SOFREHS CREATED AFTER THE PUBLICATION OF THE BOOK

Shab-e Yalda, Winter Solstice

December, 2021. Shab-e Yalda, the winter solstice, is the longest night of the year. It is the eve of 1 Dey in the Persian calendar, corresponding to 21 December. The feast of Yalda originates in the pre-Islamic period and is associated with agriculture. The divan-e Hafez (works of 14th-century Persian poet, Hafez) to recite poetry, and red fruits—watermelons and pomegranates—are important parts of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead. It is the celebration of the passing of darkness and the rebirth of the sun. Interestingly, Shab-e Yalda is only about one minute longer than the preceding night. In the Persian tradition people get together, tea, sweets, nuts and fruits are served, and stories and poetry are recited, to get through the darkest and longest night of the year, when it is believed that demons are most active.

This is the overall view of the contemporary sofreh designed for Shab-e Yalda, with an array of elegantly draped, fine textiles as a backdrop. It includes an antique silver-plated European samovar and an antique ceramic teapot, dried fruit & nuts, sweets, fresh red fruits, flowers, flames and a tastefully bound and presented book of verse (divan-e Hafez).

This is the heart of the sofreh for Shab-e Yalda. To serve tea for the occasion, the antique samovar and the green glazed ceramic teapot take centre stage. Nogl o nabat (Persian sugared almonds and crystal sugar), which are synonymous with festivities, are on display in exquisite antique vessels. The backdrop of draped silks enhances the beauty of the sofreh.

This stunning bouquet of deep-red hydrangeas (Alps Classic and Mon Amour), Red Lace spray roses and foliage (Ligustrum vulgare and Pistacia lentiscus) is placed on the left side of the sofreh. The deep-red bouquet complements the red fruits, which are important components of this celebration.

This stunning bouquet of deep-red hydrangeas (Alps Classic and Mon Amour), Red Lace spray roses and foliage (Ligustrum vulgare and Pistacia lentiscus) is placed on the right side of the sofreh. The deep-red bouquet complements the red fruits, which are important components of this celebration.

This section of the sofreh is dedicated to whole and opened pomegranates, embellished with pomegranate sprigs. The exposed deep-red seeds of the opened fruits are utterly dazzling. Red fruits are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead.

This section of the sofreh is dedicated to whole and cut watermelons embellished with foliage. The contrast of the bright red flesh and the variegated, shiny green skin of this fruit is truly striking. Red fruits are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead.

This is a delightful container of Persian nougat (gaz), which is decorated with vibrant green pistachios. Traditional sweets and pastries are usually served with tea during the celebrations of Shab-e Yalda, while verses from the divan-e Hafez are recited to get through the longest and darkest night of the year.

This is a close-up of the mixture of dried fruit and nuts (ajil-e moshkel gosha), which is believed to resolve difficulties, and is traditionally included in the sofreh for the celebrations of Shab-e Yalda. This miniature arrangement is embellished with a delicately sculptured pomegranate.

Sofreh & Hydrangeas

Hydrangeas are not part of Persian traditions, but have lent beauty to many of our contemporary sofrehs. They come in an unlimited variety of sensational shades. To break from tradition and pay tribute to this spectacular flower, images of a variety of hydrangeas, classified by colour schemes, were presented across November 2021. They were intended to bring light and life into the dark days of the month.

Here is a splendid blend of pale green, smoked blue and pink with foliage.

This is a simple bouquet of subtle, pastel pinks and greens at sunrise.

Here is a blend of shades of vibrant green and mauve, with sprigs of berries.

This is a bouquet of weathered red tones with a variety of complementary foliage.

This is the view from above of bouquets in tones of green and smoked pink.

Here is a serene bouquet of pastel pinks and greens with snowberries.

This is a blend of bright green with dusty pink and green in the dark.

Here is a majestic row of tones of green, pink and blue with foliage, at sunset.

Jashn-e Mehregan

October, 2021. Jashn-e Mehregan is an Iranian festival which is apparently dedicated to the god of Mithra (Mehr). See more on iranicaonline.org/articles/mehragan. Very briefly, in the Persian culture, Mehregan is believed to have the same significance as Nowruz, with Nowruz signalling the beginning of spring and Mehregan marking the arrival of autumn. The celebrations, which have their origins in the pre-Islamic period and are associated with agriculture and harvest, are usually held between 16 and 21 Mehr in the Persian calendar, which correspond to 8 and 13 October. Although in the past sofreh was part of the Mehregan customs, in modern times, it is not. This year, to mark the occasion and in pursuit of novelty, echoes of the customs of Mehregan are presented with an original and minimalist approach.

This is the overall view of the arrangement, which is created on a pair of chairs designed by the architectural designer, Ron Arad. Some of the traditional elements that in the past were part of the sofreh for celebrating Jashn-e Mehregan—fruits, flowers and flames—are on display.

A close-up of this specific view of the arrangement, alluding to a sofreh for Mehregan, is presented as it is particularly alluring and resembles a length of colourful, decorative textile. The red and green grapes hanging on the chair back complement the Rina calla lilies next to them.

This is a close-up of the left chair designed by Ron Arad. An impressive bunch of calla lilies and foliage, as well as a variety of dainty apples and pears, are presented in glass vessels. The ensemble is illuminated from below by numerous tea lights.

This is a close-up of the right chair designed by Ron Arad. A mixture of colourful seasonal fruit (grapes, lemons, apples, pears and a pomegranate), flowers and foliage are on display. This chair is also illuminated from below by numerous tea lights.

This is a close-up of the bunches of Black Diamond and Ivory Art calla lilies and T-Grass presented in an oblong glass vase. The mixture, which has a bold appearance, is part of this original and minimalist arrangement alluding to a sofreh for Jashn-e Mehregan.

This is a close-up of the mid-section of the right chair. The arrangement comprises lemons on their branches, shiny deep-red apples, two varieties of pears and a single over-sized pomegranate. Rina calla lilies and T-Grass are presented in miniature glass vessels.

