheaves of wheat, an antique Qur’an, and a selection of bonbonnières are on display. The set-up is illuminated with flames and perfumed with rosewater, presented in an antique flask. Decorative metallic trims enhance the beauty of the arrangement.

This is the heart of the composition, focusing on the delightful bouquet of a new variety of spray roses in subtle shades of smoky pink/peach, known as Furusato, and olive branches. The gold-finish vessel that contains the flowers complements the frame of the antique mirror above the mantelpiece. The reflection of the pastel bouquet of roses is spellbinding.

The focus of this image is one corner of the set-up, showcasing an antique silver and crystal flask of rosewater, which perfumes the air. Its crystal stopper is displayed separately. A single, bright red ceramic pomegranate is on view. Handmade bonbonnières, in the Persian spirit, are on show on the mantelpiece and in a reclining antique, frill-edged vessel.

This image focuses on the other corner of the arrangement, showcasing an antique Qur’an with an exquisite papier mâché binding, embellished with an antique-gold trim. Sheaves of wheat, which are a symbol of blessing and abundance, as well as a single bright red ceramic pomegranate, which is a symbol of fertility, are presented in different antique containers.

Crimson Velvet

This pleasing arrangement alludes to a Persian marriage or Nowruz sofreh—soreh-ye aqd or soreh-ye haft sinn. It is inspired by an antique, intricately embroidered piece of rich-deep-red velvet.

This is the overall view of the set-up. A bouquet of soft peach hyacinths, wax flowers and seeded Eucalyptus is on display. An attractive silver-plated tray contains a single apple, decorated eggs, sculptures of pomegranates and gilded coins. The crimson velvet is placed at the heart of the composition, which is illuminated with a pair of flames.

This is a close-up of the antique piece of embroidery that inspired the creation of this composition. The rich-deep-red velvet, which is embroidered with silver threads and seed-pearls, is probably Persian. The ornamental motifs are floral with leaves and tendrils. This decorative piece is also embellished with sequins and a gold-finish trim.

This lovely bouquet of soft shades of peach hyacinths, wax flowers and seeded Eucalyptus takes centre stage. This delicate and delightful bouquet can enhance the beauty of any sofreh—whether it is created for Nowruz (sofreh-ye haft sinn), or for a marriage (sofreh-ye aqd).

This is a close-up of the single Delblush apple, decorated eggs, gilded coins and delicate gold tassels. Apples are among the heavenly fruits (miveh-ye beheshti). Eggs and coins represent fertility and prosperity. These symbols are included in the sofrehs for Nowruz and aqd alike.

Wave Classica

This is a colourful and ornate arrangement, including a few of the symbolic elements of the Persian marriage sofreh (sofreh-ye aqd). The creation was inspired by an impressive bouquet of Wave Classica, a variety of Japanese Lisianthus, and foliage. The mirror and the candelabra, which are part of the traditional Persian marriage sofreh, are antique and in the European style.

Here is the overall view of this vivid arrangement. A mirror and a pair of candelabra, a bouquet of flowers and foliage, sugared almonds and crystal sugar (noql o nabat) are on display. The arrangement is elegantly draped with an antique length of Persian silk, and brightened with fragments of open weave gold tulle which enhance its beauty.

This splendid bouquet of Japanese Lisianthus, known as Wave Classica, wax flowers and Eucalyptus populus inspired the creation of this ornate set-up. This rare variety of Lisianthus presents soft, subtle and dusty tones of cream, pink and peach, which are nicely complemented by the colours of the antique Persian textile that is draped around it.

This is an original display of crystal sugar (nabat), employing a layering approach. The base is a bright green, gold-rimmed porcelain plate. A glass scalloped, gold-rimmed plate is placed on it and the sticks of crystal sugar are arranged on a smaller plate with a lace-like and gold-rimmed edge. Nabat is a symbol of sweetness and peace.

