SOFREHS CREATED AFTER THE PUBLICATION OF THE BOOK

Crimson Velvet

This pleasing arrangement alludes to a Persian marriage or Nowruz sofreh—soreh-ye aqd or soreh-ye haft sinn. It is inspired by an antique, intricately embroidered piece of rich-deep-red velvet.

This is the overall view of the set-up. A bouquet of soft peach hyacinths, wax flowers and seeded Eucalyptus is on display. An attractive silver-plated tray contains a single apple, decorated eggs, sculptures of pomegranates and gilded coins. The crimson velvet is placed at the heart of the composition, which is illuminated with a pair of flames.

This is a close-up of the antique piece of embroidery that inspired the creation of this composition. The rich-deep-red velvet, which is embroidered with silver threads and seed-pearls, is probably Persian. The ornamental motifs are floral with leaves and tendrils. This decorative piece is also embellished with sequins and a gold-finish trim.

This lovely bouquet of soft shades of peach hyacinths, wax flowers and seeded Eucalyptus takes centre stage. This delicate and delightful bouquet can enhance the beauty of any sofreh — whether it is created for Nowruz (sofreh-ye haft sinn), or for a marriage (sofreh-ye aqd).

This is a close-up of the single Delblush apple, decorated eggs, gilded coins and delicate gold tassels. Apples are among the heavenly fruits (miveh-ye beheshti). Eggs and coins represent fertility and prosperity. These symbols are included in the sofrehs for Nowruz and aqd alike.

Wave Classica

This is a colourful and ornate arrangement, including a few of the symbolic elements of the Persian marriage sofreh (sofreh-ye aqd). The creation was inspired by an impressive bouquet of Wave Classica, a variety of Japanese Lisianthus, and foliage. The mirror and the candelabra, which are part of the traditional Persian marriage sofreh, are antique and in the European style.

Here is the overall view of this vivid arrangement. A mirror and a pair of candelabra, a bouquet of flowers and foliage, sugared almonds and crystal sugar (noql o nabat) are on display. The arrangement is elegantly draped with an antique length of Persian silk, and brightened with fragments of open weave gold tulle which enhance its beauty.

This splendid bouquet of Japanese Lisianthus, known as Wave Classica, wax flowers and Eucalyptus Populus inspired the creation of this ornate set-up. This rare variety of Lisianthus presents soft, subtle and dusty tones of cream, pink and peach, which are nicely complemented by the colours of the antique Persian textile that is draped around it.

This is an original display of crystal sugar (nabat), employing a layering approach. The base is a bright green, gold-rimmed porcelain plate. A glass scalloped, gold-rimmed plate is placed on it and the sticks of crystal sugar are arranged on a smaller plate with a lace-like and gold-rimmed edge. Nabat is a symbol of sweetness and peace.

This is a close-up of the antique crystal and bronze container of the traditional Persian-style sugared almonds (noql)—a symbol of sweetness and harmony. In the Persian weddings, noql also plays the role of confetti. The elegant draping of the antique Persian silk and the movement of the gold tulle are manifestly apparent in this depiction.

Bubble Rose

This simple and compact arrangement alludes to a marriage sofreh (sofreh-ye aqd). It is created on a mantelpiece in front of a mirror, both of which are antique and in the European style.

This is the overall view of the composition. A beautiful bouquet of white roses and foliage takes centre stage. Ceramic pomegranates, decorated eggs, a pair of birds and a selection of bonbonnières are on show. The set-up is illuminated with a pair of flames, while a length of antique lace is elegantly draped around the arrangement.

This image focuses on the lovely pair of antique-gold finish birds which personifies the couple. The statuettes are presented on top of an exquisite antique silver box, with its attractive lid elegantly displayed at a slant. A gracefully draped length of delicate antique lace is faintly visible in the background.

This airy and natural bouquet, which is composed of white Bubble spray roses, wax flowers, Viburnum Tinus and an ornamental type of Japanese trailing ivy, is presented in an antique silver-plated urn, which is placed at the heart of the composition. The reflection of the bouquet in the mirror is dazzling.

This is a close-up of the bright green leaves of the ornamental Japanese trailing ivy, known as Hedera Persaly. The juxtaposition of the unusual ivy, wax flowers and the dark berries of Viburnum Tinus against the antique-gold finish frame and antique-silver finish urn is sensational.

This image focuses on the metallic-silver ceramic pomegranates and decorated eggs, presented in a silver-plated box. Pomegranates and eggs are both symbols of fertility. The beauty of this section is enhanced by the delicate antique lace that is elegantly draped around various elements.

These lovely, handmade bonbonnières, in the Persian spirit, dominate one corner of the arrangement. They cascade out of an antique silver-plated container onto the mantelpiece. Part of the delicate antique lace that is draped around the set-up offers a lovely contrast to the black marble surface.

Tisanières

In an attempt to introduce an original touch to the conventional sofreh for Nowruz, a collection of enchanting and colourful, antique tisanières (teapots on burners) are utilized to present some of the symbolic elements of the sofreh-ye haft sinn.

In this image the tisanières contain bouquets of tulips, hyacinths, hellebores, wax flowers and berried ivy. Flames shimmer inside the burners and an antique silver box with a lovely lid. Sculptures of apples embellished with crab apples are on display, as well as mini apples and a single bulb of garlic. The beauty of this composition is enhanced with two pots of variegated ivy.

This image focuses on the other attractive tisanières holding bouquets of white tulips, pink hyacinths, hellebores, wax flowers and berried ivy. The tips of a spray of wheat, and the lid of the teapot holding it, can be seen in the background. The base of one of the tisanières holds a pot of trailing ivy which gracefully hangs over the forefront and enhances the beauty of this set-up.