Sofa & Sofreh

The pandemic has put restrictions on marriage ceremonies, and has even condensed the Persian marriage sofreh! Many people have opted for celebrating at home, where space may be limited. Hence, this original composition was created on a small firm sofa, which is voluminously draped in ivory silk.

This is the overall view of this compact and innovative sofreh. It comprises most of the essential elements of the Persian marriage sofreh (sofreh-ye aqd)—a mirror, a pair of candelabra, the Qur’an, bouquets of flowers, crystal sugar, decorated eggs, Persian sugared almonds, gilded coins, pomegranates, bonbonnières—all embellished with lengths of fine paisley-design Indian silk and trim.

At the heart of the sofreh sits a bowl made of crystal sugar, placed on a plate with a lace-like border, which in turn sits on a tray of softly decorated eggs, a symbol of fertility. Kaseh nabat (crystal sugar, in the form of a bowl), is traditionally part of the Persian marriage sofreh, and is a symbol of sweetness and harmony. The composition of eggs and crystal sugar is embellished with fine gold tassels.

This is a close-up of the bouquet on the left side of the mirror. The delightful soft ranunculus, which boasts lovely buds, is known as Hanoi. This pleasant and pastel bouquet includes wax flower and a fine foliage, and is embellished with a length of intricate paisley-design Indian trim.

This is a close-up of the soft and subtle bouquet on the right side of the mirror. It comprises the same delightful, understated Hanoi ranunculus, with lovely buds, as well as wax flower and a fine foliage. On this side, it is embellished with a length of paisley-design Indian silk fabric.

This delightful mini composition is arranged on a small antique silver-plated tray, presenting a pair of brightly glazed gold ceramic pomegranates (a symbol of fertility), and an antique crystal cone-shaped vessel, containing Persian sugared almonds and gilded coins. The tray is embellished with a length of draped Indian silk and fine gold tassels, as well as more sugared almonds and gilded coins, symbols of harmony and prosperity.

This is another mini composition, which is on the opposite side to the sugared almond and gilded coin mini composition. Colourful bonbonnières with intricate borders, in the Persian spirit, cascade out of an antique silver-plated box, embellished with lengths of draped Indian silk fabric and trim. Unusually, the lid, which boasts a muted-orange decorative knob, is displayed separately, and vertically.

These soft and fragrant open Candlelight roses, wax flower and fine foliage are on display at a lower level in the forefront of the marriage sofreh (sofreh-ye aqd). With their soft cream/ivory shade, they perfectly complement the colour scheme of this original compact sofreh, with voluminously draped ivory silk as a backdrop, and embellished with lengths of paisley-design Indian silk fabric.

Persian sofrehs are customarily detailed and intricate. Hence, on this page their images are accompanied by descriptive captions. However, it is important not to lose sight of the aesthetic merits of individual natural elements. This delicate, fragrant and fully opened Candlelight rose, which is only a small part of the sofreh, perfumes the air, and, by itself, adds a sense of opulence to the sofreh.

Echoes of Sofreh-ye aqd, August 2021

During the month of August, more compact compositions, echoing the Persian marriage sofreh (sofreh-ye aqd), together with their details were presented. The emphasis was on soft, subtle and serene designs.

This remarkably peaceful arrangement is created on and around a large antique silver-plated tray. The lovely bouquet of spray roses and foliage takes centre stage. Crystal sugar and bonbonnières are presented in antique silver vessels. The arrangement is draped and embellished with lengths of fine antique lace and subtly illuminated with a pair of flames.

This is a close-up of the delicate bouquet at the heart of the arrangement. The sumptuously soft bouquet comprises Misty Trendsetter spray roses, snowberries (Symphoricarpos) and a variegated foliage, which is a variety of the Leucothoe plant. This particularly pleasant and elegant combination is most appropriate for any marriage ceremony.

This corner of the sofreh is dedicated to crystal sugar (a symbol of sweetness and harmony) in gold tones, embellished with lengths of fine antique lace and leaves of the Leucothoe plant. The gold strips of the leaves subtly complement the crystal sugar. The lids of the urn and the vessel, respectively containing the bouquet and the crystal sugar, are neatly presented separately.

In this corner of the sofreh two handmade bonbonnières in the Persian spirit are on display. Their colour combination and their intricate trims complement the colour scheme and the design of the sofreh. The bonbonnières included in the Persian marriage sofreh usually contain gilded coins, a symbol of wealth and prosperity, and Persian sugared almonds, a symbol of sweetness and harmony.

Unconventionally, this simple and compact arrangement is created on a stainless steel surface. The impressive bouquet is presented in a silver-plated ice bucket flanked by a pair of simple candleholders. The backdrop is a shimmering silver textile embellished with a length of fine antique lace. On the surface, more lengths of draped fine antique lace are on display.

This stunning bouquet of Snow/White Ball hydrangeas, Jelena spray roses, ivy, Viburnum opulus and Chasmantium latifolium (woodoats) is at the heart of this compact arrangement. It stands out against the shimmering silver background textile and lengths of fine antique lace. This soft and elegant bouquet, too, beautifully lends itself to decorating any marriage ceremony.

Clematis & Ranunculi

This enchanting arrangement, which is inspired by a bouquet of clematis and ranunculi, alludes to a Persian marriage sofreh (sofreh-ye aqd). Lengths of exquisite antique Persian textile (termeh) in yellow tones, with intricate embroidery and borders, offer the perfect background and backdrop for this delightful sofreh.

This is the overall view of the sofreh. The soft bouquet of clematis and ranunculi takes centre stage. The composition of crystal sugar is reflected in the contemporary, angular mirror. A lovely antique vessel holds the sugared almonds and gilded coins. The sofreh is illuminated with several flames at different levels.

This is a close-up of the antique opaline vessel holding the Persian sugared almonds (noql) and gilded coins (sekkeh). Sugared almonds are a symbol of sweetness and harmony, while gilded coins represent wealth and prosperity. The dish creates a lovely contrast with the intricate termeh that it is placed on.

The focus of this image is the bouquet of Sevilla clematis, Hanoi ranunculus, wax flower and Lepidium. This light and airy bouquet in pastel tones stands out against the background of yellow termehs. Clematis is not frequently used in flower arrangements and its inclusion here, especially in combination with Hanoi ranunculi, brings an original touch to this pleasant and peaceful composition.