This is a close-up of the antique crystal and bronze container of the traditional Persian-style sugared almonds (noql)—a symbol of sweetness and harmony. In the Persian weddings, noql also plays the role of confetti. The elegant draping of the antique Persian silk and the movement of the gold tulle are manifestly apparent in this depiction.

Bubble Rose

This simple and compact arrangement alludes to a marriage sofreh (sofreh-ye aqd). It is created on a mantelpiece in front of a mirror, both of which are antique and in the European style.

This is the overall view of the composition. A beautiful bouquet of white roses and foliage takes centre stage. Ceramic pomegranates, decorated eggs, a pair of birds and a selection of bonbonnières are on show. The set-up is illuminated with a pair of flames, while a length of antique lace is elegantly draped around the arrangement.

This image focuses on the lovely pair of antique-gold finish birds which personifies the couple. The statuettes are presented on top of an exquisite antique silver box, with its attractive lid elegantly displayed at a slant. A gracefully draped length of delicate antique lace is faintly visible in the background.

This airy and natural bouquet, which is composed of white Bubble spray roses, wax flowers, Viburnum tinus and an ornamental type of Japanese trailing ivy, is presented in an antique silver-plated urn, which is placed at the heart of the composition. The reflection of the bouquet in the mirror is dazzling.

This is a close-up of the bright green leaves of the ornamental Japanese trailing ivy, known as Hedera persaly. The juxtaposition of the unusual ivy, wax flowers and the dark berries of Viburnum tinus against the antique-gold finish frame and antique-silver finish urn is sensational.

This image focuses on the metallic-silver ceramic pomegranates and decorated eggs, presented in a silver-plated box. Pomegranates and eggs are both symbols of fertility. The beauty of this section is enhanced by the delicate antique lace that is elegantly draped around various elements.

These lovely, handmade bonbonnières, in the Persian spirit, dominate one corner of the arrangement. They cascade out of an antique silver-plated container onto the mantelpiece. Part of the delicate antique lace that is draped around the set-up offers a lovely contrast to the black marble surface.

Tisanières

In an attempt to introduce an original touch to the conventional sofreh for Nowruz, a collection of enchanting and colourful, antique tisanières (teapots on burners) are utilized to present some of the symbolic elements of the sofreh-ye haft sinn.

In this image the tisanières contain bouquets of tulips, hyacinths, hellebores, wax flowers and berried ivy. Flames shimmer inside the burners and an antique silver box with a lovely lid. Sculptures of apples embellished with crab apples are on display, as well as mini apples and a single bulb of garlic. The beauty of this composition is enhanced with two pots of variegated ivy.

This image focuses on the other attractive tisanières holding bouquets of white tulips, pink hyacinths, hellebores, wax flowers and berried ivy. The tips of a spray of wheat, and the lid of the teapot holding it, can be seen in the background. The base of one of the tisanières holds a pot of trailing ivy which gracefully hangs over the forefront and enhances the beauty of this set-up.

In this image a teapot with metallic-gold embellishment contains vinegar and is adorned with bunches of different colours of grapes. Its base holds a silver vase of hyacinths, tulips, hellebores, wax flowers and berried ivy. Another bouquet of the same flowers is presented in another tisanière with its blue-rimmed lid placed next to it. Graceful branches of trailing ivy are visible in the background.

In this image the teapots hold bouquets of spring flowers, hellebores and berried ivy. Flames shimmer inside the burners. A pair of miniature containers of ground sumac (somaq), a shapely burner containing gilded coins (sekkeh), and an antique silver vessel of jujube fruit (senjed) are on display. A pot of variegated ivy enhances the beauty of this original arrangement, which alludes to a sofreh.

Nowruz, 2020

In anticipation of Nowruz, this delightful sofreh was created, incorporating some of the symbolic elements of the sofreh-ye haft sinn. This original three-level composition is illuminated with numerous tea lights. Germinated wheat (sabzeh), spring flowers (hyacinths and tulips), an apple, and ceramic and fresh pomegranates are elegantly displayed. Statuettes of fish substitute live goldfish. Variegated trailing ivy, an impressive antique, carved-wood bow, and several pieces of antique textiles and embroideries enhance the beauty of this enchanting sofreh.