In this image a teapot with metallic-gold embellishment contains vinegar and is adorned with bunches of different colours of grapes. Its base holds a silver vase of hyacinths, tulips, hellebores, wax flowers and berried ivy. Another bouquet of the same flowers is presented in another tisanière with its blue-rimmed lid placed next to it. Graceful branches of trailing ivy are visible in the background.

In this image the teapots hold bouquets of spring flowers, hellebores and berried ivy. Flames shimmer inside the burners. A pair of miniature containers of ground sumac (somaq), a shapely burner containing gilded coins (sekkeh), and an antique silver vessel of jujube fruit (senjed) are on display. A pot of variegated ivy enhances the beauty of this original arrangement, which alludes to a sofreh.

Nowruz, 2020

In anticipation of Nowruz, this delightful sofreh was created, incorporating some of the symbolic elements of the sofreh-ye haft sinn. This original three-level composition is illuminated with numerous tea lights. Germinated wheat (sabzeh), spring flowers (hyacinths and tulips), an apple, and ceramic and fresh pomegranates are elegantly displayed. Statuettes of fish substitute live goldfish. Variegated trailing ivy, an impressive antique, carved-wood bow, and several pieces of antique textiles and embroideries enhance the beauty of this enchanting sofreh.

This image demonstrates the overall frontal view of this charming three-level composition, alluding to a sofreh for Nowruz (sofreh-ye haft sinn).

This image demonstrates the overall side view of this charming three-level composition, alluding to a sofreh for Nowruz (sofreh-ye haft sinn).

This is a close-up of one corner of the above sofreh. The image focuses on the blocks of germinated wheat (sabzeh), a symbol of growth and rebirth and the essence of this spring festival (Nowruz). Hyacinths, presented in an attractive vessel, lend beauty and herald the arrival of spring. A statuette of fish substitutes goldfish, a symbol of a number of things, including life, plenitude and blessing. Several flames illuminate this corner, and an exquisite piece of antique Persian textile (termeh) embroidered with silver thread enhances its beauty.

This is the other corner of the above sofreh. The focus of this image is the ceramic pomegranates in metallic gold and silver, as well as a single white one. A sole fresh, bright red, plump pomegranate and a single vivid Delblush apple, both among heavenly fruits (miveh-ye beheshti) symbolizing heaven and fertility, are on display. Statuettes of fish substitute live goldfish. A charming antique clock indicates the time at the start of the new year (sal tahvil). The beauty of this corner is enhanced with flames, variegated trailing ivy and another exquisite, embroidered antique Persian textile (termeh).

SOFREH as a Gift

The following compositions were especially designed to introduce the book on social media as a gift for different occasions. The posts present the book as a two-volume, lavishly illustrated publication which makes an enduring gift for those interested in art, culture and design. They also add that SOFREH includes many decorating ideas in the Persian spirit, as well as images of exquisite textiles, rare manuscripts and imaginative floral designs. To order your copy, please go to THE BOOK page.

This simple sofreh was designed to present the book as a gift for any occasion. It is arranged over a lovely draped gold and off-white Indian silk. Different volumes of the book are on display, some of which are presented inside transparent gift bags to highlight the elegance of the binding. The composition is subtly illuminated with a pair of gold-finish candles and embellished with a simple bouquet of berried ivies.

This simple composition was designed in the Christmas spirit to suggest the book as a Christmas present. It incorporates holly and pine sprigs, as well as tea lights, presented in subtly gleaming holders, which illuminate the composition. The shimmering flame, which is displayed inside the attractive slipcase of the book, adds an original touch to the arrangement, which otherwise presents the books embellished with traditional Christmas bows and berries.

This original arrangement alludes to a marriage sofreh (sofreh-ye aqd). The elegant composition comprising different lengths of antique lace was created to suggest SOFREH as an appropriate wedding gift, as the book provides numerous ideas for decorating the sofreh-ye aqd. The composition is illuminated with flames, one of which shimmers inside a slipcase. Several other symbolic elements, such as a pair of enchanting bird sculptures, sugared almonds, gilded coins and flowers (roses, wax flower, baby’s breath and crawling jasmine) are on display.

This charming composition alludes to a sofreh for Nowruz (sofreh-ye haft sinn). The background is gracefully embellished with crawling jasmine. A draped piece of antique Persian textile, known as termeh, is on display. Spring flowers, hyacinths and tulips, in a variety of colours are included. The composition is illuminated with flames, one of which shimmers inside a slipcase. This composition was designed to suggest SOFREH as an appropriate gift for Nowruz, as the book provides numerous ideas for decorating the sofreh-ye haft sinn.

Christmas Versus Nowruz

December, 2019. This unconventional and original sofreh is inspired by Christmas ornaments such as pine cones, nuts, and holly and pine sprigs, as well as the symbolic elements of sofreh-ye Nowruz (haft sinn) such as germinated wheat (sabzeh), spring flowers (hyacinths and tulips), apples and pomegranates.
 
As the “Seven Steps” sofreh was well received, here the display has been presented on seven levels/steps. The first two images showcase the overall composition from two different views – from above and from below – which reveal a fascinating contrast.

This image showcases an unusual view from the top of this original and descending sofreh, inspired by Christmas and Nowruz. The dazzling reflection of lights and flames in the glass stairway enclosure is alluring and magical. The image shows the actual illuminated sofreh on the left and its phenomenal mirror image on the right.

