SOFREHS CREATED AFTER THE PUBLICATION OF THE BOOK

Bejewelled Sofreh

Many Persian emblems and symbolic elements of the Persian sofreh appear in items of jewellery. This most original “bejewelled sofreh” is dedicated to showcasing this kind of jewellery.

This is the overall view of the "bejewelled sofreh". Apart from the distinct jewellery, some intricate embroidery and jewel-like symbolic elements of the Persian sofreh (e.g. gilded coins and crystal sugar) are on display. A daintily embroidered antique pouch, placed on an antique Venetian mirror, takes centre stage. This delicate sofreh is embellished with miniature bouquets of flowers and foliage, and colourful pouches, which could hold the bride’s make-up, or gilded coins and Persian sugared almonds. The sofreh is softly illuminated with multiple flames.

The focus of this image is the section that showcases an elegant necklace made of antique beads and statuettes of fish. To magnify the symbolic significance of the fish, which is included in the sofreh for Nowruz (sofreh-ye haft sinn), a sculptured fish is on display too. This corner also includes a silver pendant with Persian coins. The miniature composition is embellished with berries of Hypericum and delicate foliage. In the Persian tradition, fish is a symbol of plenitude and blessing, among other virtues, and coins signify wealth and prosperity.

This is the heart of the "bejewelled sofreh". It showcases an intricately embroidered antique Persian textile, known as termeh, and a pair of small trays containing gilded coins (sekkeh, a symbol of wealth and prosperity) and crystal sugar (nabat, a symbol of sweetness and harmony). Both the gilded coins and crystal sugar possess a jewel-like quality. A miniature tray of ornamental pomegranates and foliage is placed between a pair of bouquets made of foliage, sprigs of berried plants (Hypericum and snowberries), dainty flowers and buds (Lisianthus and wax flower), which complement the beads and stones of the creative jewellery. A pair of flames softly illuminates the heart of the sofreh.

This corner of the sofreh focuses on a lovely antique piece of bright red velvet embroidered with metallic threads, seed-pearls and sequins. A pair of mirrored balls, embellished with ornamental pomegranates and foliage, symbolize light and reflection—mirrors are always part of the Persian sofrehs for marriage and Nowruz. Sculptured birds are often included in the Persian marriage sofreh (sofreh-ye aqd). Here a charming necklace featuring birds, designed by Samira Vaziri (@samiravaziri_collections) and an antique Russian silver bird are on display. This corner, too, is embellished with delicate bouquets of flowers and foliage, and softly illuminated with a single flame.

This section of the "bejewelled sofreh" is dedicated to two original and artistic Persian necklaces, designed by Lida Rafii, which are displayed on a pair of small plates. One necklace features a pendant of an ancient Luristan bronze animal figurine, hung on a string of new gold beads and ancient Achaemenid beads in turquoise shades. This colour is very much part of the Persian tradition—in design and especially in architecture. The other necklace showcases an ancient Luristan bronze pendant in the form of a pomegranate (a symbol of fertility and often part of the Persian sofreh), dangling from a string of sea pearls and gold beads. A delicate sculptured pomegranate in various shades of blue, by Raaz Pottery, London (@raazpottery), is on display, and this miniature arrangement is embellished with ornamental pomegranates.

The focus of this image is a section of the "bejewelled sofreh", which showcases two very different pairs of hand-made earrings, displayed on ceramic pomegranates designed by Keyvan Fehri (www.keyvanfehri.com). The first earrings, by Samira Vaziri, feature a crown and a "lion and sun" emblem, which carry important significance in the Persian culture. The second earrings, designed by Lida Rafii, feature ancient gold sculptured fish and silver coins of Elymais. The gold depictions on the pomegranates ("lion and sun", and fish) complement the design of the earrings. This section is embellished with a delicate bouquet of flowers and foliage, embroidered ribbons and a bright red velvet pouch, which may contain the bride’s make-up, or coins and Persian sugared almonds (noql), a symbol of sweetness and harmony.

Yalda and Christmas, January 2023

In 2022, around the winter solstice (Shab-e Yalda) on 21 December and Christmas, an original compact sofreh, inspired by the traditions of both celebrations, was created and presented on the social media pages of SOFREH. The arrangement showcases some customary elements from the sofrehs for Shab-e Yalda (e.g. samovar, red fruits) and Christmas decorations (e.g. Christmas foliage and lights). To read more about Shab-e Yalda please scroll down to Shab-e Yalda, Winter Solstice, December 2021.

This is the overall view of the innovative sofreh, which includes an impressive bouquet of Christmas foliage and white roses embellished with Christmas lights and presented in a samovar. A gold-finish statuette of an angel, gold-painted walnuts, pine cones, sprigs of fir and leaves and sprigs of holly all echo the traditions of Christmas. Red fruits, especially pomegranates, are an important component of the sofrehs for Shab-e Yalda, which often include antique Persian textiles too. Lengths of metallic-gold textile and open mesh enliven this sofreh. Red apples and numerous flames, which are part of the decorations of both traditions, are also featured.

Persian textiles, especially fine antique ones that have been handed down by previous generations, are often included in sofrehs for any occasion. The focus of this image is the finely embroidered length of an antique Persian textile, known as termeh. Metallic threads and seed-pearls are employed to create lovely tendrils, as well as a crown and a "lion and sun" emblem, which have important significance in the Persian culture. The juxtaposition of the gold-finish angel, which is often included in Christmas decorations, and the embroidered termeh, which is usually part of the sofrehs for Shab-e Yalda, creates an unusual combination.

The focus of this image is a selection of shiny red apples in various sizes, embellished with sprigs and leaves of variegated holly and softly illuminated with flames of tea lights, placed inside charming holders shaped like Christmas trees. Red fruits are an important part of the sofrehs for Shab-e Yalda, and red apples and, of course, holly are often included in Christmas decorations.