This image demonstrates the overall frontal view of this charming three-level composition, alluding to a sofreh for Nowruz (sofreh-ye haft sinn).

This image demonstrates the overall side view of this charming three-level composition, alluding to a sofreh for Nowruz (sofreh-ye haft sinn).

This is a close-up of one corner of the above sofreh. The image focuses on the blocks of germinated wheat (sabzeh), a symbol of growth and rebirth and the essence of this spring festival (Nowruz). Hyacinths, presented in an attractive vessel, lend beauty and herald the arrival of spring. A statuette of fish substitutes goldfish, a symbol of a number of things, including life, plenitude and blessing. Several flames illuminate this corner, and an exquisite piece of antique Persian textile (termeh) embroidered with silver thread enhances its beauty.

This is the other corner of the above sofreh. The focus of this image is the ceramic pomegranates in metallic gold and silver, as well as a single white one. A sole fresh, bright red, plump pomegranate and a single vivid Delblush apple, both among heavenly fruits (miveh-ye beheshti) symbolizing heaven and fertility, are on display. Statuettes of fish substitute live goldfish. A charming antique clock indicates the time at the start of the new year (sal tahvil). The beauty of this corner is enhanced with flames, variegated trailing ivy and another exquisite, embroidered antique Persian textile (termeh).

SOFREH as a Gift

The following compositions were especially designed to introduce the book on social media as a gift for different occasions. The posts present the book as a two-volume, lavishly illustrated publication which makes an enduring gift for those interested in art, culture and design. They also add that SOFREH includes many decorating ideas in the Persian spirit, as well as images of exquisite textiles, rare manuscripts and imaginative floral designs. To order your copy, please go to THE BOOK page.

This simple sofreh was designed to present the book as a gift for any occasion. It is arranged over a lovely draped gold and off-white Indian silk. Different volumes of the book are on display, some of which are presented inside transparent gift bags to highlight the elegance of the binding. The composition is subtly illuminated with a pair of gold-finish candles and embellished with a simple bouquet of berried ivies.

This simple composition was designed in the Christmas spirit to suggest the book as a Christmas present. It incorporates holly and pine sprigs, as well as tea lights, presented in subtly gleaming holders, which illuminate the composition. The shimmering flame, which is displayed inside the attractive slipcase of the book, adds an original touch to the arrangement, which otherwise presents the books embellished with traditional Christmas bows and berries.

This original arrangement alludes to a marriage sofreh (sofreh-ye aqd). The elegant composition comprising different lengths of antique lace was created to suggest SOFREH as an appropriate wedding gift, as the book provides numerous ideas for decorating the sofreh-ye aqd. The composition is illuminated with flames, one of which shimmers inside a slipcase. Several other symbolic elements, such as a pair of enchanting bird sculptures, sugared almonds, gilded coins and flowers (roses, wax flower, baby’s breath and crawling jasmine) are on display.

This charming composition alludes to a sofreh for Nowruz (sofreh-ye haft sinn). The background is gracefully embellished with crawling jasmine. A draped piece of antique Persian textile, known as termeh, is on display. Spring flowers, hyacinths and tulips, in a variety of colours are included. The composition is illuminated with flames, one of which shimmers inside a slipcase. This composition was designed to suggest SOFREH as an appropriate gift for Nowruz, as the book provides numerous ideas for decorating the sofreh-ye haft sinn.

Christmas Versus Nowruz

December, 2019. This unconventional and original sofreh is inspired by Christmas ornaments such as pine cones, nuts, and holly and pine sprigs, as well as the symbolic elements of sofreh-ye Nowruz (haft sinn) such as germinated wheat (sabzeh), spring flowers (hyacinths and tulips), apples and pomegranates.
As the “Seven Steps” sofreh was well received, here the display has been presented on seven levels/steps. The first two images showcase the overall composition from two different views—from above and from below—which reveal a fascinating contrast.