Apart from the many Christmas and Nowruz ornaments and symbolic elements, different shades of red and metallic gold evoke the spirit of Christmas, and echo the joy of Nowruz. This unusual and dazzling sofreh is illuminated with miniature Christmas lights, seven shimmering pillar candles and seven tea lights—flames are part of both Christmas and Nowruz adornments. The opposite image demonstrates the details of this creative sofreh more visibly.

This is an overall image of the sofreh embracing the spirit of Christmas and Nowruz. Two ewers contain a variety of Christmas foliage. Seven blocks of sabzeh and seven glowing pillar candles, which echo the spirit of Nowruz, are included. The foliage and sabzeh are illuminated with Christmas lights which elegantly link the two important symbols of both celebrations. There are seven silver containers of shimmering tea lights, and the shiny ceramic pomegranates are reminiscent of baubles. Spring flowers, fresh apples and gold-finish sculptures of apples, decorated nuts, eggs and pine cones, gold-finish leaves, as well as a vase of hydrangeas are on display. This inclining sofreh is adorned with a pair of antique, European, embroidered pieces of velvet. Two other lengths of deep-red, Ottoman velvet embroidered with gold thread are draped around the handrail.

The focus of this image is the upper part of the sofreh on seven levels, embracing the spirit of Christmas and Nowruz. This section showcases the sabzeh (a prominent symbol of Nowruz), pillar candles, some of the tea lights and one of the ewers containing Christmas foliage—sprigs of holly, pine, Leucadendron Ayoba, and Skimmia. The foliage and the sabzeh are decorated with miniature Christmas lights. Fresh apples, hyacinths and tulips echo the spirit of Nowruz. The hydrangeas in deep-red, gold-finish leaves and sculptures of apples, as well as the pine cones portray the spirit of Christmas.

This is the midsection of the sofreh on seven levels, embracing the spirit of Christmas and Nowruz. The sabzeh (a prominent symbol of Nowruz) decorated with miniature Christmas lights, pillar candles, tea lights, pine cones and deep-red hydrangeas are on display. One fresh, over-sized pomegranate (a symbol of fertility in the Nowruz tradition) is grouped with shiny ceramic pomegranates, reminiscent of Christmas baubles. A pair of miniature antique silver vases contains sprigs of holly, echoing the spirit of Christmas. The tea lights are placed in silver containers and surrounded by the white berries and a few leaves of the Symphoricarpos (snowberry) plant.

This is the lower section of the sofreh on seven levels, embracing the spirit of Christmas and Nowruz. The focus of this image is the pair of European, antique velvet textiles, embroidered with gold thread, as well as a lovely, shiny green container of decorated nuts, eggs, pine cones and gold-finish leaves. The sabzeh (a symbol of Nowruz) and an ewer containing Christmas foliage, decorated with miniature Christmas lights are visible. Pillar candles and tea lights are on display, as well as a charming, antique, gold-finish cherub, another hallmark of Christmas.

This is an engaging view from above the sofreh on seven levels, embracing the spirit of Christmas and Nowruz. In this image taken from an unusual angle, apart from the seven sabzeh decorated with miniature Christmas lights and the pillar candles, which are fully visible, the bouquet of white hyacinths, echoing the Nowruz tradition, has come to life. The fresh apples and especially the gold-finish sculptures of apples are more prominent. This is the last of the images of this group, effectively capturing the combined spirit of Christmas and Nowruz.

Shab-e Yalda, Winter Solstice

December, 2019. Shab-e Yalda, or the winter solstice, is the longest night of the year. It is the eve of 1 Dey in the Persian calendar, corresponding to 21 December. The feast of Yalda originates in the pre-Islamic period and is associated with agriculture. Red fruits—watermelons and pomegranates—are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead. In the Persian tradition people get together, tea, sweets, fruits and nuts are served, and stories and poetry are recited, to get through the darkest and longest night of the year, when it is believed that demons are most active.

This is a contemporary sofreh for the occasion of Yalda, incorporating a samovar to serve tea, an exquisitely embroidered Persian textile known as termeh, Persian sweets, crystal sugar, nuts, red fruits, flowers, flames and a book of verse (divan-e Hafez, works of the 14th century Persian poet).

This is a variation on the previous sofreh. In this image the divan-e Hafez is open, and the ornamental container of crystal sugar has been moved to the background. Like the original sofreh, this one incorporates a samovar to serve tea, an exquisitely embroidered Persian textiles known as termeh, Persian sweets, crystal sugar, nuts, red fruits, flowers, flames and a divan-e Hafez.

This is a close-up of the exquisite early 20th-century Persian textile, probably from Kerman, known as termeh. The focus of the image is the intricately embroidered lion and sun motif with silver threads. The symbol is enhanced with a crown, flowers and tendrils. In the Persian culture the lion and sun emblem has many historical meanings which have evolved over the years. Describing and summarizing its significance and evolution in this brief caption would not do justice to its influence, prominence and history.

The focus of this image is a corner of the sofreh. This is a lovely display of miniature deep-red rose plant and Freedom cut roses, arranged in a traditional copper vessel, surrounded by deep-red (Red Delicious) apples. A cut watermelon is presented in another copper vessel. Some glasses of tea and a lovely tinted-glass candleholder are on display. Red fruits are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and a promise for longer days ahead.

This is the heart of the sofreh which focuses on the samovar and the traditional teapot together with the tea ready to be served in various traditional Persian glasses. A copy of the divan-e Hafez (works of the 14th-century Persian poet, Hafez) is displayed in the forefront. The ornamental glass bowl, which contains the translucent pieces of crystal sugar in soft white and gold shades, takes a central position. This section is illuminated with a pair of candles in lovely tinted-glass candleholders.