This mini composition of crystal sugar (nabat) in different shapes and shades is presented in refined vessels. The main cluster of translucent crystal sugar is in the shape of an apple, a heavenly fruit and a symbol of fertility. It is embellished with leaves of clematis. The crystal sugar composition, which is partially reflected in the mirror, also boasts a translucent gold shade. Crystal sugar, too, is a symbol of sweetness and harmony.

Kahala Roses

This soft and serene arrangement, which alludes to a Persian marriage sofreh (sofreh-ye aqd), is inspired by an ample and lavish bouquet of magnificent roses, known as Kahala, and fine foliage.

The arrangement comprises lengths of draped antique lace and three ceramic pomegranates, with a shiny gold or silver metallic finish. The impressive bouquet takes centre stage, and the simple, yet elegant composition is subtly illuminated with a pair of flames.

This is a close-up of the bouquet of white Kahala roses, a type of Ligustrum and Eucalyptus populus, which is placed at the heart of the sofreh. The dark berries beautifully complement the Kahala roses with blushed edges, and the seeded Eucalyptus softly hangs over the draped antique lace.

Blue White Gold

This striking, yet serene and soft Persian marriage sofreh (sofreh-ye aqd), arranged in front of a fireplace with blue and white ceramic tiles, complements that colour scheme. The predominant element is a length of exquisite antique Persian brocade in blue, with antique-gold accents.

This is the overall view of the sofreh, with various containers and elements which reveal a touch of blue, often complemented with gold. The composition comprises the important symbolic elements of the sofreh-ye aqd—a mirror, candles, flowers, rosewater, Persian sugared almonds, crystal sugar, decorated eggs, wheat, gilded/gold coins, sculptured pomegranates, bonbonnières and elegantly draped textiles.

This is a close-up of an important section of this sofreh, comprising an antique French mirror (ayeneh) and a pair of empire-style candleholders (sham’dan). The mirror incorporates a lovely Sèvres porcelain panel with a blue and gold surround. An antique miniature Qur’an is displayed on top of its case and silk pouch, in front of the mirror. This image is a compelling example of ayeneh sham'dan and ayeneh Qura’n—revered symbols in the Persian culture.

This is an impressive display of ceramic pomegranates in blue and white tones, created by the Iranian artist, Keyvan Fehri. The collection, together with the accents of antique-gilded leaves, is presented on an antique silver-plated tray and beautifully complements the antique Persian blue brocade with an antique-gold floral pattern. Pomegranates, which are symbols of fertility, are frequently included in the sofreh-ye aqd.

The focus of this image is the bright blue and gold antique opaline flasks of rosewater (golab) to perfume the air. They elegantly complement the antique Persian blue brocade, draped under and upon the two-tiered silver-plated and crystal container of various tones of crystal sugar. An antique silver vessel of sugared almonds (noql) is displayed below the crystal sugar (nabat). In the Persian culture "nogl o nabat" are synonymous with joy and celebrations.

This is a close-up of the antique bronze and crystal container of decorated eggs. The turquoise- and blue-coloured eggs stand out and complement the predominantly blue and gold colour scheme of the sofreh. Eggs, like pomegranates, are a symbol of fertility and are regularly included in both sofreh-ye aqd and sofreh-ye Nowruz (haft sinn).

These two lovely porcelain pieces from an art deco tea set, with blue and gold embellishments, respectively contain sheaves of wheat (a symbol of blessing and abundance), and gilded and gold coins (a symbol of wealth and prosperity). The beautifully gilded, angular lids of the pieces, which are neatly displayed separately, add interest and brightness to this serene sofreh.

This image, taken from above, presents the ensemble of the draped antique Persian blue brocade and shimmering-silver textured textile. They are displayed next to the tray of blue and white pomegranates and an antique silver-plated and crystal container of a selection of bonbonnières made of silk, satin and velvet, with antique-gold metallic trims. This is an interesting and unusual view of the front of the “Blue White Gold” sofreh.

This images focuses on the pair of natural and graceful flower displays, which are unconventionally placed in the opposite corner to the traditional ensemble of the mirror and candleholders, known as ayeneh sham’dan in Persian. These two simple yet elegant bouquets, comprise white/cream roses, Pompon Mignon ranunculi, wax flowers, ivies and Viburnum tinus in bloom and with berries.

Echoes of Sofreh-ye aqd

Once again the wedding season is upon us. Throughout the month of May 2021 a variety of compact compositions were designed, echoing the Persian marriage sofreh (sofreh-ye aqd). In each case the sublime flowers, which take centre stage, have been the inspiration for creating the arrangements.

This soft composition is the first one of the “Echoes of Sofreh-ye aqd” group. It is inspired by a bouquet of Chiffon roses and foliage. The set-up is embellished with lengths of antique-gold silk textile and ivory antique lace. A few satin bonbonnières, in soft shades and in the Persian spirit, are on display. The arrangement is illuminated with a pair of flames and adorned with sprigs of foliage.

This is a close-up of the bouquet that inspired the creation of the first set-up in the “Echoes of Sofreh-ye aqd” series. The soft and subtle bouquet is composed of Chiffon roses in a pastel shade, variegated Pittosporum and a fine foliage, known as Briza media. The exquisite bouquet beautifully complements the fine textile and the delicate antique lace.

This original and minimal miniature arrangement is designed around a single spectacular white peony and sprigs of Viburnum tinus. The distinctive ivory candle complements the delicate petals of the peony. The set-up is created on an ivory silk background which is elegantly draped with a soft-gold open mesh. All elements are presented in an elegant silver-plated tray with a glass base.

This is a close-up of the spectacular white peony that inspired the creation of the second arrangement in the “Echoes of Sofreh-ye aqd" group. The wine-coloured berries of Viburnum tinus create an interesting contrast with the white feathery flower. A pair of flames illuminate the petals of the peony, and the draped gold mesh shimmers in the background.