This image showcases an unusual view from the top of this original and descending sofreh, inspired by Christmas and Nowruz. The dazzling reflection of lights and flames in the glass stairway enclosure is alluring and magical. The image shows the actual illuminated sofreh on the left and its phenomenal mirror image on the right.

Apart from the many Christmas and Nowruz ornaments and symbolic elements, different shades of red and metallic gold evoke the spirit of Christmas, and echo the joy of Nowruz. This unusual and dazzling sofreh is illuminated with miniature Christmas lights, seven shimmering pillar candles and seven tea lights—flames are part of both Christmas and Nowruz adornments. The opposite image demonstrates the details of this creative sofreh more visibly.

This is an overall image of the sofreh embracing the spirit of Christmas and Nowruz. Two ewers contain a variety of Christmas foliage. Seven blocks of sabzeh and seven glowing pillar candles, which echo the spirit of Nowruz, are included. The foliage and sabzeh are illuminated with Christmas lights which elegantly link the two important symbols of both celebrations. There are seven silver containers of shimmering tea lights, and the shiny ceramic pomegranates are reminiscent of baubles. Spring flowers, fresh apples and gold-finish sculptures of apples, decorated nuts, eggs and pine cones, gold-finish leaves, as well as a vase of hydrangeas are on display. This inclining sofreh is adorned with a pair of antique, European, embroidered pieces of velvet. Two other lengths of deep-red, Ottoman velvet embroidered with gold thread are draped around the handrail.

The focus of this image is the upper part of the sofreh on seven levels, embracing the spirit of Christmas and Nowruz. This section showcases the sabzeh (a prominent symbol of Nowruz), pillar candles, some of the tea lights and one of the ewers containing Christmas foliage—sprigs of holly, pine, Leucadendron ayoba, and Skimmia. The foliage and the sabzeh are decorated with miniature Christmas lights. Fresh apples, hyacinths and tulips echo the spirit of Nowruz. The hydrangeas in deep-red, gold-finish leaves and sculptures of apples, as well as the pine cones portray the spirit of Christmas.

This is the midsection of the sofreh on seven levels, embracing the spirit of Christmas and Nowruz. The sabzeh (a prominent symbol of Nowruz) decorated with miniature Christmas lights, pillar candles, tea lights, pine cones and deep-red hydrangeas are on display. One fresh, over-sized pomegranate (a symbol of fertility in the Nowruz tradition) is grouped with shiny ceramic pomegranates, reminiscent of Christmas baubles. A pair of miniature antique silver vases contains sprigs of holly, echoing the spirit of Christmas. The tea lights are placed in silver containers and surrounded by the white berries and a few leaves of the Symphoricarpos (snowberry) plant.

This is the lower section of the sofreh on seven levels, embracing the spirit of Christmas and Nowruz. The focus of this image is the pair of European, antique velvet textiles, embroidered with gold thread, as well as a lovely, shiny green container of decorated nuts, eggs, pine cones and gold-finish leaves. The sabzeh (a symbol of Nowruz) and an ewer containing Christmas foliage, decorated with miniature Christmas lights are visible. Pillar candles and tea lights are on display, as well as a charming, antique, gold-finish cherub, another hallmark of Christmas.

This is an engaging view from above the sofreh on seven levels, embracing the spirit of Christmas and Nowruz. In this image taken from an unusual angle, apart from the seven sabzeh decorated with miniature Christmas lights and the pillar candles, which are fully visible, the bouquet of white hyacinths, echoing the Nowruz tradition, has come to life. The fresh apples and especially the gold-finish sculptures of apples are more prominent. This is the last of the images of this group, effectively capturing the combined spirit of Christmas and Nowruz.