This is a side view of the heart of the sofreh. In this image the "tea paraphernalia”, tinted-glass candleholders, crystal sugar, whole and cut watermelons, pomegranates and apples, as well as deep-red roses are evident. Red fruits—watermelons and pomegranates—are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead.

This is a close-up of the traditional Persian sweets and some whole pomegranates. The jewel-like, homemade sweets are usually served on festive occasions. Here three different varieties—principally made of almonds, pistachios, chickpeas and honey—are presented in lovely Persian tinted-glass dishes similar to the candleholders.

The focus of this image is another corner of the sofreh. This is a lovely display of whole and cut watermelons, arranged in traditional copper vessels. The pomegranates are presented both whole and opened on a tinted glass platter. Deep-red apples (Red Delicious) are displayed on the termeh. This corner is illuminated with three flames shimmering inside delicate Persian tinted-glass holders.

Jashn-e Mehregan

October, 2019. Jashn-e Mehregan is an Iranian festival which is apparently dedicated to the god of Mithra (Mehr). To read more, please visit http://www.iranicaonline.org/articles/mehragan. Very briefly, in the Persian culture, Mehregan is believed to have the same significance as Nowruz, with Nowruz signalling the beginning of spring and Mehregan marking the arrival of autumn. The celebrations, which have their origins in the pre-Islamic period and are associated with agriculture and harvest, are usually held between 16 and 21 Mehr in the Persian calendar, which correspond to 8 and 13 October. Presently, sofreh is not part of the Mehregan customs, though apparently in the past it was. To mark the occasion, here is a sofreh showcasing a contemporary interpretation of past practices.

This is the overall view of the original sofreh, with blue and turquoise accents, which was created for the occasion of Jashn-e Mehregan. It incorporates a selection of symbolic elements, including fabrics, flowers, fruit and flames aspiring to various facets of good fortune.

This is the core of the sofreh created to mark the occasion of Jashn-e Mehregan. This image focuses on an impressive display of heavenly fruit (a variety of grapes and apples), which symbolize life, good fortune, prosperity and fertility.

This is a section of the sofreh, created to mark the occasion of Jashn-e Mehregan. This image focuses on an artwork by the Iranian artist, Bita Ghezelayagh, who typically works with woven material. Here she has combined a fragment of worn Persian carpet with the classic Persian art of mirror-work (ayeneh kari). This original piece of art which echoes fabrics and a customary mirror—elements which are usually part of a sofreh—is illuminated with flames inside a pair of turquoise-tinted holders. The vivid colour of the holders complements the pattern of the artwork.

This is a corner of the sofreh, created to mark the occasion of Jashn-e Mehregan. This image focuses on the sheaves of wheat and crystal sugar, placed inside a hessian bag filled with rice. Wheat and rice are associated with harvest and are symbols of blessing and abundance. As always, crystal sugar indicates the aspiration for a sweet and pleasant time ahead.

This is the central section of the sofreh, created to mark the occasion of Jashn-e Mehregan. This image focuses on a free-flowing bouquet of miniature and spray cream roses and baby’s breath. The soft, natural arrangement is draped with an open-weave length of hessian, which partially covers the surface, and alludes to a traditional sofreh.

This is another feature from the sofreh, created to mark the occasion of Jashn-e Mehregan. This image focuses on the other heavenly fruit—plump, shiny pomegranates, a symbol of fertility, as well as a vivid turquoise-coloured container of mixed dried fruit and nuts, which are usually served on festive occasions.

This is a corner of the sofreh, created to mark the occasion of Jashn-e Mehregan. This image focuses on more heavenly fruit—a ceramic turquoise-coloured pomegranate, next to crimson pomegranates, a symbol of fertility. Containers of sugared almonds (noql) and gilded coins, symbols of festivity and prosperity, are elegantly displayed.

This is the last image of the sofreh, created to mark the occasion of Jashn-e Mehregan. Here, the focus is on another original artwork by Bita Ghezelayagh. This piece, too, is a combination of the fragments of worn Persian carpets and the classic Persian art of mirror-work (ayeneh kari). This piece also echoes fabrics and a customary mirror—elements which are usually part of a sofreh. This novel work has been illuminated with a single flame inside a delicate turquoise-coloured holder, which picks up the shades of the weaves of the artwork.

Simple Ideas for Marriage Sofreh, 2019

The following arrangements, which allude to a marriage sofreh (sofreh-ye aqd), present some quite simple decorating ideas. They have been inspired by a variety of alluring flowers with distinct and different textures, colours and forms.

Secret Garden Rose

This dainty sofreh incorporates a single open rose, known as Secret Garden, and a few sprigs of asparagus fern. They are placed in a 19th-century Bohemian emerald green vase, with gold decoration and a medallion with hand-painted floral design. A pair of silver candle holders and a piece of antique lace are included in this natural and quiet arrangement.

This image displays the ensemble of this simple and serene composition.

The focus of this image is the miraculous open Secret Garden rose. The hand-painted floral design on an emerald green background, enhances the beauty of the rose, in full bloom.

Country Garden Roses

Here is another simple suggestion for decorating a marriage sofreh. It comprises only three stems of a new variety of rose, mixed with foliage. A draped crêpe-like, antique gold-coloured textile covers the vase and the surface. The arrangement is illuminated with a pair of antique gold-coloured candles and a flame, shimmering inside a lantern. Fabrics, flowers and flames are paramount in decorating a sofreh.

This is the overall view of this simple sofreh, lavishly draped with crêpe-like, antique gold-coloured textile, which creates a striking contrast with the stunning deep red roses.