The focus of this image is a selection of oversized pine cones, embellished with sprigs and leaves of berried and variegated holly. This corner is softly illuminated with miniature Christmas lights and flames of tea lights, placed inside elegant holders. Pine cones and holly are often included in Christmas decorations, while flames are part of the decorations of both traditions.

The focus of this image is the bouquet of Christmas foliage embellished with miniature Christmas lights. The arrangement mainly includes sprigs of fir (Abies) and varieties of berried holly (Ilex), including the variegated type. The full white roses are known as Playa Bianca. The arrangement is placed inside a European copper samovar. Samovars are often included in the sofrehs for Shab-e Yalda to serve tea during the long night of getting together, reciting poetry and celebrating. Flames below the bouquet provide a soft illumination.

The focus of this image is a group of oversized shiny pomegranates and gold-finish walnuts, embellished with sprigs and leaves of variegated holly and Christmas lights, and softly illuminated with the flame of a single tea light, placed in an elegant, Christmas tree-shaped holder. Red fruits, especially pomegranates, are an important part of the sofrehs for Shab-e Yalda and decorated walnuts are often included in Christmas decorations. The muted-gold, open mesh, woven around the elements, enhances the beauty of this section.

Echoes of Sofreh-ye aqd, November 2022

This delightful serene arrangement, which was inspired by the impressive bouquet of hydrangeas, snowberries and foliage placed at the heart of the display, alludes to a Persian marriage sofreh (sofreh-ye aqd). It includes some of the symbolic elements of the marriage sofreh.

This is the overall view of the serene marriage sofreh which includes a mirror, gilded coins, pomegranates, crystal sugar and a selection of bonbonnières. The compact sofreh is embellished with lengths of antique textile and trim, as well as fine gold tassels, and is softly illuminated with flames.

The focus of this image is the delicate, antique opaline container of jewel-like pieces of crystal sugar (nabat), which is a symbol of sweetness and harmony. Here it is embellished with the delicate and fragrant leaves of Eucalyptus. The fine antique textile and trim enhance the beauty of this corner.

This distinctive antique mirror stand with a pink opaline vase contains a delicate bouquet made of the foliage that is included in the principal bouquet of flowers of the sofreh. Snowberries brighten up this November marriage sofreh (sofreh-ye aqd). The delicate vessel on the bottom of the stand showcases gilded coins (sekkeh), a symbol of wealth and prosperity.

This small selection of bonbonnières in pastel shades, tastefully created in the Persian spirit, are displayed at the front of the sofreh. They are beautifully presented against the background of a length of metallic gold and ivory antique Indian textile, in and around an antique crystal and silver-plated container, and are embellished with fine gold tassels and foliage.

Pomegranates are a symbol of fertility in the Persian culture, as in many other traditions. These delightful ceramic pomegranates, one of which is inscribed with the word “love” (eshq) in Persian, are a fitting addition to this marriage sofreh. Lengths of decorative trim are elegantly woven around the highly glazed sculptured pomegranates.

The inspiration for creating this marriage sofreh was this spectacular bouquet of My Vienna Classic and Verena Classic hydrangeas in pastel shades of pink and green, together with snowberries (Symphoricarpos), Eucalyptus populus and Ligustrum vulgare. The vase is elegantly draped in a length of fine antique Indian textile in ivory and metallic gold.

Jashn-e Mehregan

October, 2022. Jashn-e Mehregan is an Iranian festival which is apparently dedicated to the god of Mithra (Mehr). See more on http://www.iranicaonline.org/articles/mehragan. Very briefly, in the Persian culture, Mehregan is believed to have the same significance as Nowruz, with Nowruz signalling the beginning of spring and Mehregan marking the arrival of autumn. The celebrations, which have their origins in the pre-Islamic period and are associated with agriculture and harvest, are usually held between 16 and 21 Mehr in the Persian calendar, which correspond to 8 and 13 October. Although in the past sofreh was part of the Mehregan customs, in modern times, it is not.
 
This year, to pay homage to Jashn-e Mehregan, two sofreh arrangements, which include a variety of apples, were created in autumnal shades. Both bring out the best of the beauty, tone and form of the apples which herald the harvest season. The details of each sofreh appear below the relevant overall image.

This first sofreh, created for Jashn-e Mehregan, which is softly illuminated with flames, features an oversized apple, as well as small ones. The unusually large apple is deliberately presented by itself in the centre in order to better emphasize its size. Bouquets of flowers and foliage are placed on lengths of draped yellow/orange antique Persian textile, known as termeh.

This second sofreh, created for Jashn-e Mehregan, showcases a variety of apples in a two-tiered, antique silver-plated vessel, which is placed against a bouquet of pale green hydrangeas and is illuminated with flames. More flowers and foliage, as well as fresh ornamental and ceramic pomegranates and a length of draped antique Persian silk, are part of this arrangement.

The focus of this image is the heart of the first sofreh. The sizeable apple is placed on the top tier of the sectional silver-plated receptacle. Apples, numbered among the divine fruits (miveh-ye beheshti), herald the harvest season. This central section is embellished with foliage and the reflection of the copious apple and the cuttings is particularly appealing.

The focus of this image is the central section of the second sofreh. Unlike the heart of the first sofreh, which is fairly simple, the heart of the second sofreh is very elaborate. The two-tiered, antique silver-plated container showcases a variety of apples in different sizes, embellished with foliage. The folds of the draped antique Persian textile add an extra dimension.

This is the right side of the first sofreh. A dainty bouquet of deep-orange roses, known as Samoa, Skimmia and Hypericum, embellish this section. Several mini apples herald the harvest season.

This is the right side of the second sofreh. Branches of crab apples are part of the bouquet created around a spectacular single rose, known as Princess Crown, and foliage, namely berried ivy and Ligustrum.