This neat and uncomplicated arrangement, created on an antique silver-plated tray, presents an impressive bouquet of a variety of roses and foliage. The flowers are arranged in an antique urn, with its lid displayed separately. The set-up is illuminated with a pair of flames and elegantly embellished with tiny pieces of fine antique lace.

This is a close-up of the bouquet which takes centre stage in the third arrangement in this series. It is made of Miss Bombastic spray roses, and green Dynamic and cream Candlelight roses. The dominant foliage is Viburnum opulus with lovely blushed cream and green berries. The spiky, vibrant green foliage is known as Myrthus tarantina.

This pleasing ensemble, illuminated with flames at various levels, is the last set-up in this group. Its creation was inspired by an exquisite bouquet of Lorena Summerhouse roses. A single sculptured pomegranate, a symbol of fertility, is presented in an antique silver-plated container. A length of a subtle green textured textile with antique-gold accents is elegantly draped through the composition.

This is a close-up of the view from above the heart of the last arrangement in the “Echoes of Sofreh-ye aqd" series. The Lorena Summerhouse roses, which have an abundance of shapely buds and soft yet opulent flower heads, inspired the design. The delightful bouquet, which includes variegated Pittosporum and Lepidium, subtly shimmers in the candlelight.

Glorious Garlics

The humble garlic (sir, in Persian) is one of the symbolic elements included in the sofreh-ye Nowruz (haft sinn), which starts with the letter “s”. It is prized for its medicinal qualities, and is believed to have evil-averting powers. In the following compact arrangements, alluding to the sofreh-ye haft sinn, its aesthetic qualities have been wonderfully exploited.

These glorious and ample bulbs of garlic were the inspiration for creating this compact arrangement. The simple and pure set-up includes a flask of vinegar (symbolizing patience), flames (representing light), and only three bulbs of garlic with streaks in shades of mauve, which complement the lovely tones of the deep-purple tulips (a symbol of beauty, signalling the arrival of spring). All these elements are presented in antique, mainly silver containers.

Another compact arrangement was also inspired by these glorious and ample bulbs of garlic. It is a simple composition incorporating an airy, light and natural bouquet of deep-purple tulips, which complements the mauve streaks of the three plump bulbs of garlic. Tulips represent beauty and the rebirth of nature at the beginning of spring. This petite composition is presented in an attractive, antique, silver-plated and crystal container.

Once again these glorious and ample bulbs of garlic take centre stage in another compact arrangement. The lovely mauve streaks of the plump bulbs of garlic complement the deep-purple bouquet of tulips, representing beauty and signalling the beginning of spring. This simple composition is displayed on a glass-top table, and includes a platter with an antique lace base, as well as elegantly draped lengths of antique lace.

This is a variation on the last arrangement, which incorporates the same platter with an antique lace base. This set-up is embellished with several lengths and types of antique lace, and the pattern on the lace is repeated on the blue papier mâché box of gilded coins—a symbol of prosperity. A single flame depicts light. The delightful bouquet of purple hyacinths, Skimmia and ivy signals the arrival of spring. Bulbs of a different variety of garlic are on display.

Nowruz 1400 AS, 2021

In the Persian calendar, 20-21 March 2021 marks the beginning of a new century and a New Year, 1400 AS (anno shamsi) or SH (shamsi hejri). In the pursuit of variety, an informal and original sofreh, created by an Iranian artist in her home for Nowruz 1400, is being featured.

This overall view clearly reveals the emphasis on layering antique textiles and embroideries, which creates volume, depth and movement. A selection of original decorative objects and vessels enhance the beauty of the symbolic elements of the sofreh-ye Nowruz (haft sinn), including hyacinths, vegetation, apples, pomegranates, bulbs of garlic, decorated eggs, fish, vinegar, rosewater, sumac, mirrors, flames and a hand-written Qur’an.

Hyacinths, which herald the beginning of spring, are usually included in the sofreh-ye haft sinn for their beauty and sweet fragrance. Their presentation in this section of the sofreh is reminiscent of a wild garden. In the background, the antique watercolour of another spring flower, tulips, is an appropriate addition to the sofreh. A delicate antique mirror, a symbol of light and reflection, is placed next to the apples, a symbol of heaven and fertility.

Vegetation and sprouts also herald the beginning of spring. In her casual sofreh, the Iranian artist has opted for the vivid green Soleirolia solierolii (mind-your-own-business) as an interesting alternative for the germinated grains (sabzeh). A pair of sculptured pomegranates, an antique Persian silver dish containing sumac and a delicate antique silver flask of water, all displayed over antique textiles and embroideries, are part of this original sofreh.

This artistic image, taken from an unusual angle, reveals a detail from this creative sofreh-ye haft sinn. It presents an exquisite antique flask in silver and crystal, which contains rosewater (golab) to perfume the air. It is elegantly placed inside an antique Persian silver saucer with a rippled edge. The rich, shimmering vintage damask textile enhances the beauty of this section.

The focus of this image is the exquisite hand-written Qur’an, opened on an illuminated page and subtly lit with a single flame. A pair of Persian hand-crafted metal birds is included, as a symbol of good fortune, juxtaposed with a gold-finish bell. All the elements are displayed on a length of deep-red Ottoman velvet, embroidered with gold threads, which together with the sublime patina of the bell, complement the gilding of the illuminated Qur'an.

This is the heart of the sofreh, comprising vegetation, jujube fruit (senjed), sumac, vinegar, decorated eggs, bulbs of garlic, gilded coins, rosewater, a sculptured goldfish, pastries and an elegant antique Chinese bowl with matching plate, containing a sweet paste called samanu made of germinated wheat. Samanu, which is associated with fertility, is a traditional dish prepared exclusively by women on the eve of Nowruz. A few tea lights subtly illuminate this central section.

This image focuses on the exquisite plaque with the outline of a fossilized fish, which is softly gilded by the artist herself. It is another representation for goldfish, which are one of the symbolic elements of the sofreh-ye haft sinn. The plaque is displayed over a draped length of antique Persian embroidery, known as naqdeh duzi. The pair of gold and silver metallic-finish sculptured pomegranates beautifully complement the other gold- and silver-finish objects on the sofreh.