Shab-e Yalda, Winter Solstice

December, 2019. Shab-e Yalda, or the winter solstice, is the longest night of the year. It is the eve of 1 Dey in the Persian calendar, corresponding to 21 December. The feast of Yalda originates in the pre-Islamic period and is associated with agriculture. Red fruits—watermelons and pomegranates—are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead. In the Persian tradition people get together, tea, sweets, fruits and nuts are served, and stories and poetry are recited, to get through the darkest and longest night of the year, when it is believed that demons are most active.

This is a contemporary sofreh for the occasion of Yalda, incorporating a samovar to serve tea, an exquisitely embroidered Persian textile known as termeh, Persian sweets, crystal sugar, nuts, red fruits, flowers, flames and a book of verse (divan-e Hafez, works of the 14th century Persian poet).

This is a variation on the previous sofreh. In this image the divan-e Hafez is open, and the ornamental container of crystal sugar has been moved to the background. Like the original sofreh, this one incorporates a samovar to serve tea, an exquisitely embroidered Persian textiles known as termeh, Persian sweets, crystal sugar, nuts, red fruits, flowers, flames and a divan-e Hafez.

This is a close-up of the exquisite early 20th-century Persian textile, probably from Kerman, known as termeh. The focus of the image is the intricately embroidered lion and sun motif with silver threads. The symbol is enhanced with a crown, flowers and tendrils. In the Persian culture the lion and sun emblem has many historical meanings which have evolved over the years. Describing and summarizing its significance and evolution in this brief caption would not do justice to its influence, prominence and history.

The focus of this image is a corner of the sofreh. This is a lovely display of miniature deep-red rose plant and Freedom cut roses, arranged in a traditional copper vessel, surrounded by deep-red (Red Delicious) apples. A cut watermelon is presented in another copper vessel. Some glasses of tea and a lovely tinted-glass candleholder are on display. Red fruits are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise for longer days ahead.

This is the heart of the sofreh which focuses on the samovar and the traditional teapot together with the tea ready to be served in various traditional Persian glasses. A copy of the divan-e Hafez (works of the 14th-century Persian poet, Hafez) is displayed in the forefront. The ornamental glass bowl, which contains the translucent pieces of crystal sugar in soft white and gold shades, takes a central position. This section is illuminated with a pair of candles in lovely tinted-glass candleholders.

This is a side view of the heart of the sofreh. In this image the "tea paraphernalia”, tinted-glass candleholders, crystal sugar, whole and cut watermelons, pomegranates and apples, as well as deep-red roses are evident. Red fruits—watermelons and pomegranates—are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead.

This is a close-up of the traditional Persian sweets and some whole pomegranates. The jewel-like, homemade sweets are usually served on festive occasions. Here three different varieties—principally made of almonds, pistachios, chickpeas and honey—are presented in lovely Persian tinted-glass dishes similar to the candleholders.

The focus of this image is another corner of the sofreh. This is a lovely display of whole and cut watermelons, arranged in traditional copper vessels. The pomegranates are presented both whole and opened on a tinted glass platter. Deep-red apples (Red Delicious) are displayed on the termeh. This corner is illuminated with three flames shimmering inside delicate Persian tinted-glass holders.

Jashn-e Mehregan

October, 2019. Jashn-e Mehregan is an Iranian festival which is apparently dedicated to the god of Mithra (Mehr). To read more, please visit http://www.iranicaonline.org/articles/mehragan. Very briefly, in the Persian culture, Mehregan is believed to have the same significance as Nowruz, with Nowruz signalling the beginning of spring and Mehregan marking the arrival of autumn. The celebrations, which have their origins in the pre-Islamic period and are associated with agriculture and harvest, are usually held between 16 and 21 Mehr in the Persian calendar, which correspond to 8 and 13 October. Presently, sofreh is not part of the Mehregan customs, though apparently in the past it was. To mark the occasion, here is a sofreh showcasing a contemporary interpretation of past practices.