This is the left side of the first sofreh. Once again a dainty bouquet of deep-orange roses, known as Samoa, Skimmia and Hypericum, embellish this section. A pair of petite apples heralds the harvest season. This section nicely reveals the folds and movement of the draped lengths of termeh, together with a length of the trim.

This is the left side of the second sofreh. A bouquet of Hypericum, Skimmia and Ligustrum, and a bouquet of ornamental pomegranates and foliage, as well as a bright red ceramic pomegranate embellish this corner. Pomegranates, also numbered among the divine fruits (miveh-ye beheshti), herald the harvest season.

Echoes of Sofreh-ye aqd, September 2022

Anthuriums are not part of Persian traditions. However, this impressive, oversized single flower, known as Amigo, was the inspiration for creating this compact composition, which alludes to a Persian marriage sofreh (sofreh-ye aqd).

This is the overall view of the compact sofreh. The variegated, imposing flower is beautifully presented alongside layers of antique, embroidered Persian textile, known as termeh. Ceramic pomegranates, an antique miniature mirrored jug of rosewater and flames are part of this pleasant composition.

These shiny red ceramic pomegranates are primarily presented on top of Persian ribbed glass vessels. A length of antique Persian metallic trim is elegantly woven around the containers which showcase the pomegranates. The intricate gold embroideries on the lengths of termeh are clearly visible in this corner.

This exquisite antique miniature mirrored flask contains rosewater to perfume the air and has been elegantly placed on an antique miniature silver vessel. Rosewater (golab) is an important part of Persian culture and culinary tradition. Mirrors are a symbol of light and reflection and this delicate miniature jug has the hint of a mirror, which reflects the weaves of the termeh.

It is appropriate to end the presentation of the details of this compact marriage sofreh (sofreh-ye aqd) with the close-up of the impressive flower that inspired the design. This truly spectacular and unusually large anthurium in bright green and red, known as Amigo, perfectly complements the shiny red ceramic pomegranates presented on top of Persian green glass vessels.

Echoes of Sofreh-ye aqd, August 2022

This pleasant arrangement with a predominantly silver colour scheme alludes to a Persian marriage sofreh (sofreh-ye aqd). It includes a few of the symbolic elements of the sofreh.

This is the overall view of the sofreh, which beautifully reveals the reflection of some of the symbolic elements in the antique silver-plated ornate mirror. A tray of brightly glazed ceramic pomegranates takes centre stage. This delightful sofreh showcases a pair of bouquets of hydrangeas, carnations and foliage, and is softly illuminated with flames.

This section focuses on the box on the base of the mirror, which contains gilded coins (sekkeh) and Persian sugared almonds (noql), respectively symbols of wealth and prosperity, and sweetness and harmony. The gilded coins gently flow out of the box whose attractive lid with ornate knob is displayed at a slant. This section is embellished with buds of Eucalyptus robusta.

At the heart of the sofreh, delightful ceramic pomegranates, which are the work of the Iranian artist, Keyvan Fehri www.keyvanfehri.com, can be seen in white and silver tones, some embellished with Persian calligraphy. Lengths of silver- and gold-textured textiles, as well as antique Persian metallic-silver trims are elegantly draped around the pomegranates. An antique Russian silver box, with its attractive lid displayed at a slant next to it, contains silver-finish sugared almonds embellished with buds of Eucalyptus robusta.

In order to better showcase the pair of soft bouquets of this marriage sofreh, the arrangement is altered here, and the bouquets are placed closer together. These two lovely bouquets of pastel green hydrangeas, Caramel carnations and Eucalyptus robusta, which are softly illuminated with flames, adorn and brighten the composition. Antique, shapely coloured-glass flasks contain rosewater (golab) to perfume the air. The movement of the gracefully draped textured textile and its reflection in the mirror are truly elegant.

Echoes of Sofreh-ye aqd, May 2022

During May 2022 three vivid arrangements were presented, which allude to a Persian marriage sofreh (sofreh-ye aqd). They were inspired by the striking bouquets of flowers, illuminated with flames.

This first sofreh in cream, pink, green, red and deep-burgundy tones includes antique and modern textiles. It showcases an impressive bouquet of ranunculi, a single hand-decorated egg, sculptured miniature pomegranates and an antique mirrored miniature jug of rosewater to perfume the air.

The focus of this image is the spectacular bouquet of a variety of ranunculi—in an almost-black deep burgundy and in smoked pink and green—known as Pon Pon Mignon. The radiant bouquet, with its distinctive colour scheme, takes centre stage in this first sofreh, as well as the second one below.

This second sofreh in antique gold and deep-red tones showcases lengths of Ottoman velvet, embroidered with antique gold metallic threads, and the striking bouquet of ranunculi above. Two pairs of decorated sugarloaves are on display. This composition is remarkable for its simplicity, yet opulence.

The focus of this image is the two pairs of sugarloaves (kalleh qand), embellished with Indian and Persian metallic trims. Two pairs are presented to highlight the important role of sugarloaves during the aqd ceremony. These are ground over the heads of the newlyweds to shower them with sweetness.

This third sofreh is arranged on a Victorian papier mâché tray table. It comprises a bouquet of unusual roses and foliage, fresh apples and pomegranates, sheaves of wheat (symbolizing blessing and abundance), sugared almonds, crystal sugar and a length of elegantly draped antique Persian textile.

This image focuses on the bouquet of lovely smoked peach/pink roses, known as Café au lait, and a variety of Eucalyptus (Eucalyptus nicholii). The fabulous bouquet and the mute-coloured antique Persian textile, elegantly draped in this corner of the sofreh, create a pleasant and original fusion.

Echoes of Sofreh-ye aqd, April 2022

During April 2022 two soft arrangements were presented, which allude to a Persian marriage sofreh (sofreh-ye aqd). The inspiration for both was the splendid bouquets of flowers and foliage, illuminated with flames.