In the past, it was customary to include photos of deceased family members on the sofreh-ye haft sinn. This antique family photo album speaks to that tradition. Its refined papier-mâché cover features a festive royal occasion with music, dancing, wining and dining, which is related to the Nowruz celebrations. A decorative, antique silver snuffer and wick trimmer adds to the appeal of this corner of this original sofreh, created by an Iranian artist.

Simple Ideas for Sofreh, 2021

The following two compact compositions, with two very different colour schemes, spirits and appearances, allude to a Persian marriage sofreh (sofreh-ye aqd) or Nowruz sofreh (sofreh-ye haft sinn).

Silver Wattle (Mimosa)

This first compact arrangement, with an unusual colour scheme, is inspired by a bouquet in silver, dusty pink and wine tones, which takes centre stage.

This is the overall view of the arrangement. The shiny silver-finish ceramic pomegranates (a symbol of fertility) complement the subtle silver tones of the foliage. The arrangement is draped with a length of shimmering-silver, textured textile, and a piece of intricate, antique silver-thread trim. A pair of flames illuminate and enhance the beauty of the ensemble.

This is a close-up of the bouquet, placed at the heart of this compact arrangement. The fine silvery foliage with wine-coloured blush is known as Silver wattle (Mimosa) which compellingly complements the Viburnum tinus' wine-coloured berries. Various shades of the smoky pink Furusato spray roses soften and lighten up the bouquet and the sofreh.

Hydrangea & Termeh

This second compact arrangement is inspired by an outstanding, ample bouquet of hydrangeas in subtle tones, which is displayed in one corner.

This is the overall view of the arrangement, exploiting the beauty of a piece of draped antique Persian textile (termeh), with an intricate silver-thread border and fringe. An impressive bouquet of hydrangeas is on display, and the arrangement is illuminated by a single decorated candle. A tilted antique crystal cone-shaped vessel, containing sugared almonds, is on view. A length of intricate, antique silver-thread trim embellishes the sofreh.

This is a close-up of the focal point of the arrangement. The spectacular bouquet of hydrangeas in tones of mauve and green clearly stands out. Not only are the flower heads monumental, but the florets are also very distinctive, well-formed and opulent. The smoky shades of mauve and green create a pleasing contrast with the muted yellow and orange tones of the background antique Persian textile, known as termeh.

Bridal Flow Rose

This luminous yet serene arrangement, which was inspired by Bridal Flow spray roses and presented in art deco containers, alludes to a Persian marriage sofreh, sofreh-ye aqd.

This is the overall view of the arrangement. It is unusually staged on a sizeable chair and a low stand, which are draped voluminously in ivory silk, and embellished with lengths of antique lace. A few of the symbolic elements of the marriage sofreh are displayed and subtly illuminated with flames.

This silky bouquet of Bridal Flow spray roses, Pittosporum variegata, Lepidium, asparagus fern and ivy is presented in a silver-plated art deco vase and is placed at the heart of the marriage sofreh. The over-sized rosette made of off-white silk complements the shape and shade of the Bridal Flow roses.

The focus of this image is the delightful silver-plated and crystal art deco container which holds shiny silver-finish sugared almonds, a symbol of sweetness and harmony. This radiant central section is illuminated with a pair of flames, presented in attractive gold-rimmed tea light holders. In this original marriage sofreh a length of antique lace is elegantly draped around the distinctive, shapely container.

The focus of this image is an open art deco box of decorated eggs, a symbol of fertility. A delicate pouch, made of antique Persian textile (termeh) and embroidered with silver threads and seed pearls with a floral design, is on display. This exquisite bag either holds gilded coins, a symbol of prosperity, or it encases the bride’s cosmetics. This section is subtly illuminated with flames and draped with lengths of antique lace.

Snowball Hydrangea

These two compact compositions, with two different colour schemes, which echo the Persian marriage sofreh (sofreh-ye aqd) were inspired by a single stunning, splendid and superabundant hydrangea, known as Snowball.

This is the first and simpler compact composition, inspired by the Snowball hydrangea. It is a subtle and soft "white-on-white" arrangement created on a generous length of ivory silk and illuminated by a pair of flames. A length of intricate, antique lace emerges from a delicate silver-plated box, which could contain appropriate symbolic elements of the marriage sofreh, such as sugared almonds (noql), a symbol of sweetness and harmony.

This is an alternative to the previous arrangement which includes the same Snowball hydrangea. In this version the colour scheme is silver, and the composition is illuminated, at different levels, with three pairs of flames. Again, a length of subtle, antique lace protrudes from a delicate silver-plated box, which could contain appropriate symbolic elements of the marriage sofreh, such as gilded coins (sekkeh), a symbol of wealth and prosperity.

This is a close-up of the spectacular, ample and amazing single hydrangea, known as Snowball, which was the inspiration for creating the compact compositions above, which echo the Persian marriage sofreh (sofreh-ye aqd). The opulent textured sphere speaks to the draping and movement of the textiles which form the background spread in the simple arrangements above, with two different colour schemes.

The focus of this image is the length of intricate, antique lace which flows from the delicate silver-plated box and is partially covered by its fine and elegant lid. This charming miniature composition features in both the compact arrangements above. A pair of flames illuminate this appealing ensemble. The silver-plated box could contain appropriate symbolic elements of the Persian marriage sofreh, such as noql or sekkeh.

Art Deco Box

This theatrical miniature sofreh is inspired by a silver art deco box which acts as a candleholder and supports the mirror mosaic. The bouquet of delicate roses, known as Chiffon, and fine asparagus ferns takes centre stage. A length of ivory and gold silk with a paisley (boteh) design is elegantly draped over the surface. Fragments of lace and antique-gold trim, tassels, leaves of ivy and sprigs of asparagus fern enhance the beauty of the composition. A few of the symbolic elements of the Persian marriage sofreh (sofreh-ye aqd), including sheaves of wheat, decorated eggs, sugared almonds, crystal sugar, gilded coins, rosewater and flames are imaginatively presented.