This is a close-up of this new variety of rose, known as Country Garden, which is deep red with a curly green centre. The fine, graceful foliage (woodoats or Chasmanthium latifolium) enhances the beauty of these novel roses.

Hydrangeas & Lace

This is a simple suggestion, incorporating a low, rectangular, modern glass vase of hydrangeas and asparagus ferns, placed on a lavishly draped, light green raw silk. The arrangement is subtly illuminated with a pair of candelabra, and gracefully draped with a length of antique lace.

This is the overall view of the Hydrangeas & Lace composition arranged on a lavishly draped raw silk and elegantly adorned with a length of fine lace. This simple sofreh emanates softness and serenity.

This is a close-up of the glorious flowers. Hydrangeas offer a particularly sumptuous variety of colours and variegated shades. Here two varieties in pastel tones—a white and pale green, as well as a pale pink and green—are on display. Sprigs of asparagus fern lighten and soften the arrangement.

Juliet Roses & Lace

This composition is a variation on the sofreh with hydrangeas. The lavishly draped green silk forms the background. Here roses in a white, modern, upright vase have replaced the hydrangeas in a glass rectangular vase. The same candelabra illuminate the flowers, and the gracefully draped length of antique lace enhances the beauty of the arrangement. Again the importance of fabrics, flowers and flames is demonstrated in this simple arrangement.

This image presents the global view of this elegant, soft and subtle sofreh. The arrangement is very similar to the "Hydrangeas & Lace” above, yet the overall impression is very different.

This is a close-up of the sofreh with pastel roses, known as Juliet, asparagus ferns and woodoats foliage. The combination of the fragile Juliet roses, sprigs of fine asparagus fern and droopy woodoats creates a calm, soothing and poetic ambience.

Piano Garden Roses, Silver & Gold

These lovely garden roses, known as Piano, are at the heart of this original sofreh, which is arranged on an acrylic table, placed over a lavishly draped, crêpe-like silver textile. Several lengths of gold tulle adorn the arrangement and a fragment of lace partially covers the table. The sofreh is subtly illuminated by the flames of the tea lights in silver containers and in the “pocket” of the table. A silver bottle of rosewater perfumes the air.

This is the overall view of this refreshing sofreh, comprising a subtly illuminated bouquet of Piano garden roses, enhanced by lavishly draped textiles of different kinds—another example of the prominence of fabrics, flowers and flames in the Persian sofreh.

This is a close-up of the enchanting arrangement of Piano garden roses, fresh wheat and Alchemilla mollis. Flowers and foliage bring natural beauty and a fresh appearance into the arrangement. Wheat, which stands for bread, is a symbol of abundance and blessing.

New Ideas for the Wedding Season, 2019

Spring/Summer, 2019. The wedding season is upon us. A selection of new design ideas for the marriage sofreh (sofreh-ye aqd) have been added to this page. Here are two introductory images of decorated miniature sugarloaves (kalleh qand), presented on two different antique Persian textiles. Sugarloaves reflect an aspiration for a sweet and harmonious married life.

This image showcases the decorated miniature sugarloaves on an antique piece of lace, which is placed between two small plates of glass. The double-sided glass plate is placed on an antique Persian silk brocade.

This image showcases the decorated miniature sugarloaves displayed on the same double-sided glass plate, which is placed on an antique Persian textile, known as termeh.

Lace & Pearl Diamond Rose

This soft compact marriage sofreh juxtaposes the beauty of European antique lace with the striking effect of the silk, satin and velvet handmade bonbonnières, in the Persian spirit. A silver box holds an arrangement of ivory spray roses and foliage. Two pairs of silver candelabra flank the flowers. Some other symbolic elements included are ceramic pomegranates, sugared almonds, bunches of wheat and gilded coins.

This first image showcases the ensemble of the Lace & Pearl Diamond sofreh, including the drapery of lovely antique lace that loosely covers the tablecloth.

This is a close-up of this soft marriage sofreh. In this image the symbolic elements included, together with their containers and embellishments, are more visible.

This is the heart of the sofreh. The focus of this image is the Indian silver box with its open lid which is lined with lace. It holds the delicate ivory spray roses, known as Pearl Diamond, and a fine foliage (Lepidium), which complements the arrangement. The shimmering flames subtly illuminate the dainty ivory roses and foliage.

This is the front section of the same marriage sofreh. The antique silver-plated jardiniere contains a variety of handmade bonbonnières in the Persian style, made of silk, satin or velvet, with lovely metallic trims. White and gold tassels adorn the jardiniere.

This image showcases the left side of the sofreh. It focuses on the shiny gold-and silver-finish ceramic pomegranates, symbolizing fertility. A bouquet of fine foliage (Lepidium) and wheat, representing bread (a symbol of abundance and blessing), is on display. The “pocket” of the slim, antique, Persian silver vase is filled with gilded coins, a symbol of wealth and prosperity.

This image showcases the right side of the sofreh. It focuses on the silver-finish sugared almonds, symbolizing a sweet married life. Again, a bouquet of fine foliage (Lepidium) and wheat, representing bread (a symbol of abundance and blessing), is on display. The “pocket” of the slim, antique, Persian silver vase is filled with gilded coins, a symbol of wealth and prosperity.

Parrot Tulips & Termeh

Sensual Touch, which is a very late and rare variety of parrot tulip with variegated leaves, was the inspiration for creating this marriage sofreh. The composition includes some of the symbolic elements such as candelabra, decorated eggs and ceramic pomegranates. They are elegantly displayed on an antique, intricately embroidered Persian textile, known as termeh.