This first sofreh in cream, gold and green tones includes a pair of sugarloaves (kalleh qand), decorated with fine lace and gold tassels. Sugarloaves are ground during the aqd ceremony to shower the couple with sweetness. Crystal sugar (nabat), too, is a symbol of sweetness and harmony.

The focus of this image is the bouquet of unusual Pastini Arona gerberas, Pompon (Pom Pom) ranunculi, Summer Rose spray roses, Viburnum opulus and Pittosporum nigra. The juxtaposition of the bouquet in cream, yellow and green tones with a muted-gold textile is particularly appealing.

This second sofreh in cream, gold, pink and green tones showcases a container of crystal sugar (nabat), a symbol of sweetness and harmony. Ceramic pomegranates in gold and silver metallic finish are on display. The sofreh is draped with lengths of textured Indian textile and muted-gold mesh.

The focus of this image is the bouquet of pale pink Unforgettable roses, cream Summer Rose spray roses, Viburnum opulus, Cool Romance Hypericum and White Diamond Limonium. The soft bouquet, the textured Indian ivory and gold textile and the muted-gold mesh create an original fusion.

Ornamental Pomegranates

This dainty arrangement was inspired by sprigs of fresh ornamental pomegranate, which are displayed on a Venetian-style mirror and in a miniature cup and saucer. It alludes to a Persian marriage sofreh (sofreh-ye aqd) and comprises pomegranate-shaped candles, mirrors, miniature vessels of rosewater (golab) to perfume the air, gilded coins (sekkeh, a symbol of wealth and prosperity), sugared almonds and crystal sugar (noql o nabat, which are symbols of sweetness and harmony).

This image is a birds-eye view of the original miniature arrangement.

This conventional view of the sofreh emphasizes the elegant forms of the elements.

This is the heart of the sofreh. Sprigs of ornamental pomegranate are not easily available and are an invaluable addition to any sofreh. With their abundance of seeds, pomegranates are a symbol of fertility and a significant part of the Persian culture—in celebrations and cuisine. Mirrors are a symbol of reflection and light, and here the sprigs of pomegranate are displayed on a Venetian-style cut glass mirror.

This is a birds-eye view of a section of the sofreh. The mirrored miniature urn and the white and gold teapot contain rosewater. The miniature cup and saucer showcase a few sprigs of the ornamental pomegranate. Three identical white and gold miniature vessels, which are adorned with ornamental pomegranate sprigs, contain gilded coins, crystal sugar and sugared almonds embellished with a gilded coin.

Shab-e Yalda, Winter Solstice

December, 2021. Shab-e Yalda, the winter solstice, is the longest night of the year. It is the eve of 1 Dey in the Persian calendar, corresponding to 21 December. The feast of Yalda originates in the pre-Islamic period and is associated with agriculture. The divan-e Hafez (works of 14th-century Persian poet, Hafez) to recite poetry, and red fruits—watermelons and pomegranates—are important parts of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead. It is the celebration of the passing of darkness and the rebirth of the sun. Interestingly, Shab-e Yalda is only about one minute longer than the preceding night. In the Persian tradition people get together, tea, sweets, nuts and fruits are served, and stories and poetry are recited, to get through the darkest and longest night of the year, when it is believed that demons are most active.

This is the overall view of the contemporary sofreh designed for Shab-e Yalda, with an array of elegantly draped, fine textiles as a backdrop. It includes an antique silver-plated European samovar and an antique ceramic teapot, dried fruit & nuts, sweets, fresh red fruits, flowers, flames and a tastefully bound and presented book of verse (divan-e Hafez).

This is the heart of the sofreh for Shab-e Yalda. To serve tea for the occasion, the antique samovar and the green glazed ceramic teapot take centre stage. Nogl o nabat (Persian sugared almonds and crystal sugar), which are synonymous with festivities, are on display in exquisite antique vessels. The backdrop of draped silks enhances the beauty of the sofreh.

This stunning bouquet of deep-red hydrangeas (Alps Classic and Mon Amour), Red Lace spray roses and foliage (Ligustrum vulgare and Pistacia lentiscus) is placed on the left side of the sofreh. The deep-red bouquet complements the red fruits, which are important components of this celebration.

This stunning bouquet of deep-red hydrangeas (Alps Classic and Mon Amour), Red Lace spray roses and foliage (Ligustrum vulgare and Pistacia lentiscus) is placed on the right side of the sofreh. The deep-red bouquet complements the red fruits, which are important components of this celebration.

This section of the sofreh is dedicated to whole and opened pomegranates, embellished with pomegranate sprigs. The exposed deep-red seeds of the opened fruits are utterly dazzling. Red fruits are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead.

This section of the sofreh is dedicated to whole and cut watermelons embellished with foliage. The contrast of the bright red flesh and the variegated, shiny green skin of this fruit is truly striking. Red fruits are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead.

This is a delightful container of Persian nougat (gaz), which is decorated with vibrant green pistachios. Traditional sweets and pastries are usually served with tea during the celebrations of Shab-e Yalda, while verses from the divan-e Hafez are recited to get through the longest and darkest night of the year.

This is a close-up of the mixture of dried fruit and nuts (ajil-e moshkel gosha), which is believed to resolve difficulties, and is traditionally included in the sofreh for the celebrations of Shab-e Yalda. This miniature arrangement is embellished with a delicately sculptured pomegranate.

Sofreh & Hydrangeas

Hydrangeas are not part of Persian traditions, but have lent beauty to many of our contemporary sofrehs. They come in an unlimited variety of sensational shades. To break from tradition and pay tribute to this spectacular flower, images of a variety of hydrangeas, classified by colour schemes, were presented across November 2021. They were intended to bring light and life into the dark days of the month.

Here is a splendid blend of pale green, smoked blue and pink with foliage.

This is a simple bouquet of subtle, pastel pinks and greens at sunrise.

Here is a blend of shades of vibrant green and mauve, with sprigs of berries.