This is the overall view of the original sofreh, with blue and turquoise accents, which was created for the occasion of Jashn-e Mehregan. It incorporates a selection of symbolic elements, including fabrics, flowers, fruit and flames aspiring to various facets of good fortune.

This is the core of the sofreh created to mark the occasion of Jashn-e Mehregan. This image focuses on an impressive display of heavenly fruit (a variety of grapes and apples), which symbolize life, good fortune, prosperity and fertility.

This is a section of the sofreh, created to mark the occasion of Jashn-e Mehregan. This image focuses on an artwork by the Iranian artist, Bita Ghezelayagh, who typically works with woven material. Here she has combined a fragment of worn Persian carpet with the classic Persian art of mirror-work (ayeneh kari). This original piece of art which echoes fabrics and a customary mirror—elements which are usually part of a sofreh—is illuminated with flames inside a pair of turquoise-tinted holders. The vivid colour of the holders complements the pattern of the artwork.

This is a corner of the sofreh, created to mark the occasion of Jashn-e Mehregan. This image focuses on the sheaves of wheat and crystal sugar, placed inside a hessian bag filled with rice. Wheat and rice are associated with harvest and are symbols of blessing and abundance. As always, crystal sugar indicates the aspiration for a sweet and pleasant time ahead.

This is the central section of the sofreh, created to mark the occasion of Jashn-e Mehregan. This image focuses on a free-flowing bouquet of miniature and spray cream roses and baby’s breath. The soft, natural arrangement is draped with an open-weave length of hessian, which partially covers the surface, and alludes to a traditional sofreh.

This is another feature from the sofreh, created to mark the occasion of Jashn-e Mehregan. This image focuses on the other heavenly fruit—plump, shiny pomegranates, a symbol of fertility, as well as a vivid turquoise-coloured container of mixed dried fruit and nuts, which are usually served on festive occasions.

This is a corner of the sofreh, created to mark the occasion of Jashn-e Mehregan. This image focuses on more heavenly fruit—a ceramic turquoise-coloured pomegranate, next to crimson pomegranates, a symbol of fertility. Containers of sugared almonds (noql) and gilded coins, symbols of festivity and prosperity, are elegantly displayed.

This is the last image of the sofreh, created to mark the occasion of Jashn-e Mehregan. Here, the focus is on another original artwork by Bita Ghezelayagh. This piece, too, is a combination of the fragments of worn Persian carpets and the classic Persian art of mirror-work (ayeneh kari). This piece also echoes fabrics and a customary mirror—elements which are usually part of a sofreh. This novel work has been illuminated with a single flame inside a delicate turquoise-coloured holder, which picks up the shades of the weaves of the artwork.

Simple Ideas for Marriage Sofreh, 2019

The following arrangements, which allude to a marriage sofreh (sofreh-ye aqd), present some quite simple decorating ideas. They have been inspired by a variety of alluring flowers with distinct and different textures, colours and forms.

Secret Garden Rose

This dainty sofreh incorporates a single open rose, known as Secret Garden, and a few sprigs of asparagus fern. They are placed in a 19th-century Bohemian emerald green vase, with gold decoration and a medallion with hand-painted floral design. A pair of silver candle holders and a piece of antique lace are included in this natural and quiet arrangement.

This image displays the ensemble of this simple and serene composition.

The focus of this image is the miraculous open Secret Garden rose. The hand-painted floral design on an emerald green background, enhances the beauty of the rose, in full bloom.

Country Garden Roses

Here is another simple suggestion for decorating a marriage sofreh. It comprises only three stems of a new variety of rose, mixed with foliage. A draped crêpe-like, antique gold-coloured textile covers the vase and the surface. The arrangement is illuminated with a pair of antique gold-coloured candles and a flame, shimmering inside a lantern. Fabrics, flowers and flames are paramount in decorating a sofreh.