This is the overall view of the sofreh, known as Parrot Tulips & Termeh. This image reveals the pleasing contrast between the deep red, intricately embroidered termeh and the rich, voluminous ivory silk.

This is a close-up of the sofreh which was inspired by the Sensual Touch parrot tulips, displayed in a large antique silver-plated urn. The graceful movement of the stems of the parrot tulips is intriguing. The shiny surface of the urn, which is embellished with antique gold trims, substitutes the mirror. The turquoise shade of the ceramic pomegranates, embellished with calligraphy, is reminiscent of the radiant Persian tiles that are lavishly included in Persian architecture.

This is the heart of the Parrot Tulips & Termeh marriage sofreh showcasing an impressive selection of decorated and hand-painted eggs, symbolizing life and fertility.

This is a close-up of the late Qajar period (late 19th- or early 20th-century) Persian wool termeh, from Yazd or Kerman. It is lavishly embroidered with metallic thread, showcasing flowers, foliage, tendrils, bows and a crown with “congratulations” written in Persian script.

This image focuses on the left side of the marriage sofreh. It showcases ceramic pomegranates, a symbol of fertility. The juxtaposition of shiny, radiant gold and turquoise ceramic pomegranates, embellished with calligraphy, enhances the allure of this colourful composition.

This image focuses on the right side of the marriage sofreh. It showcases a ceramic pomegranate and decorated quail eggs, both symbols of fertility. The juxtaposition of a radiant turquoise ceramic pomegranate, embellished with calligraphy, and the decorated quail eggs enhances the allure of this colourful composition.

Tulips & Kilim

This arrangement on an acrylic side table, placed on an antique Afshar kilim, alludes to a marriage sofreh (sofreh-ye aqd). The fantastic double tulips are at the heart of the composition. A folded silver-plated serving tray stands in for the mirror, surrounded by several of the symbolic elements of the marriage sofreh—candelabra, handmade bonbonnières in the Persian spirit, crystal sugar, antique gold coins and hand-painted eggs.

This image showcases the overall view of the marriage sofreh, which is designed around the lovely, bright orange, double tulips, known as Sensual Touch.

This is a close-up of the central section of the Tulip & Kilim sofreh. The colourful handmade bonbonnières in the Persian spirit, protrude from a silver-plated box. The antique gold coins and the translucent gold crystal sugar are placed on the lid of the box. Their subtle reflection is evident in the shiny silver-plated panel, which has substituted the mirror.

These stunning late double tulips, known as Sensual Touch, inspired the creation of this composition, as well as the two that will follow. This is a close-up of the luscious flowers next to the candlelight. Flowers and flames are vital symbolic elements of any sofreh, enhancing its natural beauty and sparkle.

This image focuses on the right and central section of the Tulip & Kilim sofreh, so the intricate details of the hand-made bonbonnière are more visible. The hand-painted eggs (a symbol of fertility) are presented inside tiny glass containers. Gold coins and translucent gold crystal sugar, symbols of prosperity and harmony, add sparkle to this composition.

Tulips & Victorian-Style Bread Warmer

This arrangement on an acrylic side table, placed on fragments of an antique textile, alludes to a marriage sofreh (sofreh-ye aqd). The fantastic double tulips are at the heart of the composition. A Victorian-style bread warmer holds the bread. Two sets of candelabra are included. A jug of rosewater and a container of sugared almonds adorned with a single gold coin are presented on a delicate silver tray. Gold tassels and trims enhance the beauty of this original arrangement.

This image showcases the overall view of the marriage sofreh, which is designed around the shimmering orange, double tulips, and a Victorian-style bread warmer.

This is a close-up of the central section of this sofreh. The silver-plated Victorian-style bread warmer contains the bread, symbolizing abundance and blessing. It has a shiny silver finish, which provides reflection like a mirror. An elegant silver tray holds a jug of rosewater, and a container of sugared almonds adorned with a single gold coin. Gold tassels and trims enhance the beauty of this original arrangement.

This is a close-up of the delicate tray, which showcases a jug of rosewater to perfume the air, and sugared almonds adorned with a single gold coin, which symbolize a pleasant and prosperous married life. Gold tassels elegantly adorn this dainty silver tray.

These stunning late double tulips, known as Sensual Touch, inspired the creation of this composition, as well as the ones above and below. This is a close-up of their luscious flowers, illuminated with two pairs of shimmering flames. Flowers and flames are vital symbolic elements of any sofreh, enhancing its natural beauty and sparkle.

Tulips & Ottoman Textile

This arrangement on and underneath an acrylic table, placed on raw silk, alludes to a marriage sofreh (sofreh-ye aqd). The fantastic double tulips are at the heart of the composition. A fragment of an Ottoman textile is presented in an antique frame. The shimmering flames illuminate the arrangement. A single white ceramic pomegranate, containers of decorated quail eggs, shiny red and gold ceramic pomegranates and a ruffled container of crystal sugar adorn the composition.

This image presents the overall view of this original composition, which is arranged on two levels, and around a framed fragment of an Ottoman textile.

This is the heart of the sofreh showcasing the fragment of the Ottoman textile, next to the stunning candle-lit tulips. The single white ceramic pomegranate with a subtle gold rim and the white and gold containers of decorated quail eggs, which are symbols of life and fertility, complement the composition.

The focus of this image is the symbolic elements which decorate the floor under the transparent table, and over a ruffled piece of silk. The two-level arrangement brings an original touch to the sofreh. The ceramic pomegranates (a symbol of fertility) are embellished with calligraphy. A ruffled container of translucent crystal sugar (aspiring to a pleasant married life) and a few antique gold-finish leaves (alluding to prosperity) enhance the beauty of this original sofreh.