This is a bouquet of weathered red tones with a variety of complementary foliage.

This is the view from above of bouquets in tones of green and smoked pink.

Here is a serene bouquet of pastel pinks and greens with snowberries.

This is a blend of bright green with dusty pink and green in the dark.

Here is a majestic row of tones of green, pink and blue with foliage, at sunset.

Jashn-e Mehregan

October, 2021. Jashn-e Mehregan is an Iranian festival which is apparently dedicated to the god of Mithra (Mehr). See more on iranicaonline.org/articles/mehragan. Very briefly, in the Persian culture, Mehregan is believed to have the same significance as Nowruz, with Nowruz signalling the beginning of spring and Mehregan marking the arrival of autumn. The celebrations, which have their origins in the pre-Islamic period and are associated with agriculture and harvest, are usually held between 16 and 21 Mehr in the Persian calendar, which correspond to 8 and 13 October. Although in the past sofreh was part of the Mehregan customs, in modern times, it is not. This year, to mark the occasion and in pursuit of novelty, echoes of the customs of Mehregan are presented with an original and minimalist approach.

This is the overall view of the arrangement, which is created on a pair of chairs designed by the architectural designer, Ron Arad. Some of the traditional elements that in the past were part of the sofreh for celebrating Jashn-e Mehregan—fruits, flowers and flames—are on display.

A close-up of this specific view of the arrangement, alluding to a sofreh for Mehregan, is presented as it is particularly alluring and resembles a length of colourful, decorative textile. The red and green grapes hanging on the chair back complement the Rina calla lilies next to them.

This is a close-up of the left chair designed by Ron Arad. An impressive bunch of calla lilies and foliage, as well as a variety of dainty apples and pears, are presented in glass vessels. The ensemble is illuminated from below by numerous tea lights.

This is a close-up of the right chair designed by Ron Arad. A mixture of colourful seasonal fruit (grapes, lemons, apples, pears and a pomegranate), flowers and foliage are on display. This chair is also illuminated from below by numerous tea lights.

This is a close-up of the bunches of Black Diamond and Ivory Art calla lilies and T-Grass presented in an oblong glass vase. The mixture, which has a bold appearance, is part of this original and minimalist arrangement alluding to a sofreh for Jashn-e Mehregan.

This is a close-up of the mid-section of the right chair. The arrangement comprises lemons on their branches, shiny deep-red apples, two varieties of pears and a single over-sized pomegranate. Rina calla lilies and T-Grass are presented in miniature glass vessels.

Sofa & Sofreh

The pandemic has put restrictions on marriage ceremonies, and has even condensed the Persian marriage sofreh! Many people have opted for celebrating at home, where space may be limited. Hence, this original composition was created on a small firm sofa, which is voluminously draped in ivory silk.

This is the overall view of this compact and innovative sofreh. It comprises most of the essential elements of the Persian marriage sofreh (sofreh-ye aqd)—a mirror, a pair of candelabra, the Qur’an, bouquets of flowers, crystal sugar, decorated eggs, Persian sugared almonds, gilded coins, pomegranates, bonbonnières—all embellished with lengths of fine paisley-design Indian silk and trim.

At the heart of the sofreh sits a bowl made of crystal sugar, placed on a plate with a lace-like border, which in turn sits on a tray of softly decorated eggs, a symbol of fertility. Kaseh nabat (crystal sugar, in the form of a bowl), is traditionally part of the Persian marriage sofreh, and is a symbol of sweetness and harmony. The composition of eggs and crystal sugar is embellished with fine gold tassels.

This is a close-up of the bouquet on the left side of the mirror. The delightful soft ranunculus, which boasts lovely buds, is known as Hanoi. This pleasant and pastel bouquet includes wax flower and a fine foliage, and is embellished with a length of intricate paisley-design Indian trim.

This is a close-up of the soft and subtle bouquet on the right side of the mirror. It comprises the same delightful, understated Hanoi ranunculus, with lovely buds, as well as wax flower and a fine foliage. On this side, it is embellished with a length of paisley-design Indian silk fabric.

This delightful mini composition is arranged on a small antique silver-plated tray, presenting a pair of brightly glazed gold ceramic pomegranates (a symbol of fertility), and an antique crystal cone-shaped vessel, containing Persian sugared almonds and gilded coins. The tray is embellished with a length of draped Indian silk and fine gold tassels, as well as more sugared almonds and gilded coins, symbols of harmony and prosperity.

This is another mini composition, which is on the opposite side to the sugared almond and gilded coin mini composition. Colourful bonbonnières with intricate borders, in the Persian spirit, cascade out of an antique silver-plated box, embellished with lengths of draped Indian silk fabric and trim. Unusually, the lid, which boasts a muted-orange decorative knob, is displayed separately, and vertically.

These soft and fragrant open Candlelight roses, wax flower and fine foliage are on display at a lower level in the forefront of the marriage sofreh (sofreh-ye aqd). With their soft cream/ivory shade, they perfectly complement the colour scheme of this original compact sofreh, with voluminously draped ivory silk as a backdrop, and embellished with lengths of paisley-design Indian silk fabric.

Persian sofrehs are customarily detailed and intricate. Hence, on this page their images are accompanied by descriptive captions. However, it is important not to lose sight of the aesthetic merits of individual natural elements. This delicate, fragrant and fully opened Candlelight rose, which is only a small part of the sofreh, perfumes the air, and, by itself, adds a sense of opulence to the sofreh.

Echoes of Sofreh-ye aqd, August 2021

During the month of August, more compact compositions, echoing the Persian marriage sofreh (sofreh-ye aqd), together with their details were presented. The emphasis was on soft, subtle and serene designs.

This remarkably peaceful arrangement is created on and around a large antique silver-plated tray. The lovely bouquet of spray roses and foliage takes centre stage. Crystal sugar and bonbonnières are presented in antique silver vessels. The arrangement is draped and embellished with lengths of fine antique lace and subtly illuminated with a pair of flames.