This is the overall view of the theatrical miniature sofreh-ye aqd. While it has a traditional and symmetrical appearance, the juxtaposition of elements in a variety of styles, and the details of the draping and the movement of the textiles and trims reflect a theatrical and more original style.

These delightful champagne-coloured roses, known as Chiffon, and the delicate lace-like sprigs of asparagus fern echo the delicacy of the bride’s sheer veil in a Persian marriage ceremony. The Chiffon roses, which are subtly fragrant, perfume the air. This delicate bouquet takes centre stage.

This is the heart of the theatrical miniature sofreh. The silver art deco box holds a single distinctive, candle with art deco-style relief. A mirror mosaic is propped up inside the box’s open lid. The box is embellished with fine gold tassels. This central section is illuminated with a pair of flames, and its beauty is enhanced by fragments of lace and antique-gold trim.

This enchanting and shapely silver-plated miniature tray of crystal sugar (nabat) in gold tones is placed at the front of the sofreh. It is subtly embellished with a few leaves of ivy and sprigs of asparagus fern. The gold paisley (boteh) design of the silk textile elegantly complements the shades of the crystal sugar, which is a symbol of sweetness and harmony.

The focus of this image is the sheaves of wheat (a symbol of blessing and abundance), coloured eggs (a symbol of fertility), gilded coins (a symbol of prosperity) and a mirrored antique flask of rosewater (golab) to perfume the air. The beauty of this section is enhanced by sprigs of asparagus fern, fragments of lace and antique-gold trim, as well as delicate metallic gold tassels. A single flame subtly illuminates this corner.

The focus of this image is also the sheaves of wheat, hand-decorated eggs and sugared almonds (noql, a symbol of sweetness and harmony), presented in a reclining glass cup, placed inside an antique silver vessel. The beauty of this section is also enhanced by sprigs of asparagus fern, delicate metallic gold tassels, as well as the elegantly ruched ivory and gold silk that covers the surface. Another single flame illuminates this corner.

Furusato Rose

This is another simple and compact set-up which alludes to a marriage sofreh (sofreh-ye aqd). It is inspired by a soft bouquet of Furusato roses and foliage, and is again created on a mantelpiece in front of a mirror, both of which are antique and in the European style.

This is the overall view of the composition. The flowers take centre stage. Ceramic pomegranates, sheaves of wheat, an antique Qur’an, and a selection of bonbonnières are on display. The set-up is illuminated with flames and perfumed with rosewater, presented in an antique flask. Decorative metallic trims enhance the beauty of the arrangement.

This is the heart of the composition, focusing on the delightful bouquet of a new variety of spray roses in subtle shades of smoky pink/peach, known as Furusato, and olive branches. The gold-finish vessel that contains the flowers complements the frame of the antique mirror above the mantelpiece. The reflection of the pastel bouquet of roses is spellbinding.

The focus of this image is one corner of the set-up, showcasing an antique silver and crystal flask of rosewater, which perfumes the air. Its crystal stopper is displayed separately. A single, bright red ceramic pomegranate is on view. Handmade bonbonnières, in the Persian spirit, are on show on the mantelpiece and in a reclining antique, frill-edged vessel.

This image focuses on the other corner of the arrangement, showcasing an antique Qur’an with an exquisite papier mâché binding, embellished with an antique-gold trim. Sheaves of wheat, which are a symbol of blessing and abundance, as well as a single bright red ceramic pomegranate, which is a symbol of fertility, are presented in different antique containers.

Crimson Velvet

This pleasing arrangement alludes to a Persian marriage or Nowruz sofreh—soreh-ye aqd or soreh-ye haft sinn. It is inspired by an antique, intricately embroidered piece of rich-deep-red velvet.

This is the overall view of the set-up. A bouquet of soft peach hyacinths, wax flowers and seeded Eucalyptus is on display. An attractive silver-plated tray contains a single apple, decorated eggs, sculptures of pomegranates and gilded coins. The crimson velvet is placed at the heart of the composition, which is illuminated with a pair of flames.

This is a close-up of the antique piece of embroidery that inspired the creation of this composition. The rich-deep-red velvet, which is embroidered with silver threads and seed-pearls, is probably Persian. The ornamental motifs are floral with leaves and tendrils. This decorative piece is also embellished with sequins and a gold-finish trim.

This lovely bouquet of soft shades of peach hyacinths, wax flowers and seeded Eucalyptus takes centre stage. This delicate and delightful bouquet can enhance the beauty of any sofreh—whether it is created for Nowruz (sofreh-ye haft sinn), or for a marriage (sofreh-ye aqd).

This is a close-up of the single Delblush apple, decorated eggs, gilded coins and delicate gold tassels. Apples are among the heavenly fruits (miveh-ye beheshti). Eggs and coins represent fertility and prosperity. These symbols are included in the sofrehs for Nowruz and aqd alike.

Wave Classica

This is a colourful and ornate arrangement, including a few of the symbolic elements of the Persian marriage sofreh (sofreh-ye aqd). The creation was inspired by an impressive bouquet of Wave Classica, a variety of Japanese Lisianthus, and foliage. The mirror and the candelabra, which are part of the traditional Persian marriage sofreh, are antique and in the European style.

Here is the overall view of this vivid arrangement. A mirror and a pair of candelabra, a bouquet of flowers and foliage, sugared almonds and crystal sugar (noql o nabat) are on display. The arrangement is elegantly draped with an antique length of Persian silk, and brightened with fragments of open weave gold tulle which enhance its beauty.

This splendid bouquet of Japanese Lisianthus, known as Wave Classica, wax flowers and Eucalyptus populus inspired the creation of this ornate set-up. This rare variety of Lisianthus presents soft, subtle and dusty tones of cream, pink and peach, which are nicely complemented by the colours of the antique Persian textile that is draped around it.

This is an original display of crystal sugar (nabat), employing a layering approach. The base is a bright green, gold-rimmed porcelain plate. A glass scalloped, gold-rimmed plate is placed on it and the sticks of crystal sugar are arranged on a smaller plate with a lace-like and gold-rimmed edge. Nabat is a symbol of sweetness and peace.