This image shows the details of the fragment of the Ottoman silk textile, lavishly embroidered with gold-coloured and silver threads. The shiny, orange background of the silk complements the lovely hues of the stunning tulips, which inspired a group of arrangements presented here.

Indian Textile

This refreshing and compact sofreh features an antique silver container of bright orange Pom Pom ranunculi, a pair of candles and two birds, representing the couple. An antique Indian textile, embroidered with gold-wrapped thread and iridescent wing-cases of jewel beetles, is draped around these symbolic elements of the marriage sofreh. For more information about this type of textile, visit https://www.vam.ac.uk/articles/indian-embroidery.

This is an overall view of this refreshing and compact marriage sofreh.

This is a close-up of the textile included in this marriage sofreh.

Soft Gold

This soft marriage sofreh (sofreh-ye aqd), arranged on a draped antique Persian textile, showcases some of the symbolic elements of the sofreh including a mirror, candelabra, a bowl made of crystal sugar (kaseh nabat), a pair of decorated miniature sugarloaves (kalleh qand), embellished eggs and walnuts, a pair of antique, ruby-red rosewater bottles and a delightful bouquet of Pom Pom ranunculi.

This is an overall image of the Soft Gold marriage sofreh, which is centred around an elaborate 19th-century mirror.

This is a close-up of the Soft Gold marriage sofreh. In this image eggs and walnuts, symbolizing fertility, are more visible.

This image focuses on the central section of the Soft Gold marriage sofreh, showcasing a bowl made of crystal sugar (kaseh nabat), which is a vital component of the marriage sofreh. Crystal sugar symbolizes sweetness, aspiring to a pleasant and harmonious married life.

This image focuses on the amazing Pom Pom ranunculi in a soft, pastel pink shade. Flowers are indispensable in decorating a sofreh, as they enhance the natural beauty and freshness of the arrangement.

Blue, Gold & Silver

This delightful composition, arranged on and in front of an antique Persian brocade, features a silver container of roses, arranged around a blue ornament, a pair of candleholders, gold-rimmed tumblers showcasing crystal sugar, as well as bottles of rosewater that are displayed horizontally, and a pair of birds—some of the symbolic elements of the marriage sofreh.

This is the overall view of the Blue, Gold & Silver marriage sofreh.

This image focuses on the details of the 19th-century woven Persian silk brocade, which forms the background of this charming sofreh.

Flowers play a central role in decorating a sofreh. The focus of this image is the arrangement of pastel Pompeii roses in an antique silver biscuit box. The blue ornament in the centre complements the blue Persian brocade.

This image focuses on the birds which represent the couple. The gold-rimmed tumblers, which showcase the segments of translucent crystal sugar in white and gold, reflect an aspiration for a sweet and harmonious married life.

Radiant Ranunculi & Termeh

This sofreh, arranged on an elaborately embroidered antique Persian textile known as termeh, showcases a silver container of dazzling Pom Pom ranunculi, a pair of candleholders, decorated eggs, crystal sugar in the form of an apple, sugared almonds speckled with gilded coins, and a delicate mirrored antique rosewater jug—some of the symbolic elements of the marriage sofreh.

This is the overall view of the sofreh, entitled Radiant Ranunculi & Termeh, which includes some of the symbolic elements of the marriage sofreh (sofreh-ye-aqd).

This is a close-up of the same sofreh. In this image the delicate mirrored antique rosewater jug is more visible. This dainty object replaces the customary mirror (a symbol of reflection and light) and contains rosewater to perfume the air.

The focus of this image is the sugared almonds speckled with gilded coins — aspiring to a sweet, harmonious and prosperous married life. Sugared almonds and gilded coins are important symbolic elements in this sofreh.

The focus of this image is the crystal sugar, aspiring to a pleasant and harmonious married life. It is in the form of an apple which symbolizes fertility. This is another important symbolic element in this sofreh.

Mantelpiece

This is the frontal view of the overall composition. Plump full-bodied roses are beautifully reflected in the mirror. A lovely piece of termeh with an elaborate trim is draped over the mantelpiece. Different shades and sizes of apples, two miniature containers (one containing sugared almonds, the other gilded coins) and lots of glowing flames complement this simple arrangement.

This is a slightly angled view of the overall composition. Again, plump full-bodied roses are beautifully reflected in the mirror. A lovely piece of termeh with an elaborate trim is draped over the mantelpiece. Different shades and sizes of apples, two miniature containers (one containing sugared almonds, the other gilded coins) and lots of glowing flames complement this simple arrangement.

The focus of this image is one end of the arrangement on an antique mantelpiece, incorporating sabzeh, tiny apples and flickering flames.

This image focuses on the other end of the arrangement on an antique mantelpiece, incorporating sabzeh, oversized apples, a delicate gold-painted apple sculpture, two miniature containers — one upright, containing sugared almonds, the other on its side containing gilded coins — and a piece of termeh with an elaborate border.

Ceramic Pomegranates

A rectangular sabzeh is placed in the centre of the silver tray presenting the ceramic pomegranates. Some other symbolic elements of Nowruz such as apples, hyacinths, tulips and shimmering flames adorn the arrangement. The exquisite embroidered antique textile, known as termeh, enhances this compact sofreh’s beauty.

This image focuses on the sabzeh placed in the centre of a collection of delightful ceramic pomegranates, principally created by the Iranian artist, Keyvan Fehri. This is the central section of the compact sofreh, which was inspired by this collection.

Seven Steps

This is the overall image of the sofreh entitled Seven Steps.