This is a close-up of the delicate bouquet at the heart of the arrangement. The sumptuously soft bouquet comprises Misty Trendsetter spray roses, snowberries (Symphoricarpos) and a variegated foliage, which is a variety of the Leucothoe plant. This particularly pleasant and elegant combination is most appropriate for any marriage ceremony.

This corner of the sofreh is dedicated to crystal sugar (a symbol of sweetness and harmony) in gold tones, embellished with lengths of fine antique lace and leaves of the Leucothoe plant. The gold strips of the leaves subtly complement the crystal sugar. The lids of the urn and the vessel, respectively containing the bouquet and the crystal sugar, are neatly presented separately.

In this corner of the sofreh two handmade bonbonnières in the Persian spirit are on display. Their colour combination and their intricate trims complement the colour scheme and the design of the sofreh. The bonbonnières included in the Persian marriage sofreh usually contain gilded coins, a symbol of wealth and prosperity, and Persian sugared almonds, a symbol of sweetness and harmony.

Unconventionally, this simple and compact arrangement is created on a stainless steel surface. The impressive bouquet is presented in a silver-plated ice bucket flanked by a pair of simple candleholders. The backdrop is a shimmering silver textile embellished with a length of fine antique lace. On the surface, more lengths of draped fine antique lace are on display.

This stunning bouquet of Snow/White Ball hydrangeas, Jelena spray roses, ivy, Viburnum opulus and Chasmantium latifolium (woodoats) is at the heart of this compact arrangement. It stands out against the shimmering silver background textile and lengths of fine antique lace. This soft and elegant bouquet, too, beautifully lends itself to decorating any marriage ceremony.

Clematis & Ranunculi

This enchanting arrangement, which is inspired by a bouquet of clematis and ranunculi, alludes to a Persian marriage sofreh (sofreh-ye aqd). Lengths of exquisite antique Persian textile (termeh) in yellow tones, with intricate embroidery and borders, offer the perfect background and backdrop for this delightful sofreh.

This is the overall view of the sofreh. The soft bouquet of clematis and ranunculi takes centre stage. The composition of crystal sugar is reflected in the contemporary, angular mirror. A lovely antique vessel holds the sugared almonds and gilded coins. The sofreh is illuminated with several flames at different levels.

This is a close-up of the antique opaline vessel holding the Persian sugared almonds (noql) and gilded coins (sekkeh). Sugared almonds are a symbol of sweetness and harmony, while gilded coins represent wealth and prosperity. The dish creates a lovely contrast with the intricate termeh that it is placed on.

The focus of this image is the bouquet of Sevilla clematis, Hanoi ranunculus, wax flower and Lepidium. This light and airy bouquet in pastel tones stands out against the background of yellow termehs. Clematis is not frequently used in flower arrangements and its inclusion here, especially in combination with Hanoi ranunculi, brings an original touch to this pleasant and peaceful composition.

This mini composition of crystal sugar (nabat) in different shapes and shades is presented in refined vessels. The main cluster of translucent crystal sugar is in the shape of an apple, a heavenly fruit and a symbol of fertility. It is embellished with leaves of clematis. The crystal sugar composition, which is partially reflected in the mirror, also boasts a translucent gold shade. Crystal sugar, too, is a symbol of sweetness and harmony.

Kahala Roses

This soft and serene arrangement, which alludes to a Persian marriage sofreh (sofreh-ye aqd), is inspired by an ample and lavish bouquet of magnificent roses, known as Kahala, and fine foliage.

The arrangement comprises lengths of draped antique lace and three ceramic pomegranates, with a shiny gold or silver metallic finish. The impressive bouquet takes centre stage, and the simple, yet elegant composition is subtly illuminated with a pair of flames.

This is a close-up of the bouquet of white Kahala roses, a type of Ligustrum and Eucalyptus populus, which is placed at the heart of the sofreh. The dark berries beautifully complement the Kahala roses with blushed edges, and the seeded Eucalyptus softly hangs over the draped antique lace.

Blue White Gold

This striking, yet serene and soft Persian marriage sofreh (sofreh-ye aqd), arranged in front of a fireplace with blue and white ceramic tiles, complements that colour scheme. The predominant element is a length of exquisite antique Persian brocade in blue, with antique-gold accents.

This is the overall view of the sofreh, with various containers and elements which reveal a touch of blue, often complemented with gold. The composition comprises the important symbolic elements of the sofreh-ye aqd—a mirror, candles, flowers, rosewater, Persian sugared almonds, crystal sugar, decorated eggs, wheat, gilded/gold coins, sculptured pomegranates, bonbonnières and elegantly draped textiles.

This is a close-up of an important section of this sofreh, comprising an antique French mirror (ayeneh) and a pair of empire-style candleholders (sham’dan). The mirror incorporates a lovely Sèvres porcelain panel with a blue and gold surround. An antique miniature Qur’an is displayed on top of its case and silk pouch, in front of the mirror. This image is a compelling example of ayeneh sham'dan and ayeneh Qura’n—revered symbols in the Persian culture.

This is an impressive display of ceramic pomegranates in blue and white tones, created by the Iranian artist, Keyvan Fehri. The collection, together with the accents of antique-gilded leaves, is presented on an antique silver-plated tray and beautifully complements the antique Persian blue brocade with an antique-gold floral pattern. Pomegranates, which are symbols of fertility, are frequently included in the sofreh-ye aqd.

The focus of this image is the bright blue and gold antique opaline flasks of rosewater (golab) to perfume the air. They elegantly complement the antique Persian blue brocade, draped under and upon the two-tiered silver-plated and crystal container of various tones of crystal sugar. An antique silver vessel of sugared almonds (noql) is displayed below the crystal sugar (nabat). In the Persian culture "nogl o nabat" are synonymous with joy and celebrations.