This is a close-up of the antique crystal and bronze container of the traditional Persian-style sugared almonds (noql)—a symbol of sweetness and harmony. In the Persian weddings, noql also plays the role of confetti. The elegant draping of the antique Persian silk and the movement of the gold tulle are manifestly apparent in this depiction.

Bubble Rose

This simple and compact arrangement alludes to a marriage sofreh (sofreh-ye aqd). It is created on a mantelpiece in front of a mirror, both of which are antique and in the European style.

This is the overall view of the composition. A beautiful bouquet of white roses and foliage takes centre stage. Ceramic pomegranates, decorated eggs, a pair of birds and a selection of bonbonnières are on show. The set-up is illuminated with a pair of flames, while a length of antique lace is elegantly draped around the arrangement.

This image focuses on the lovely pair of antique-gold finish birds which personifies the couple. The statuettes are presented on top of an exquisite antique silver box, with its attractive lid elegantly displayed at a slant. A gracefully draped length of delicate antique lace is faintly visible in the background.

This airy and natural bouquet, which is composed of white Bubble spray roses, wax flowers, Viburnum tinus and an ornamental type of Japanese trailing ivy, is presented in an antique silver-plated urn, which is placed at the heart of the composition. The reflection of the bouquet in the mirror is dazzling.

This is a close-up of the bright green leaves of the ornamental Japanese trailing ivy, known as Hedera persaly. The juxtaposition of the unusual ivy, wax flowers and the dark berries of Viburnum tinus against the antique-gold finish frame and antique-silver finish urn is sensational.

This image focuses on the metallic-silver ceramic pomegranates and decorated eggs, presented in a silver-plated box. Pomegranates and eggs are both symbols of fertility. The beauty of this section is enhanced by the delicate antique lace that is elegantly draped around various elements.

These lovely, handmade bonbonnières, in the Persian spirit, dominate one corner of the arrangement. They cascade out of an antique silver-plated container onto the mantelpiece. Part of the delicate antique lace that is draped around the set-up offers a lovely contrast to the black marble surface.

Tisanières

In an attempt to introduce an original touch to the conventional sofreh for Nowruz, a collection of enchanting and colourful, antique tisanières (teapots on burners) are utilized to present some of the symbolic elements of the sofreh-ye haft sinn.

In this image the tisanières contain bouquets of tulips, hyacinths, hellebores, wax flowers and berried ivy. Flames shimmer inside the burners and an antique silver box with a lovely lid. Sculptures of apples embellished with crab apples are on display, as well as mini apples and a single bulb of garlic. The beauty of this composition is enhanced with two pots of variegated ivy.

This image focuses on the other attractive tisanières holding bouquets of white tulips, pink hyacinths, hellebores, wax flowers and berried ivy. The tips of a spray of wheat, and the lid of the teapot holding it, can be seen in the background. The base of one of the tisanières holds a pot of trailing ivy which gracefully hangs over the forefront and enhances the beauty of this set-up.

In this image a teapot with metallic-gold embellishment contains vinegar and is adorned with bunches of different colours of grapes. Its base holds a silver vase of hyacinths, tulips, hellebores, wax flowers and berried ivy. Another bouquet of the same flowers is presented in another tisanière with its blue-rimmed lid placed next to it. Graceful branches of trailing ivy are visible in the background.

In this image the teapots hold bouquets of spring flowers, hellebores and berried ivy. Flames shimmer inside the burners. A pair of miniature containers of ground sumac (somaq), a shapely burner containing gilded coins (sekkeh), and an antique silver vessel of jujube fruit (senjed) are on display. A pot of variegated ivy enhances the beauty of this original arrangement, which alludes to a sofreh.

Nowruz, 2020

In anticipation of Nowruz, this delightful sofreh was created, incorporating some of the symbolic elements of the sofreh-ye haft sinn. This original three-level composition is illuminated with numerous tea lights. Germinated wheat (sabzeh), spring flowers (hyacinths and tulips), an apple, and ceramic and fresh pomegranates are elegantly displayed. Statuettes of fish substitute live goldfish. Variegated trailing ivy, an impressive antique, carved-wood bow, and several pieces of antique textiles and embroideries enhance the beauty of this enchanting sofreh.

This image demonstrates the overall frontal view of this charming three-level composition, alluding to a sofreh for Nowruz (sofreh-ye haft sinn).

This image demonstrates the overall side view of this charming three-level composition, alluding to a sofreh for Nowruz (sofreh-ye haft sinn).

This is a close-up of one corner of the above sofreh. The image focuses on the blocks of germinated wheat (sabzeh), a symbol of growth and rebirth and the essence of this spring festival (Nowruz). Hyacinths, presented in an attractive vessel, lend beauty and herald the arrival of spring. A statuette of fish substitutes goldfish, a symbol of a number of things, including life, plenitude and blessing. Several flames illuminate this corner, and an exquisite piece of antique Persian textile (termeh) embroidered with silver thread enhances its beauty.

This is the other corner of the above sofreh. The focus of this image is the ceramic pomegranates in metallic gold and silver, as well as a single white one. A sole fresh, bright red, plump pomegranate and a single vivid Delblush apple, both among heavenly fruits (miveh-ye beheshti) symbolizing heaven and fertility, are on display. Statuettes of fish substitute live goldfish. A charming antique clock indicates the time at the start of the new year (sal tahvil). The beauty of this corner is enhanced with flames, variegated trailing ivy and another exquisite, embroidered antique Persian textile (termeh).

SOFREH as a Gift

The following compositions were especially designed to introduce the book on social media as a gift for different occasions. The posts present the book as a two-volume, lavishly illustrated publication which makes an enduring gift for those interested in art, culture and design. They also add that SOFREH includes many decorating ideas in the Persian spirit, as well as images of exquisite textiles, rare manuscripts and imaginative floral designs. To order your copy, please go to THE BOOK page.

This simple sofreh was designed to present the book as a gift for any occasion. It is arranged over a lovely draped gold and off-white Indian silk. Different volumes of the book are on display, some of which are presented inside transparent gift bags to highlight the elegance of the binding. The composition is subtly illuminated with a pair of gold-finish candles and embellished with a simple bouquet of berried ivies.