The focus of this image is the upper side of the sofreh, entitled Seven Steps.

The focus of this image is the lower side of the sofreh, entitled Seven Steps.

The focus of this image is the central part of the sofreh, entitled Seven Steps.

This is a striking view from the top of the stairs focusing on the central and narrower section of the sofreh, entitled Seven Steps.

This is an engaging view from the top of the stairs of the sofreh, entitled Seven Steps.

Nowruz Versus Christmas

This appealing image was taken before sunset. The sofreh is displayed on four levels — the surface of a round, metal table covered with artificial snow, two garden chairs, an acrylic side table and the floor itself. The shiny ceramic pomegranates are reminiscent of baubles. The most dazzling characteristic of this unusual sofreh is the numerous shimmering candles, which are part of both Nowruz and Christmas adornments.

This image, which also reveals the engaging backdrop, was taken after sunset. The sofreh is displayed on four levels—the surface of a round, metal table covered with artificial snow, two garden chairs, an acrylic side table and the floor itself. The shiny ceramic pomegranates are reminiscent of baubles. The most dazzling characteristic of this unusual sofreh is the numerous shimmering candles, which are part of both Nowruz and Christmas adornments.

This image focuses on one of the garden chairs featuring fresh sabzeh illuminated by Christmas tree lights, holly and pine sprigs, oversized walnuts, apples, pine cones and a mirrored candle-holder supporting a single shimmering candle on the chair.

This image focuses on the other garden chair featuring fresh sabzeh illuminated by Christmas tree lights, pine sprigs, pomegranates, apples, pine cones and a mirrored candle-holder supporting a single shimmering candle on the chair.

The focus of this image is the acrylic side table, providing an unusual base for the ceramic pomegranates in various shades, which are enchanting alternatives to baubles. The rough and natural pine cone on the table, as well as similar pine cones and a single tiny apple underneath the table provide an interesting contrast with the glossy pomegranates. A bouquet of red tulips brings a touch of spring. The composition is illuminated by a row of shimmering tea lights placed in the “pocket” of the table, and a separate tea light in an elegant holder.

The focus of this image is the central table covered with artificial snow, presenting the juxtaposition of the symbolic elements of Nowruz (hyacinths, a jumbo crimson pomegranate, an oversized apple, as well as tiny apples) with Christmas ornaments (pine tree sprigs and a giant pine cone), all subtly illuminated by candles placed in elegant holders.

Shab-e Yalda, Winter Solstice

This is a contemporary sofreh for the occasion of Yalda, incorporating two exquisitely embroidered Persian textiles, known as termeh, fruits, flowers, herbs, nuts, a beautifully bound book of verse, and lots of glowing flames. Red fruits—watermelons and pomegranates—are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead.

This section of the sofreh for Shab-e Yalda focuses on the details of the exquisitely embroidered termehs, with flowers, tendrils, bows, tassels, crowns and “congratulations” written in Persian script.

This is the heart of the sofreh for Shab-e Yalda, which focuses on the red fruits—whole and open pomegranates, as well as cut and whole watermelons. Red fruits are important components of this celebration, heralding the crimson hues of sunrise after absolute darkness, and the promise of longer days ahead.

The main focus of this corner of the sofreh for Shab-e Yalda is a selection of fruits (especially red fruits), fresh herbs and foliage.

Jashn-e Mehregan

This sofreh, which is a contemporary interpretation of past practices, incorporates an exquisite termeh, mirror, candles, wheat, flowers, fruit, herbs, sugared almonds, gilded coins, nuts and dried fruit, which are symbols of light, love, joy, good fortune, abundance and prosperity...

This section of the sofreh for the celebrations of Mehregan focuses on the mirror, candles, bunches of wheat and ceramic pomegranates, which are symbols of light, good fortune and abundance...

This is the central section of the sofreh for the celebrations of Mehregan. Its focus is on dainty garden roses, mixed dried fruit and nuts, senjed (jujube fruit) and noql (sugared almonds) speckled with gilded coins, which are symbols of joy, love, good fortune and prosperity...

This section of the sofreh for the celebrations of Merehgan focuses on herbs, gilded coins poured into the “pockets" of a pair of antique Persian silver vases, and heavenly fruits (apples, pomegranates and grapes), which are symbols of joy, good fortune and prosperity...

Marriage Ceremony (aqd), Outdoor Sofreh

August, 2018. This delightful outdoor sofreh was put together by the author in Vancouver, B.C., Canada, for the marriage ceremony of a friend.

In August 2018 this refreshing outdoor sofreh was put together by the author in Vancouver, Canada. This image presents the overall composition, incorporating many of the symbolic elements of the marriage sofreh (sofreh-ye aqd). The next images show the intricate details of this sofreh.

This is the central part of the sofreh. Three small trays, known as farmanbar, contain natural pods of rue (esfand), as well as its gold and silver decorated seeds. A traditional Persian tea glass containing miniature roses and foliage is placed in the centre of each tray. Behind this delicate composition, there are two farmanbars containing traditional Persian home-made pastries.

This delightful bowl of crystal sugar, known as kaseh nabat, forms part of the August 2018 outdoor sofreh. The kaseh nabat is placed on a round silver tray and embellished with a piece of antique embroidered tulle, known as naqdeh. The round tray is presented on a bed of Persian sugared almonds and gilded coins, known as noql and sekkeh, on a larger silver tray.

This is another section from the August 2018 outdoor sofreh showcasing a bunch of wheat and flat bread in the shape of a cone holding fresh herbs—all symbols of growth, abundance and flourishing. In the foreground two farmanbars contain traditional Persian home-made pastries.