This is a close-up of the antique bronze and crystal container of decorated eggs. The turquoise- and blue-coloured eggs stand out and complement the predominantly blue and gold colour scheme of the sofreh. Eggs, like pomegranates, are a symbol of fertility and are regularly included in both sofreh-ye aqd and sofreh-ye Nowruz (haft sinn).

These two lovely porcelain pieces from an art deco tea set, with blue and gold embellishments, respectively contain sheaves of wheat (a symbol of blessing and abundance), and gilded and gold coins (a symbol of wealth and prosperity). The beautifully gilded, angular lids of the pieces, which are neatly displayed separately, add interest and brightness to this serene sofreh.

This image, taken from above, presents the ensemble of the draped antique Persian blue brocade and shimmering-silver textured textile. They are displayed next to the tray of blue and white pomegranates and an antique silver-plated and crystal container of a selection of bonbonnières made of silk, satin and velvet, with antique-gold metallic trims. This is an interesting and unusual view of the front of the “Blue White Gold” sofreh.

This images focuses on the pair of natural and graceful flower displays, which are unconventionally placed in the opposite corner to the traditional ensemble of the mirror and candleholders, known as ayeneh sham’dan in Persian. These two simple yet elegant bouquets, comprise white/cream roses, Pompon Mignon ranunculi, wax flowers, ivies and Viburnum tinus in bloom and with berries.

Echoes of Sofreh-ye aqd

Once again the wedding season is upon us. Throughout the month of May 2021 a variety of compact compositions were designed, echoing the Persian marriage sofreh (sofreh-ye aqd). In each case the sublime flowers, which take centre stage, have been the inspiration for creating the arrangements.

This soft composition is the first one of the “Echoes of Sofreh-ye aqd” group. It is inspired by a bouquet of Chiffon roses and foliage. The set-up is embellished with lengths of antique-gold silk textile and ivory antique lace. A few satin bonbonnières, in soft shades and in the Persian spirit, are on display. The arrangement is illuminated with a pair of flames and adorned with sprigs of foliage.

This is a close-up of the bouquet that inspired the creation of the first set-up in the “Echoes of Sofreh-ye aqd” series. The soft and subtle bouquet is composed of Chiffon roses in a pastel shade, variegated Pittosporum and a fine foliage, known as Briza media. The exquisite bouquet beautifully complements the fine textile and the delicate antique lace.

This original and minimal miniature arrangement is designed around a single spectacular white peony and sprigs of Viburnum tinus. The distinctive ivory candle complements the delicate petals of the peony. The set-up is created on an ivory silk background which is elegantly draped with a soft-gold open mesh. All elements are presented in an elegant silver-plated tray with a glass base.

This is a close-up of the spectacular white peony that inspired the creation of the second arrangement in the “Echoes of Sofreh-ye aqd" group. The wine-coloured berries of Viburnum tinus create an interesting contrast with the white feathery flower. A pair of flames illuminate the petals of the peony, and the draped gold mesh shimmers in the background.

This neat and uncomplicated arrangement, created on an antique silver-plated tray, presents an impressive bouquet of a variety of roses and foliage. The flowers are arranged in an antique urn, with its lid displayed separately. The set-up is illuminated with a pair of flames and elegantly embellished with tiny pieces of fine antique lace.

This is a close-up of the bouquet which takes centre stage in the third arrangement in this series. It is made of Miss Bombastic spray roses, and green Dynamic and cream Candlelight roses. The dominant foliage is Viburnum opulus with lovely blushed cream and green berries. The spiky, vibrant green foliage is known as Myrthus tarantina.

This pleasing ensemble, illuminated with flames at various levels, is the last set-up in this group. Its creation was inspired by an exquisite bouquet of Lorena Summerhouse roses. A single sculptured pomegranate, a symbol of fertility, is presented in an antique silver-plated container. A length of a subtle green textured textile with antique-gold accents is elegantly draped through the composition.

This is a close-up of the view from above the heart of the last arrangement in the “Echoes of Sofreh-ye aqd" series. The Lorena Summerhouse roses, which have an abundance of shapely buds and soft yet opulent flower heads, inspired the design. The delightful bouquet, which includes variegated Pittosporum and Lepidium, subtly shimmers in the candlelight.

Glorious Garlics

The humble garlic (sir, in Persian) is one of the symbolic elements included in the sofreh-ye Nowruz (haft sinn), which starts with the letter “s”. It is prized for its medicinal qualities, and is believed to have evil-averting powers. In the following compact arrangements, alluding to the sofreh-ye haft sinn, its aesthetic qualities have been wonderfully exploited.

These glorious and ample bulbs of garlic were the inspiration for creating this compact arrangement. The simple and pure set-up includes a flask of vinegar (symbolizing patience), flames (representing light), and only three bulbs of garlic with streaks in shades of mauve, which complement the lovely tones of the deep-purple tulips (a symbol of beauty, signalling the arrival of spring). All these elements are presented in antique, mainly silver containers.

Another compact arrangement was also inspired by these glorious and ample bulbs of garlic. It is a simple composition incorporating an airy, light and natural bouquet of deep-purple tulips, which complements the mauve streaks of the three plump bulbs of garlic. Tulips represent beauty and the rebirth of nature at the beginning of spring. This petite composition is presented in an attractive, antique, silver-plated and crystal container.

Once again these glorious and ample bulbs of garlic take centre stage in another compact arrangement. The lovely mauve streaks of the plump bulbs of garlic complement the deep-purple bouquet of tulips, representing beauty and signalling the beginning of spring. This simple composition is displayed on a glass-top table, and includes a platter with an antique lace base, as well as elegantly draped lengths of antique lace.