This simple composition was designed in the Christmas spirit to suggest the book as a Christmas present. It incorporates holly and pine sprigs, as well as tea lights, presented in subtly gleaming holders, which illuminate the composition. The shimmering flame, which is displayed inside the attractive slipcase of the book, adds an original touch to the arrangement, which otherwise presents the books embellished with traditional Christmas bows and berries.

This original arrangement alludes to a marriage sofreh (sofreh-ye aqd). The elegant composition comprising different lengths of antique lace was created to suggest SOFREH as an appropriate wedding gift, as the book provides numerous ideas for decorating the sofreh-ye aqd. The composition is illuminated with flames, one of which shimmers inside a slipcase. Several other symbolic elements, such as a pair of enchanting bird sculptures, sugared almonds, gilded coins and flowers (roses, wax flower, baby’s breath and crawling jasmine) are on display.

This charming composition alludes to a sofreh for Nowruz (sofreh-ye haft sinn). The background is gracefully embellished with crawling jasmine. A draped piece of antique Persian textile, known as termeh, is on display. Spring flowers, hyacinths and tulips, in a variety of colours are included. The composition is illuminated with flames, one of which shimmers inside a slipcase. This composition was designed to suggest SOFREH as an appropriate gift for Nowruz, as the book provides numerous ideas for decorating the sofreh-ye haft sinn.

Christmas Versus Nowruz

December, 2019. This unconventional and original sofreh is inspired by Christmas ornaments such as pine cones, nuts, and holly and pine sprigs, as well as the symbolic elements of sofreh-ye Nowruz (haft sinn) such as germinated wheat (sabzeh), spring flowers (hyacinths and tulips), apples and pomegranates.
As the “Seven Steps” sofreh was well received, here the display has been presented on seven levels/steps. The first two images showcase the overall composition from two different views—from above and from below—which reveal a fascinating contrast.

This image showcases an unusual view from the top of this original and descending sofreh, inspired by Christmas and Nowruz. The dazzling reflection of lights and flames in the glass stairway enclosure is alluring and magical. The image shows the actual illuminated sofreh on the left and its phenomenal mirror image on the right.

Apart from the many Christmas and Nowruz ornaments and symbolic elements, different shades of red and metallic gold evoke the spirit of Christmas, and echo the joy of Nowruz. This unusual and dazzling sofreh is illuminated with miniature Christmas lights, seven shimmering pillar candles and seven tea lights—flames are part of both Christmas and Nowruz adornments. The opposite image demonstrates the details of this creative sofreh more visibly.

This is an overall image of the sofreh embracing the spirit of Christmas and Nowruz. Two ewers contain a variety of Christmas foliage. Seven blocks of sabzeh and seven glowing pillar candles, which echo the spirit of Nowruz, are included. The foliage and sabzeh are illuminated with Christmas lights which elegantly link the two important symbols of both celebrations. There are seven silver containers of shimmering tea lights, and the shiny ceramic pomegranates are reminiscent of baubles. Spring flowers, fresh apples and gold-finish sculptures of apples, decorated nuts, eggs and pine cones, gold-finish leaves, as well as a vase of hydrangeas are on display. This inclining sofreh is adorned with a pair of antique, European, embroidered pieces of velvet. Two other lengths of deep-red, Ottoman velvet embroidered with gold thread are draped around the handrail.

The focus of this image is the upper part of the sofreh on seven levels, embracing the spirit of Christmas and Nowruz. This section showcases the sabzeh (a prominent symbol of Nowruz), pillar candles, some of the tea lights and one of the ewers containing Christmas foliage—sprigs of holly, pine, Leucadendron ayoba, and Skimmia. The foliage and the sabzeh are decorated with miniature Christmas lights. Fresh apples, hyacinths and tulips echo the spirit of Nowruz. The hydrangeas in deep-red, gold-finish leaves and sculptures of apples, as well as the pine cones portray the spirit of Christmas.

This is the midsection of the sofreh on seven levels, embracing the spirit of Christmas and Nowruz. The sabzeh (a prominent symbol of Nowruz) decorated with miniature Christmas lights, pillar candles, tea lights, pine cones and deep-red hydrangeas are on display. One fresh, over-sized pomegranate (a symbol of fertility in the Nowruz tradition) is grouped with shiny ceramic pomegranates, reminiscent of Christmas baubles. A pair of miniature antique silver vases contains sprigs of holly, echoing the spirit of Christmas. The tea lights are placed in silver containers and surrounded by the white berries and a few leaves of the Symphoricarpos (snowberry) plant.

This is the lower section of the sofreh on seven levels, embracing the spirit of Christmas and Nowruz. The focus of this image is the pair of European, antique velvet textiles, embroidered with gold thread, as well as a lovely, shiny green container of decorated nuts, eggs, pine cones and gold-finish leaves. The sabzeh (a symbol of Nowruz) and an ewer containing Christmas foliage, decorated with miniature Christmas lights are visible. Pillar candles and tea lights are on display, as well as a charming, antique, gold-finish cherub, another hallmark of Christmas.

This is an engaging view from above the sofreh on seven levels, embracing the spirit of Christmas and Nowruz. In this image taken from an unusual angle, apart from the seven sabzeh decorated with miniature Christmas lights and the pillar candles, which are fully visible, the bouquet of white hyacinths, echoing the Nowruz tradition, has come to life. The fresh apples and especially the gold-finish sculptures of apples are more prominent. This is the last of the images of this group, effectively capturing the combined spirit of Christmas and Nowruz.

Shab-e Yalda, Winter Solstice

December, 2019. Shab-e Yalda, or the winter solstice, is the longest night of the year. It is the eve of 1 Dey in the Persian calendar, corresponding to 21 December. The feast of Yalda originates in the pre-Islamic period and is associated with agriculture. Red fruits—watermelons and pomegranates—are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead. In the Persian tradition people get together, tea, sweets, fruits and nuts are served, and stories and poetry are recited, to get through the darkest and longest night of the year, when it is believed that demons are most active.