This is the overall view of this simple sofreh, lavishly draped with crêpe-like, antique gold-coloured textile, which creates a striking contrast with the stunning deep red roses.

This is a close-up of this new variety of rose, known as Country Garden, which is deep red with a curly green centre. The fine, graceful foliage (woodoats or Chasmanthium latifolium) enhances the beauty of these novel roses.

Hydrangeas & Lace

This is a simple suggestion, incorporating a low, rectangular, modern glass vase of hydrangeas and asparagus ferns, placed on a lavishly draped, light green raw silk. The arrangement is subtly illuminated with a pair of candelabra, and gracefully draped with a length of antique lace.

This is the overall view of the Hydrangeas & Lace composition arranged on a lavishly draped raw silk and elegantly adorned with a length of fine lace. This simple sofreh emanates softness and serenity.

This is a close-up of the glorious flowers. Hydrangeas offer a particularly sumptuous variety of colours and variegated shades. Here two varieties in pastel tones—a white and pale green, as well as a pale pink and green—are on display. Sprigs of asparagus fern lighten and soften the arrangement.

Juliet Roses & Lace

This composition is a variation on the sofreh with hydrangeas. The lavishly draped green silk forms the background. Here roses in a white, modern, upright vase have replaced the hydrangeas in a glass rectangular vase. The same candelabra illuminate the flowers, and the gracefully draped length of antique lace enhances the beauty of the arrangement. Again the importance of fabrics, flowers and flames is demonstrated in this simple arrangement.

This image presents the global view of this elegant, soft and subtle sofreh. The arrangement is very similar to the "Hydrangeas & Lace” above, yet the overall impression is very different.

This is a close-up of the sofreh with pastel roses, known as Juliet, asparagus ferns and woodoats foliage. The combination of the fragile Juliet roses, sprigs of fine asparagus fern and droopy woodoats creates a calm, soothing and poetic ambience.

Piano Garden Roses, Silver & Gold

These lovely garden roses, known as Piano, are at the heart of this original sofreh, which is arranged on an acrylic table, placed over a lavishly draped, crêpe-like silver textile. Several lengths of gold tulle adorn the arrangement and a fragment of lace partially covers the table. The sofreh is subtly illuminated by the flames of the tea lights in silver containers and in the “pocket” of the table. A silver bottle of rosewater perfumes the air.

This is the overall view of this refreshing sofreh, comprising a subtly illuminated bouquet of Piano garden roses, enhanced by lavishly draped textiles of different kinds—another example of the prominence of fabrics, flowers and flames in the Persian sofreh.

This is a close-up of the enchanting arrangement of Piano garden roses, fresh wheat and Alchemilla mollis. Flowers and foliage bring natural beauty and a fresh appearance into the arrangement. Wheat, which stands for bread, is a symbol of abundance and blessing.

New Ideas for the Wedding Season, 2019

Spring/Summer, 2019. The wedding season is upon us. A selection of new design ideas for the marriage sofreh (sofreh-ye aqd) have been added to this page. Here are two introductory images of decorated miniature sugarloaves (kalleh qand), presented on two different antique Persian textiles. Sugarloaves reflect an aspiration for a sweet and harmonious married life.

This image showcases the decorated miniature sugarloaves on an antique piece of lace, which is placed between two small plates of glass. The double-sided glass plate is placed on an antique Persian silk brocade.

This image showcases the decorated miniature sugarloaves displayed on the same double-sided glass plate, which is placed on an antique Persian textile, known as termeh.

Lace & Pearl Diamond Rose

This soft compact marriage sofreh juxtaposes the beauty of European antique lace with the striking effect of the silk, satin and velvet handmade bonbonnières, in the Persian spirit. A silver box holds an arrangement of ivory spray roses and foliage. Two pairs of silver candelabra flank the flowers. Some other symbolic elements included are ceramic pomegranates, sugared almonds, bunches of wheat and gilded coins.