This is a variation on the last arrangement, which incorporates the same platter with an antique lace base. This set-up is embellished with several lengths and types of antique lace, and the pattern on the lace is repeated on the blue papier mâché box of gilded coins—a symbol of prosperity. A single flame depicts light. The delightful bouquet of purple hyacinths, Skimmia and ivy signals the arrival of spring. Bulbs of a different variety of garlic are on display.

Nowruz 1400 AS, 2021

In the Persian calendar, 20-21 March 2021 marks the beginning of a new century and a New Year, 1400 AS (anno shamsi) or SH (shamsi hejri). In the pursuit of variety, an informal and original sofreh, created by an Iranian artist in her home for Nowruz 1400, is being featured.

This overall view clearly reveals the emphasis on layering antique textiles and embroideries, which creates volume, depth and movement. A selection of original decorative objects and vessels enhance the beauty of the symbolic elements of the sofreh-ye Nowruz (haft sinn), including hyacinths, vegetation, apples, pomegranates, bulbs of garlic, decorated eggs, fish, vinegar, rosewater, sumac, mirrors, flames and a hand-written Qur’an.

Hyacinths, which herald the beginning of spring, are usually included in the sofreh-ye haft sinn for their beauty and sweet fragrance. Their presentation in this section of the sofreh is reminiscent of a wild garden. In the background, the antique watercolour of another spring flower, tulips, is an appropriate addition to the sofreh. A delicate antique mirror, a symbol of light and reflection, is placed next to the apples, a symbol of heaven and fertility.

Vegetation and sprouts also herald the beginning of spring. In her casual sofreh, the Iranian artist has opted for the vivid green Soleirolia soleirolii (mind-your-own-business) as an interesting alternative for the germinated grains (sabzeh). A pair of sculptured pomegranates, an antique Persian silver dish containing sumac and a delicate antique silver flask of water, all displayed over antique textiles and embroideries, are part of this original sofreh.

This artistic image, taken from an unusual angle, reveals a detail from this creative sofreh-ye haft sinn. It presents an exquisite antique flask in silver and crystal, which contains rosewater (golab) to perfume the air. It is elegantly placed inside an antique Persian silver saucer with a rippled edge. The rich, shimmering vintage damask textile enhances the beauty of this section.

The focus of this image is the exquisite hand-written Qur’an, opened on an illuminated page and subtly lit with a single flame. A pair of Persian hand-crafted metal birds is included, as a symbol of good fortune, juxtaposed with a gold-finish bell. All the elements are displayed on a length of deep-red Ottoman velvet, embroidered with gold threads, which together with the sublime patina of the bell, complement the gilding of the illuminated Qur'an.

This is the heart of the sofreh, comprising vegetation, jujube fruit (senjed), sumac, vinegar, decorated eggs, bulbs of garlic, gilded coins, rosewater, a sculptured goldfish, pastries and an elegant antique Chinese bowl with matching plate, containing a sweet paste called samanu made of germinated wheat. Samanu, which is associated with fertility, is a traditional dish prepared exclusively by women on the eve of Nowruz. A few tea lights subtly illuminate this central section.

This image focuses on the exquisite plaque with the outline of a fossilized fish, which is softly gilded by the artist herself. It is another representation for goldfish, which are one of the symbolic elements of the sofreh-ye haft sinn. The plaque is displayed over a draped length of antique Persian embroidery, known as naqdeh duzi. The pair of gold and silver metallic-finish sculptured pomegranates beautifully complement the other gold- and silver-finish objects on the sofreh.

In the past, it was customary to include photos of deceased family members on the sofreh-ye haft sinn. This antique family photo album speaks to that tradition. Its refined papier mâché cover features a festive royal occasion with music, dancing, wining and dining, which is related to the Nowruz celebrations. A decorative, antique silver snuffer and wick trimmer adds to the appeal of this corner of this original sofreh, created by an Iranian artist.

Simple Ideas for Sofreh, 2021

The following two compact compositions, with two very different colour schemes, spirits and appearances, allude to a Persian marriage sofreh (sofreh-ye aqd) or Nowruz sofreh (sofreh-ye haft sinn).

Silver Wattle (Mimosa)

This first compact arrangement, with an unusual colour scheme, is inspired by a bouquet in silver, dusty pink and wine tones, which takes centre stage.

This is the overall view of the arrangement. The shiny silver-finish ceramic pomegranates (a symbol of fertility) complement the subtle silver tones of the foliage. The arrangement is draped with a length of shimmering-silver, textured textile, and a piece of intricate, antique silver-thread trim. A pair of flames illuminate and enhance the beauty of the ensemble.

This is a close-up of the bouquet, placed at the heart of this compact arrangement. The fine silvery foliage with wine-coloured blush is known as Silver wattle (Mimosa) which compellingly complements the Viburnum tinus' wine-coloured berries. Various shades of the smoky pink Furusato spray roses soften and lighten up the bouquet and the sofreh.

Hydrangea & Termeh

This second compact arrangement is inspired by an outstanding, ample bouquet of hydrangeas in subtle tones, which is displayed in one corner.

This is the overall view of the arrangement, exploiting the beauty of a piece of draped antique Persian textile (termeh), with an intricate silver-thread border and fringe. An impressive bouquet of hydrangeas is on display, and the arrangement is illuminated by a single decorated candle. A tilted antique crystal cone-shaped vessel, containing sugared almonds, is on view. A length of intricate, antique silver-thread trim embellishes the sofreh.

This is a close-up of the focal point of the arrangement. The spectacular bouquet of hydrangeas in tones of mauve and green clearly stands out. Not only are the flower heads monumental, but the florets are also very distinctive, well-formed and opulent. The smoky shades of mauve and green create a pleasing contrast with the muted yellow and orange tones of the background antique Persian textile, known as termeh.

Bridal Flow Rose

This luminous yet serene arrangement, which was inspired by Bridal Flow spray roses and presented in art deco containers, alludes to a Persian marriage sofreh, sofreh-ye aqd.